故事发生在上世纪初的美国，当时的女子并没有投票权利，爱丽丝、露西等数位女子为女性积极地争取选举投票权利所经历的重重困阻，以及她们所付出的努力和不懈斗争。

《女权》是编剧洪深根据自己的《爱情的逃亡者》改编的。 　　宋家玉是个受过教育的女性，所以她对于自己处于如一般女人一样在家庭中庸俗的附属地位感到十分反感。而且，自己在爱情生活上也是一波三折，宋家玉毅然离开了家庭，独立地走入了社会。但是，初入社会的宋家玉没有明确的奋斗目标，她做过银行职员、中学教师、女工等工作，有了几年在社会上工作的经历，可还是觉得前途渺茫，不知何去何从。宋家玉于是又嫁给了一个律师，重新回到了家庭，做了太太。影片结尾，宋家玉再次离开家庭，可是这一次她走向什么地方，观众还是不知道。

这部电影在 2022 年戛纳电影节特别放映。 　　布列斯特的 Élise、圣艾蒂安的 Alexia、贡比涅的 Cécile 和马赛的吉尔：成千上万的年轻女性谴责基于性别的暴力、街头骚扰和男子气概他们每天面对的言论。晚上，他们手持白色床单和黑色油漆，贴上支持受害者的信息和反对杀害女性的口号。有些人是长期的女权主义者，有些人从来都不是活动家，但所有人都在反抗经常让她们的生活天翻地覆的暴力。性别歧视无处不在。

这部电影在 2022 年戛纳电影节特别放映。 　　布列斯特的 Élise、圣艾蒂安的 Alexia、贡比涅的 Cécile 和马赛的吉尔：成千上万的年轻女性谴责基于性别的暴力、街头骚扰和男子气概他们每天面对的言论。晚上，他们手持白色床单和黑色油漆，贴上支持受害者的信息和反对杀害女性的口号。有些人是长期的女权主义者，有些人从来都不是活动家，但所有人都在反抗经常让她们的生活天翻地覆的暴力。性别歧视无处不在。

傅义（葛香亭饰）是公司总经理，为人傲慢，对员工不是打就是骂，但董事会不敢开除傅义，准许他回家休养。郑耀发（梁修身饰）是傅的下属，在傅的家里做些打杂的工作，郑想给自己放个假，就把乡下的妹妹阿薇（汤兰花饰）叫了过来，郑对自己的妹妹也是打骂毫不手软。总经理活了半百，家里都没有一个至亲相伴，年轻漂亮的阿薇一下就进入总经理的眼里，对阿薇是百依百顺。堂堂的总经理也做起家务活，被阿薇骂了还不敢反嘴，着实感受到了女性的伟大。本片的几首曲子由陈盈洁，蒋光超主唱。

The main story of this film is enfolded between opening and closing sequences of a youthful Adam and Eve reliving their famous moment in the Garden of Eden. In the central episode, two young people in love are kept separate by their families. The boy has a monstrous father who lives in a castle and who may or may not actually be a vampire. The girl lives a reasonably prosperous middle-class existence. When the boy's parents die, it looks as though they might be able to get together, but only for a little while. This highly mannered and symbolic Mexican film was made by Rafael Corkidi, the cinematographer for the equally peculiar film, El Topo. - Clarke Fountain, All Movie Guide

The main story of this film is enfolded between opening and closing sequences of a youthful Adam and Eve reliving their famous moment in the Garden of Eden. In the central episode, two young people in love are kept separate by their families. The boy has a monstrous father who lives in a castle and who may or may not actually be a vampire. The girl lives a reasonably prosperous middle-class existence. When the boy's parents die, it looks as though they might be able to get together, but only for a little while. This highly mannered and symbolic Mexican film was made by Rafael Corkidi, the cinematographer for the equally peculiar film, El Topo. - Clarke Fountain, All Movie Guide

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. Feminists - What Were They Thinking? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. Feminists - What Were They Thinking? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.