Pop Go the Women: The Other Story of Pop Art The story of pop art has been culturally canonised as the preserve of a ground-breaking gang of boys, focusing on the likes of Roy Lichtenstein, Andy Warhol, Peter Blake, Richard Hamilton, or Tom Wesselman. Just like Andy Warhol's soup cans or Lichtenstein's comics, women were simply commodified objects. However back in the day, pop art was not just a boys' club. The scene was full of female artists, tussling with sexuality, violence and consumer culture every bit as much as their male counterparts. Strangely, their work has been consigned to the margins of history - they started out together, shared the same art dealers and were shown in the same exhibitions, but as the boys' prices skyrocketed, the girls' stayed put. By the end of the sixties they had pretty much been erased from the pop narrative. In this Culture Show special, Alistair Sooke tracks down the forgotten women artists of pop, finding many of them are still alive and working, their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer and Jann Haworth.

the best pet shop boys video collection ever 　　Jack Bond (videos "Always On My Mind" and "Heart") 　　Howard Greenhulgh (videos "Can You Forgive Her?", "Go West", "I Wouldn't Normally Do This Kind of Thing", "Liberation", "Yesterday, When I Was Mad", "Paninaro '95", "Before", "Single-Bilingual", "A Red Letter Day", "New York City Boy") 　　Annie Griffin (video "Somewhere") 　　Derek Jarman (videos "It's a Sin" and "Rent") 　　Liam Kan (videos "How Can You Expect to Be Taken Seriously?" and "Where the Streets Have No Name [I Can't Take My Eyes Off You]") 　　Chris Lowe (video "Paninaro") 　　Andrew Morahan (videos "West End Girls", "Love Comes Quickly" and "Opportunities [Let's Make Lots of Money]") (as Andy Morahan) 　　Martin Parr (video "London") 　　Pedro Romhanyl (videos "I Don't Know What You Want But I Can't Give It Any More" and "You Only Tell Me You Love Me When You're Drunk") 　　Zbigniew Rybczynski (video "Opportunities [Second Version]") 　　Neil Tennant (video "Paninaro") 　　Wolfgang Tillmans (video "Home and Dry") 　　Eric Watson (videos "Love Comes Quickly", "Suburbia", "What Have I Done to Deserve This?", "Domino Dancing", "Left to My Own Devices", "It's Alright", "So Hard", "Jealousy", "DJ Culture") 　　Bruce Weber (videos "Being Boring", "Se a vida é - That's the Way Life Is", "I Get Along/E-Mail")

1927年，乔治·瓦伦丁是默片的最佳男主角。每次他在舞台上，都会逗得观众捧腹大笑。爱犬是他的黄金配角，其他女演员只有靠边站的份。一次，面对媒体采访，他无意中邂逅了一位表现欲超强的女子佩皮·米勒，尽管后者抢镜出风头，但是他还是儒雅以待。不过，这则头条新闻却压过了他的新戏，老板极为不满，老婆也醋性大发。后来，佩皮闯荡好莱坞，恰好与乔治重逢，这令他心神不宁，演戏频频NG。后来，与老板闹僵的乔治，决定自立门户，自编自导自演。与此同时，佩皮却借助有声电影的契机迅速蹿红，成为了首屈一指的明星。最终，他的默片与她的有声片档期撞车，一场在新与旧、情感与票房的争夺战拉开序幕……

1927年，乔治·瓦伦丁是默片的最佳男主角。每次他在舞台上，都会逗得观众捧腹大笑。爱犬是他的黄金配角，其他女演员只有靠边站的份。一次，面对媒体采访，他无意中邂逅了一位表现欲超强的女子佩皮·米勒，尽管后者抢镜出风头，但是他还是儒雅以待。不过，这则头条新闻却压过了他的新戏，老板极为不满，老婆也醋性大发。后来，佩皮闯荡好莱坞，恰好与乔治重逢，这令他心神不宁，演戏频频NG。后来，与老板闹僵的乔治，决定自立门户，自编自导自演。与此同时，佩皮却借助有声电影的契机迅速蹿红，成为了首屈一指的明星。最终，他的默片与她的有声片档期撞车，一场在新与旧、情感与票房的争夺战拉开序幕……

《半边天》栏目是中央电视台一个以性别特征定位的专栏。自1995年1月1日正式开播以来，《半边天》栏目遵循男女平等的原则，逐步确定了“关注社会性别，倾听女性表达”的宗旨，明晰了维护女性权益，拓宽女性发展空间，提高女性生活品质，增进男女两性沟通的责任。她以温馨的风格、敏锐的观察、领先的观念著称。《半边天》栏目的独特视角加上极具个性特征的主持人，是中国知名度很高的一个栏目。 　　《半边天》是一个国际社会关注的栏目。它向世界展示中国妇女平等、进步、发展的窗口。联合国秘书长安南在谈到“妇女与传媒”时说：“中国中央电视台的《半边天》是一个极具影响力的、专门播放有关女性话题的栏目”。

《半边天》栏目是中央电视台一个以性别特征定位的专栏。自1995年1月1日正式开播以来，《半边天》栏目遵循男女平等的原则，逐步确定了“关注社会性别，倾听女性表达”的宗旨，明晰了维护女性权益，拓宽女性发展空间，提高女性生活品质，增进男女两性沟通的责任。她以温馨的风格、敏锐的观察、领先的观念著称。《半边天》栏目的独特视角加上极具个性特征的主持人，是中国知名度很高的一个栏目。 　　《半边天》是一个国际社会关注的栏目。它向世界展示中国妇女平等、进步、发展的窗口。联合国秘书长安南在谈到“妇女与传媒”时说：“中国中央电视台的《半边天》是一个极具影响力的、专门播放有关女性话题的栏目”。

影片由北京西河星汇影业出品，中国导演贾樟柯担任监制，邀请来自巴西、俄罗斯、印度、中国、南非五个“金砖国家”的五位女性导演，以女性视角发声，分别以“当代女性情感与社会”为主题拍摄一部电影短片，而五部独立的短片将汇集为一部片名为《半边天》的集锦长片。

影片由北京西河星汇影业出品，中国导演贾樟柯担任监制，邀请来自巴西、俄罗斯、印度、中国、南非五个“金砖国家”的五位女性导演，以女性视角发声，分别以“当代女性情感与社会”为主题拍摄一部电影短片，而五部独立的短片将汇集为一部片名为《半边天》的集锦长片。