A man looking for his missing daughter, but his search uncovers a larger conspiracy involving a Chinatown-derail big capitalism deal over water rights.

Pietramezzana，在路坎白云岩的一个偏僻的村庄，很可能会消失。它的居民，由火山多米尼加国领导不放弃，相信一个工厂的开幕可能是解决他们所有的麻烦，他们希望确保该项目是成功的…

抗日战争时期，河北冀中柳林镇的庄家营村，残暴的驻柳林镇日军，为抓捕八路军伤员，血洗了庄家营村，杀害了全村男女老幼共计200余人。幸免于难的屠户庄继宗，与同样对鬼子满怀深仇大恨的杂耍班主李占魁结成兄弟，秘密潜入柳林镇。 他们租用桃园酒家为据点，由此开展了惊心动魄、悲壮的杀鬼子复仇行动，以各种灵活巧妙的方式、方法，杀得日本鬼子心惊胆寒。他们铤而走险，在柳林镇、黄羊岭发生了一连串的故事。怀着杀鬼报国的一腔热血，他们投靠了八路军。在以岳明华政委领导下的八路军游击队的感召教育下，他们逐渐明白要想彻底战胜日本侵略者，必须在共产党的领导下，广泛团结民众，有思想、有组织、有纪律开展人民战争。 经过战火洗礼，庄继宗、李占魁失去了二愣、白队长、王金龙、洪吉永等抗鬼战友，并逐步由一名单纯复仇者，成长为为民族而战的传奇英雄。 最后李占魁、王金龙、二愣、白队长、洪吉永等人为国捐躯，游击队乘胜追击，一举解放了柳林镇。庄继宗深情地和杏花告别，踏上了抗日的新征程，去迎接新的战斗。

抗日战争时期，河北冀中柳林镇的庄家营村，残暴的驻柳林镇日军，为抓捕八路军伤员，血洗了庄家营村，杀害了全村男女老幼共计200余人。幸免于难的屠户庄继宗，与同样对鬼子满怀深仇大恨的杂耍班主李占魁结成兄弟，秘密潜入柳林镇。 他们租用桃园酒家为据点，由此开展了惊心动魄、悲壮的杀鬼子复仇行动，以各种灵活巧妙的方式、方法，杀得日本鬼子心惊胆寒。他们铤而走险，在柳林镇、黄羊岭发生了一连串的故事。怀着杀鬼报国的一腔热血，他们投靠了八路军。在以岳明华政委领导下的八路军游击队的感召教育下，他们逐渐明白要想彻底战胜日本侵略者，必须在共产党的领导下，广泛团结民众，有思想、有组织、有纪律开展人民战争。 经过战火洗礼，庄继宗、李占魁失去了二愣、白队长、王金龙、洪吉永等抗鬼战友，并逐步由一名单纯复仇者，成长为为民族而战的传奇英雄。 最后李占魁、王金龙、二愣、白队长、洪吉永等人为国捐躯，游击队乘胜追击，一举解放了柳林镇。庄继宗深情地和杏花告别，踏上了抗日的新征程，去迎接新的战斗。

叙利亚影史上最著名也是最具争议性的一部纪录片，由毫不妥协的叙利亚导演Omar Amiralay拍摄，也是他的代表作。影片被禁至今，奥马尔流亡海外直到30年后才得以回国拍摄他的第二部作品。本片获1976年柏林国际影展新电影论坛Otto Dibelius奖。 　　The first documentary to present an unabashed critique of the impact of the Syrian government's agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state's conceit of redressing social and economic inequities. Interviews with farmers, health workers and a police officer contrast the peasants' regard for the state with the mindset of state representatives toward those peasants. Sa'adallah Wannus, a prominent Syrian playwright and essayist collaborated with documentary pioneer Amiralay on the project. The film remains banned in Syria. The original print has been restored and digitized very recently, and subtitled in English especially for this program. 　　Director Omar Amiralay was born in Damascus in 1944 to the son of a high-ranking officer in the Ottoman military and a Lebanese mother, Omar Amiralay headed to Paris in 1965 to pursue studies in drama and theater at the Théatre des Nations. Gradually he began to lean towards cinema and enrolled at the Institut des Hautes Etudes Cinematographiques, or IDHEC (now known as FEMIS) in 1967. He was deeply suspicious of fiction cinema, and after a year at the institute began to question whether film was really his vocation. When the 1968 student revolt erupted, Amiralay joined the hordes of protestors, and began to film. His fate was sealed; he never returned to the IDHEC and instead began to make documentary films. 　　He returned to Damascus eager to instigate a new documentary cinema. His best-known documentary film, conceived with Sa'adallah Wannus, one of Syria's most celebrated modernist playwrights and essayists, was radically different. Titled al-Hayat al-Yaomiyyah fi Qarya Suriyya (Everyday Life in a Syrian Village, 1974) it was a scathing critique of the government's failure to provide basic amenities to the poor. The film, produced by the General Organization for Cinema, was banned and remains so to this day. 　　From very early on, Amiralay's films earned a number of awards worldwide, beginning with Leipzig (1971) for Film-Essay on the Euphrates Dam. His cinema has become canon for generations of documentary filmmakers in the Arab world. The most recent edition of the Cinema du Reel festival at Paris' Centre Pompidou dedicated an hommage to his work in March 2006.

