江暖暖为家族企业创造巨额利润，却因性别偏见仅获微薄分红。面对家人的压榨与恶意联姻企图，她果断收集证据并切断亲情纽带。离开原生家庭后，江暖暖凭借自身实力与丈夫沈屿携手，不仅在事业上获得尊重，更在温暖的新家庭中迎来新生，最终实现自我价值与人生逆袭。

江暖暖为家族企业创造巨额利润，却因性别偏见仅获微薄分红。面对家人的压榨与恶意联姻企图，她果断收集证据并切断亲情纽带。离开原生家庭后，江暖暖凭借自身实力与丈夫沈屿携手，不仅在事业上获得尊重，更在温暖的新家庭中迎来新生，最终实现自我价值与人生逆袭。

江宁曾在庸常岁月里渐渐弄丢了自己，当人生重新翻开一页，她下定决心要换一种活法。凭着一股清醒的韧劲，她一头扎进家政行业，从最基础的清洁服务做起，一点一滴打磨专业能力。旁人眼里不起眼的琐碎日常，成了她证明自我的战场。她用细致妥帖的服务打动每一位客户，用专业标准赢得行业认可，一步步从普通从业者成长为领域内的标杆人物。这段路上，她不仅挣得了安身立命的事业，更重要的是找回了底气与尊严。不依附任何人，不将就任何事，温柔却有力量，从容自带锋芒。她活成了自己的光，也活成了许多女性心之所向的模样。

陈长青创业失败遭退婚，从害虫大头蛙中发现商机，靠蒜香蛙日赚斗金。面对资本打压、天灾人祸、众叛亲离，他坚守品质，意外发现黑松露天价商机，实现生态农业逆袭，收服对手，带领全村走向共同富裕，最终公司上市，通过国际最严苛零碳认证，将中国乡村品牌推向世界。

侯府主母姜宁意外发现街头疯女酷似亡女，开棺验尸后得知亲生女儿遭人毒害流落在外。她查清丈夫与庶妹私通作恶、残害嫡女的真相，当众揭发罪行让恶人伏法。最终她陪女儿归隐田园，安稳度日。

经历泥石流死里逃生后，沈榆彻底心死。从前她满心迁就丈夫陆景川，可对方屡屡偏袒抑郁的林诗音，忽视她的委屈与付出，甚至舍弃落水的她优先救人。目睹丈夫安抚林诗音，沈榆淡然释怀。乘车途中她意外露出血迹，陆景川却因林诗音不适将她赶下车。最后她收下救命之人赠予的戒指，彻底放下错爱。

林知夏在市场部默默耕耘三年，独立完成云帆四期核心方案，月薪九千二，却被排除在团建名单外。万盛集团老板发现文档记录里的真正操盘人后，点名要她亲自汇报。她没有抱怨，修好服务器、做完汇报，凭扎实的专业能力赢得客户认可，也收获了应有的尊重与成长空间。故事传递出一个朴素的信念，踏实做事的人，终会被看见；坚守专业的人，值得被尊重。

研究员林夜意外穿越，化身为龙族鄙夷的蠕虫，幸得姐姐林霜相救。濒死之际觉醒吞噬系统，吞噬强敌持续进化，与凤凰公主彩羽结盟。林霜被掳，林夜击杀宿敌林渊后得知姐姐只是阵灵，前往麒麟麟城。他实为麒麟造灵计划的原初灵体，本体是噬天蠕虫，遭林渊之母抛弃。得长老助力制服秦苍探寻姐姐下落，立志解锁真灵守护至亲。

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.