根据同名漫画改编而成的非商业作品，不定期连载中。

根据同名漫画改编而成的非商业作品，不定期连载中。

杀手景阳受命行刺昏庸女皇，却因行踪泄露陷入生死一线，离奇穿越到几百年后的现代社会。在遇到和女皇容貌一样的社畜女孩陆思甜后，一度开启鸡飞狗跳的追杀模式！可怜的陆思甜，生活原本就一地鸡毛，突遭如此无妄之灾，日子过得更加艰难起来。

女皇陛下来追夫：女帝明凰与霍君泽相爱，却遭逢大难。霍君泽为保明凰而赴死，明凰悲痛欲绝，却意外穿越至现代与霍君泽重逢。两人在现代都市中携手创业，共同面对挑战，明凰展现领导才能，霍君泽则以智慧和勇气支持她。他们共同克服困难，创造传奇，让爱情在现代都市中绽放光芒。最终，他们的事业与爱情双双成功，成为佳话，留下永恒的传奇。

女皇陛下来追夫：女帝明凰与霍君泽相爱，却遭逢大难。霍君泽为保明凰而赴死，明凰悲痛欲绝，却意外穿越至现代与霍君泽重逢。两人在现代都市中携手创业，共同面对挑战，明凰展现领导才能，霍君泽则以智慧和勇气支持她。他们共同克服困难，创造传奇，让爱情在现代都市中绽放光芒。最终，他们的事业与爱情双双成功，成为佳话，留下永恒的传奇。

他是她年少倾心的君王，亦是护她周全的忠臣。一朝权谋，他以“逝世”为代价，为她铺就通往至高权力的路，护她江山安稳。她从此独守空城，君临天下，看似拥有一切，却夜夜入梦，只为寻他。当尘封的传说再度响起，是故人归来，还是又一场镜花水月的空梦？

Bold被女友骗了后，决定从城市回乡下老家去见老爹老妈。在路上，他遇到了一个想要逃离自己生活的女孩。他们遇到了Bold家的朋友，这位朋友瞎带口信，告诉Bold的爹娘，Bold要带他的新娘回家。（差不多是这个意思啦！我也没看过原片） 　　Bold decides to go countryside home to meet his parents from city after he confronted his girlfriend cheating on him. On the way he met a girl who wants to go away from her life. They met Bold's family friend who sent a wrong message to his family about their son bringing their bride.

苏见欢守了半辈子寡，一个人扒拉大两个儿子，本以为苦尽甘来，终于能开启悠哉悠哉的退休生活。结果谁能想到，她一个年近中年的将军夫人，去庄子休养顺便养个面首竟然能招惹当今皇上元逸文，元逸文：夫人这“老房子着火”的劲儿，真是把朕烧得心甘情愿。这面首，朕当定了！

世界电影史上首位女导演爱丽丝·居伊极少数存世的电影长片。讲述了画家路易斯·德·鲍德利以他的模特内德拉为灵感缪斯，创作了一幅画，并命名为“女皇”。百万富翁埃里克·布鲁斯看到这幅画就爱上了画中人，决心要找到并迎娶内德拉。女主角内德拉因此深陷两位男士的“斗争”中。

Frank Simon’s keenly observed 1968 documentary is a behind-the-scenes view of a drag-queen contest at the Town Hall, in midtown Manhattan. The movie starts with a portrait of the MC, Jack, whose drag name is Sabrina. Simon details the emergence, by way of makeup and costuming, of Jack’s – and the contestants’ – superb artistry. In their hotel rooms, the show’s participants discuss the practicalities of gay and trans life at the time: their relationships with their partners and with parents and neighbors, the option of sex-affirming surgery. Despite its flash and glitz, the pageant comes off as difficult, exacting work; for all the camaraderie of the drag queens, the competition is fierce and serious. Simon reveals racial tensions among the contestants as well as the eternal conflict between life-worn troupers and talented young newcomers. Whether pushing the camera close to the performers or zooming in from afar, Simon intimately captures the lavish life of theatrical imagination that inspires them, and presents the public performance of gender as an urgent act of liberation. (源自: TIDF 2024)