In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. Feminists - What Were They Thinking? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. Feminists - What Were They Thinking? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. Feminists - What Were They Thinking? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

一位默默无闻的女画家，目击了一名男子被火车撞死的情形。报馆的摄影师，和负责采访的记者被派到事故现场进行报道。摄影师刚发现自己患了癌症，画家则刚刚失去了父亲，而陌生人的死亡使他们走到了一起。记者则刚发现当助产士的女友意外怀孕。因为与性格不合的前妻当年也是奉子成婚，他竟摆出一副冷淡的态度对待女友。与主角一样，一对配角同样面对着威胁，不过却是来自新生命的威胁……

一位默默无闻的女画家，目击了一名男子被火车撞死的情形。报馆的摄影师，和负责采访的记者被派到事故现场进行报道。摄影师刚发现自己患了癌症，画家则刚刚失去了父亲，而陌生人的死亡使他们走到了一起。记者则刚发现当助产士的女友意外怀孕。因为与性格不合的前妻当年也是奉子成婚，他竟摆出一副冷淡的态度对待女友。与主角一样，一对配角同样面对着威胁，不过却是来自新生命的威胁……

This documentary feature, produced in association with The Grammy's, looks at the history, songwriting, and recording process of five differen…

《女权》是编剧洪深根据自己的《爱情的逃亡者》改编的。 　　宋家玉是个受过教育的女性，所以她对于自己处于如一般女人一样在家庭中庸俗的附属地位感到十分反感。而且，自己在爱情生活上也是一波三折，宋家玉毅然离开了家庭，独立地走入了社会。但是，初入社会的宋家玉没有明确的奋斗目标，她做过银行职员、中学教师、女工等工作，有了几年在社会上工作的经历，可还是觉得前途渺茫，不知何去何从。宋家玉于是又嫁给了一个律师，重新回到了家庭，做了太太。影片结尾，宋家玉再次离开家庭，可是这一次她走向什么地方，观众还是不知道。

《女权》是编剧洪深根据自己的《爱情的逃亡者》改编的。 　　宋家玉是个受过教育的女性，所以她对于自己处于如一般女人一样在家庭中庸俗的附属地位感到十分反感。而且，自己在爱情生活上也是一波三折，宋家玉毅然离开了家庭，独立地走入了社会。但是，初入社会的宋家玉没有明确的奋斗目标，她做过银行职员、中学教师、女工等工作，有了几年在社会上工作的经历，可还是觉得前途渺茫，不知何去何从。宋家玉于是又嫁给了一个律师，重新回到了家庭，做了太太。影片结尾，宋家玉再次离开家庭，可是这一次她走向什么地方，观众还是不知道。