叙利亚影史上最著名也是最具争议性的一部纪录片，由毫不妥协的叙利亚导演Omar Amiralay拍摄，也是他的代表作。影片被禁至今，奥马尔流亡海外直到30年后才得以回国拍摄他的第二部作品。本片获1976年柏林国际影展新电影论坛Otto Dibelius奖。 　　The first documentary to present an unabashed critique of the impact of the Syrian government's agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state's conceit of redressing social and economic inequities. Interviews with farmers, health workers and a police officer contrast the peasants' regard for the state with the mindset of state representatives toward those peasants. Sa'adallah Wannus, a prominent Syrian playwright and essayist collaborated with documentary pioneer Amiralay on the project. The film remains banned in Syria. The original print has been restored and digitized very recently, and subtitled in English especially for this program. 　　Director Omar Amiralay was born in Damascus in 1944 to the son of a high-ranking officer in the Ottoman military and a Lebanese mother, Omar Amiralay headed to Paris in 1965 to pursue studies in drama and theater at the Théatre des Nations. Gradually he began to lean towards cinema and enrolled at the Institut des Hautes Etudes Cinematographiques, or IDHEC (now known as FEMIS) in 1967. He was deeply suspicious of fiction cinema, and after a year at the institute began to question whether film was really his vocation. When the 1968 student revolt erupted, Amiralay joined the hordes of protestors, and began to film. His fate was sealed; he never returned to the IDHEC and instead began to make documentary films. 　　He returned to Damascus eager to instigate a new documentary cinema. His best-known documentary film, conceived with Sa'adallah Wannus, one of Syria's most celebrated modernist playwrights and essayists, was radically different. Titled al-Hayat al-Yaomiyyah fi Qarya Suriyya (Everyday Life in a Syrian Village, 1974) it was a scathing critique of the government's failure to provide basic amenities to the poor. The film, produced by the General Organization for Cinema, was banned and remains so to this day. 　　From very early on, Amiralay's films earned a number of awards worldwide, beginning with Leipzig (1971) for Film-Essay on the Euphrates Dam. His cinema has become canon for generations of documentary filmmakers in the Arab world. The most recent edition of the Cinema du Reel festival at Paris' Centre Pompidou dedicated an hommage to his work in March 2006.

本剧主要讲述了，前世，顾九辞被渣男贱女联手陷害，不仅伤害了真正关心爱护的他的人，而自己也从从豪门千金沦为废物，家破人亡，众叛亲离。然而，一场车祸，让她重生在了一切还未开始前，这一次，她下定决心好好对待霍明澈，让渣男贱女得到真正的惩罚。

ELLE首部微電影【她．一個人的旅行】7月6日於台北電影節全球首映。ELLE與妳一起旅行．邂逅巴黎。

ELLE首部微電影【她．一個人的旅行】7月6日於台北電影節全球首映。ELLE與妳一起旅行．邂逅巴黎。

莫里克斯和玛丽娜在一个巴黎的节日上相遇。五年后，他们有了两个孩子。因为家庭的责任，使莫里克斯的导演工作，随着操劳家庭而离自己越来越远。而玛丽娜事业蒸蒸日上，离家庭生活也越来越远。终于，在一次伊比沙岛的旅途中玛丽娜出走。几年后，当玛丽娜带领着一群美国客户再次出现在比利牛斯山脉时，玛丽娜发现了莫里克...