Pop Go the Women: The Other Story of Pop Art The story of pop art has been culturally canonised as the preserve of a ground-breaking gang of boys, focusing on the likes of Roy Lichtenstein, Andy Warhol, Peter Blake, Richard Hamilton, or Tom Wesselman. Just like Andy Warhol's soup cans or Lichtenstein's comics, women were simply commodified objects. However back in the day, pop art was not just a boys' club. The scene was full of female artists, tussling with sexuality, violence and consumer culture every bit as much as their male counterparts. Strangely, their work has been consigned to the margins of history - they started out together, shared the same art dealers and were shown in the same exhibitions, but as the boys' prices skyrocketed, the girls' stayed put. By the end of the sixties they had pretty much been erased from the pop narrative. In this Culture Show special, Alistair Sooke tracks down the forgotten women artists of pop, finding many of them are still alive and working, their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer and Jann Haworth.

Pop Go the Women: The Other Story of Pop Art The story of pop art has been culturally canonised as the preserve of a ground-breaking gang of boys, focusing on the likes of Roy Lichtenstein, Andy Warhol, Peter Blake, Richard Hamilton, or Tom Wesselman. Just like Andy Warhol's soup cans or Lichtenstein's comics, women were simply commodified objects. However back in the day, pop art was not just a boys' club. The scene was full of female artists, tussling with sexuality, violence and consumer culture every bit as much as their male counterparts. Strangely, their work has been consigned to the margins of history - they started out together, shared the same art dealers and were shown in the same exhibitions, but as the boys' prices skyrocketed, the girls' stayed put. By the end of the sixties they had pretty much been erased from the pop narrative. In this Culture Show special, Alistair Sooke tracks down the forgotten women artists of pop, finding many of them are still alive and working, their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer and Jann Haworth.

the best pet shop boys video collection ever 　　Jack Bond (videos "Always On My Mind" and "Heart") 　　Howard Greenhulgh (videos "Can You Forgive Her?", "Go West", "I Wouldn't Normally Do This Kind of Thing", "Liberation", "Yesterday, When I Was Mad", "Paninaro '95", "Before", "Single-Bilingual", "A Red Letter Day", "New York City Boy") 　　Annie Griffin (video "Somewhere") 　　Derek Jarman (videos "It's a Sin" and "Rent") 　　Liam Kan (videos "How Can You Expect to Be Taken Seriously?" and "Where the Streets Have No Name [I Can't Take My Eyes Off You]") 　　Chris Lowe (video "Paninaro") 　　Andrew Morahan (videos "West End Girls", "Love Comes Quickly" and "Opportunities [Let's Make Lots of Money]") (as Andy Morahan) 　　Martin Parr (video "London") 　　Pedro Romhanyl (videos "I Don't Know What You Want But I Can't Give It Any More" and "You Only Tell Me You Love Me When You're Drunk") 　　Zbigniew Rybczynski (video "Opportunities [Second Version]") 　　Neil Tennant (video "Paninaro") 　　Wolfgang Tillmans (video "Home and Dry") 　　Eric Watson (videos "Love Comes Quickly", "Suburbia", "What Have I Done to Deserve This?", "Domino Dancing", "Left to My Own Devices", "It's Alright", "So Hard", "Jealousy", "DJ Culture") 　　Bruce Weber (videos "Being Boring", "Se a vida é - That's the Way Life Is", "I Get Along/E-Mail")

the best pet shop boys video collection ever 　　Jack Bond (videos "Always On My Mind" and "Heart") 　　Howard Greenhulgh (videos "Can You Forgive Her?", "Go West", "I Wouldn't Normally Do This Kind of Thing", "Liberation", "Yesterday, When I Was Mad", "Paninaro '95", "Before", "Single-Bilingual", "A Red Letter Day", "New York City Boy") 　　Annie Griffin (video "Somewhere") 　　Derek Jarman (videos "It's a Sin" and "Rent") 　　Liam Kan (videos "How Can You Expect to Be Taken Seriously?" and "Where the Streets Have No Name [I Can't Take My Eyes Off You]") 　　Chris Lowe (video "Paninaro") 　　Andrew Morahan (videos "West End Girls", "Love Comes Quickly" and "Opportunities [Let's Make Lots of Money]") (as Andy Morahan) 　　Martin Parr (video "London") 　　Pedro Romhanyl (videos "I Don't Know What You Want But I Can't Give It Any More" and "You Only Tell Me You Love Me When You're Drunk") 　　Zbigniew Rybczynski (video "Opportunities [Second Version]") 　　Neil Tennant (video "Paninaro") 　　Wolfgang Tillmans (video "Home and Dry") 　　Eric Watson (videos "Love Comes Quickly", "Suburbia", "What Have I Done to Deserve This?", "Domino Dancing", "Left to My Own Devices", "It's Alright", "So Hard", "Jealousy", "DJ Culture") 　　Bruce Weber (videos "Being Boring", "Se a vida é - That's the Way Life Is", "I Get Along/E-Mail")

