年轻少年季飞车祸后醒来，发现自己被困诡异密室。冰冷机械音宣布：唯有通过七重人性试炼，方能重生归来。傲慢、嫉妒、暴怒、懒惰……每扇门后都是他过往人生的镜像倒影。在这里，他曾欺负过的女孩化为审判者，被忽视的真心成为致命利器。财富与权势第一次毫无用处，他必须直面那个连自己都厌恶的灵魂。

A compilation of performances including extracts from 'Raymonda', 'Romeo And Juliet' and 'Swan Lake'. Also an interview with Maya Plisetskaya about her life and career. 　　 　　This DVD has two parts. The first, 71 minutes long, called “In Performance,” is a visual retrospective of Maya Plisetskaya’s career; an assemblage of film clips highlighting the virtuosity of her dancing and variety of the roles she assumed. She was an outstanding dancer, combining technical brilliance with a keen understanding of the characters she played. Plisetskaya not only had charisma, she had dramatic flare and stage presence. Blessed with an extremely flexible body, she was capable of bending backwards to a remarkable degree, a feat used to great effect when combined with high leaps. In her roles as a swan, Odette and The Dying Swan, she could produce a ripple that undulated through the length of her arms effectively creating the illusion of beating wings. 　　 　　Plisetskaya graduated from the Moscow Bolshoi Ballet School in 1943, when she joined the Bolshoi Ballet as a soloist. Two years later, she became a Ballerina and danced the standard ballerina roles, including Raymonda, Odette/Odile, Kitri, Juliet, and Princess Aurora. In the early 1960s, Plisetskaya was hailed prima ballerina assoluta of the Bolshoi. Julia Lukjanova, in the accompanying booklet, describes Plisetskaya as the “Maria Callas of the ballet.” Unlike Callas, Plisetskaya has lived a long life, and by changing the direction of her career, has enjoyed a long professional life. Plisetskaya was instrumental in expanding the Bolshoi’s repertoire to include modern and experimental works, some of which are glimpsed in this video. 　　 　　With the exception of three works (the Bach Prélude, Saint-Saëns’s The Dying Swan, and Ravel’s Boléro), glimpses are all we get, leaving the viewer begging for more. The snippets from the full-length ballets, most filmed before an audience—a few on soundstages, reveal dancing on an extraordinary level. The film quality varies from acceptable to quite good; some segments are in black and white, others in color. The picture is full screen (NTSC 4: 3), and although the sound format is described as PCM stereo, many segments are monophonic. 　　 　　The second part of the DVD, titled “In Conversation,” is a lengthy (53 minutes) aural memoir by Ms. Plisetskaya and her husband, composer/conductor Rodion Shchedrin. Additional clips of her dancing are included, as well as a number of still photographs of events and people in her professional and personal lives. She and her husband tell of life in the Soviet Union, how she was stalked by the KGB, how her father was murdered and her mother imprisoned, and how she was denied an international career by the Soviet government. Shchedrin’s outpouring of devotion and affection for his wife is a touching finale to this very interesting interview. 　　 　　The two sections, the dance retrospective and the interview, are accessed separately from the main menu. The dance portion is divided into 12 chapters; the interview has 19 chapters. Subtitles for the interview are available in four languages (English, German, French and Spanish). Both parts are pleasures to watch. The film clips of her dancing, many of which are regrettably brief, allow us to glimpse her extraordinary talent; the conversation is interesting and it, too, leaves the viewer wishing for more. If you love ballet, spending two hours with Maya Plisetskaya is a valentine.

A compilation of performances including extracts from 'Raymonda', 'Romeo And Juliet' and 'Swan Lake'. Also an interview with Maya Plisetskaya about her life and career. 　　 　　This DVD has two parts. The first, 71 minutes long, called “In Performance,” is a visual retrospective of Maya Plisetskaya’s career; an assemblage of film clips highlighting the virtuosity of her dancing and variety of the roles she assumed. She was an outstanding dancer, combining technical brilliance with a keen understanding of the characters she played. Plisetskaya not only had charisma, she had dramatic flare and stage presence. Blessed with an extremely flexible body, she was capable of bending backwards to a remarkable degree, a feat used to great effect when combined with high leaps. In her roles as a swan, Odette and The Dying Swan, she could produce a ripple that undulated through the length of her arms effectively creating the illusion of beating wings. 　　 　　Plisetskaya graduated from the Moscow Bolshoi Ballet School in 1943, when she joined the Bolshoi Ballet as a soloist. Two years later, she became a Ballerina and danced the standard ballerina roles, including Raymonda, Odette/Odile, Kitri, Juliet, and Princess Aurora. In the early 1960s, Plisetskaya was hailed prima ballerina assoluta of the Bolshoi. Julia Lukjanova, in the accompanying booklet, describes Plisetskaya as the “Maria Callas of the ballet.” Unlike Callas, Plisetskaya has lived a long life, and by changing the direction of her career, has enjoyed a long professional life. Plisetskaya was instrumental in expanding the Bolshoi’s repertoire to include modern and experimental works, some of which are glimpsed in this video. 　　 　　With the exception of three works (the Bach Prélude, Saint-Saëns’s The Dying Swan, and Ravel’s Boléro), glimpses are all we get, leaving the viewer begging for more. The snippets from the full-length ballets, most filmed before an audience—a few on soundstages, reveal dancing on an extraordinary level. The film quality varies from acceptable to quite good; some segments are in black and white, others in color. The picture is full screen (NTSC 4: 3), and although the sound format is described as PCM stereo, many segments are monophonic. 　　 　　The second part of the DVD, titled “In Conversation,” is a lengthy (53 minutes) aural memoir by Ms. Plisetskaya and her husband, composer/conductor Rodion Shchedrin. Additional clips of her dancing are included, as well as a number of still photographs of events and people in her professional and personal lives. She and her husband tell of life in the Soviet Union, how she was stalked by the KGB, how her father was murdered and her mother imprisoned, and how she was denied an international career by the Soviet government. Shchedrin’s outpouring of devotion and affection for his wife is a touching finale to this very interesting interview. 　　 　　The two sections, the dance retrospective and the interview, are accessed separately from the main menu. The dance portion is divided into 12 chapters; the interview has 19 chapters. Subtitles for the interview are available in four languages (English, German, French and Spanish). Both parts are pleasures to watch. The film clips of her dancing, many of which are regrettably brief, allow us to glimpse her extraordinary talent; the conversation is interesting and it, too, leaves the viewer wishing for more. If you love ballet, spending two hours with Maya Plisetskaya is a valentine.

这两人是竞争对手，从彼此能交流起就开始争夺各类奖项：幼儿园时，争夺小诺帕玛斯（儿童选美比赛）奖项；小学时，竞争学校管弦乐队第一鼓手的位置；高中时，角逐啦啦队队员之位；大学时，比拼谁能成为舞会皇后。直到最近这次争夺业内最佳女演员的比赛中，片场发生了一场意外……然后……

A melodrama about an orphan and her mother who are separated and lose contact, but are later reunited.

When young Daria enters rehab to kick the drug habit her first love left her with, her perceived innocence saves her from the sexual advances of the mostly male junkies inside and gains her their protection. Suddenly thrown into the spotlight and enjoying the attention, Daria soon finds out that special treatment comes at a great price. 　　2021威尼斯电影节威尼斯日。

When young Daria enters rehab to kick the drug habit her first love left her with, her perceived innocence saves her from the sexual advances of the mostly male junkies inside and gains her their protection. Suddenly thrown into the spotlight and enjoying the attention, Daria soon finds out that special treatment comes at a great price. 　　2021威尼斯电影节威尼斯日。

A melodrama about an orphan and her mother who are separated and lose contact, but are later reunited.

孤儿高风执着于找寻亲生父母，富家女吴菲菲斡旋于企业的种种危机中，两人本有着毫不相关的生命轨迹。某日，一起撞车事件暴露出一具埋藏多年的尸骨，尸骨似乎与高风的身世之谜有关，又藏着吴菲菲全家需要掩盖的秘密。真相被层层剥清的过程中，高风和吴菲菲从对抗到联盟，不断寻找线索。 　　最终，尘封二十年的正义得到伸张，两个青年走出各自的人生困局，找到生命的意义。

谢桥（俞飞鸿 饰）是影视公司主持人，她外貌出众、事业稳定，却因一心扑在工作上而忽略了感情生活，不知不觉成了 35 岁的大龄剩女。谢桥的妹妹谢羽（高源 饰）不忍见姐姐孤身一人，花大价钱为她安排了一场跨国相亲。谢桥得知真相后很生气，觉得妹妹多此一举，但最终还是半推半就地参加了相亲，结识了秦淮（陈亦飞 饰）。 没想到两人个性相投，一见钟情。为了和秦淮结婚，谢桥放弃了国内的大好前程，辞职远嫁海外。然而，直到来到秦淮身边，谢桥才发现他隐藏着诸多不为人知的秘密。