《半边天》栏目是中央电视台一个以性别特征定位的专栏。自1995年1月1日正式开播以来，《半边天》栏目遵循男女平等的原则，逐步确定了“关注社会性别，倾听女性表达”的宗旨，明晰了维护女性权益，拓宽女性发展空间，提高女性生活品质，增进男女两性沟通的责任。她以温馨的风格、敏锐的观察、领先的观念著称。《半边天》栏目的独特视角加上极具个性特征的主持人，是中国知名度很高的一个栏目。 　　《半边天》是一个国际社会关注的栏目。它向世界展示中国妇女平等、进步、发展的窗口。联合国秘书长安南在谈到“妇女与传媒”时说：“中国中央电视台的《半边天》是一个极具影响力的、专门播放有关女性话题的栏目”。

《半边天》栏目是中央电视台一个以性别特征定位的专栏。自1995年1月1日正式开播以来，《半边天》栏目遵循男女平等的原则，逐步确定了“关注社会性别，倾听女性表达”的宗旨，明晰了维护女性权益，拓宽女性发展空间，提高女性生活品质，增进男女两性沟通的责任。她以温馨的风格、敏锐的观察、领先的观念著称。《半边天》栏目的独特视角加上极具个性特征的主持人，是中国知名度很高的一个栏目。 　　《半边天》是一个国际社会关注的栏目。它向世界展示中国妇女平等、进步、发展的窗口。联合国秘书长安南在谈到“妇女与传媒”时说：“中国中央电视台的《半边天》是一个极具影响力的、专门播放有关女性话题的栏目”。

影片由北京西河星汇影业出品，中国导演贾樟柯担任监制，邀请来自巴西、俄罗斯、印度、中国、南非五个“金砖国家”的五位女性导演，以女性视角发声，分别以“当代女性情感与社会”为主题拍摄一部电影短片，而五部独立的短片将汇集为一部片名为《半边天》的集锦长片。

影片由北京西河星汇影业出品，中国导演贾樟柯担任监制，邀请来自巴西、俄罗斯、印度、中国、南非五个“金砖国家”的五位女性导演，以女性视角发声，分别以“当代女性情感与社会”为主题拍摄一部电影短片，而五部独立的短片将汇集为一部片名为《半边天》的集锦长片。

根据同名快板剧改编。妇女队长常金凤在“批林批孔”运动中积极组织妇女们学习，批判孔孟之道，并组织妇女们去稻田里插秧。可满脑子封建残余的生产队长听信风言风语，从工地上赶回，阻止她们插秧，改为撒种直播。常金凤经过耐心、认真的思想工作，结合针锋相对的政治斗争，终于教育了生产队长，并完成了生产任务。

故事发生在60年代的西班牙，但是有一种灰姑娘式的神话情调和魔幻色彩，如主角有两个邪恶的姐姐以及懂魔法的老奶奶。主人公是一个年轻寡妇，非常独立而敢闯，她带着女儿，离乡背井，到大城市寻找机会。佛朗哥统治下的西班牙坎塔连山一个农场主家有三个女儿。罗莎是其中的灰姑娘。罗莎爱上了外乡的磨刀人，他们结婚后生了一个女儿。后来，磨刀人因偷窃被警察逮捕，死在狱中。罗莎便带着小女儿奥尔维多离开了山村。罗莎来到马德里，在鳏居的中心市场老板唐佩德罗家当奶妈。罗莎勤快能干，深得老板喜爱，她所得酬谢足可以在中心市场摆一个货摊。罗莎的乡土气越来越淡，她不顾竞争者的敌视，把一些倾慕者吸引在自己的周围。首先是大学生胡安；另一个是沉默寡言的流浪汉；第三个是唐佩德罗的助手安东尼奥。后来，罗莎从中心市场搬到一家废弃的餐馆，在唐佩德罗的帮助下，她开的餐馆蒸蒸日上，吸引了马德里的政界名流。但她仍然与老朋友保持关系。