江暖暖为家族企业创造巨额利润，却因性别偏见仅获微薄分红。面对家人的压榨与恶意联姻企图，她果断收集证据并切断亲情纽带。离开原生家庭后，江暖暖凭借自身实力与丈夫沈屿携手，不仅在事业上获得尊重，更在温暖的新家庭中迎来新生，最终实现自我价值与人生逆袭。

江暖暖为家族企业创造巨额利润，却因性别偏见仅获微薄分红。面对家人的压榨与恶意联姻企图，她果断收集证据并切断亲情纽带。离开原生家庭后，江暖暖凭借自身实力与丈夫沈屿携手，不仅在事业上获得尊重，更在温暖的新家庭中迎来新生，最终实现自我价值与人生逆袭。

江宁曾在庸常岁月里渐渐弄丢了自己，当人生重新翻开一页，她下定决心要换一种活法。凭着一股清醒的韧劲，她一头扎进家政行业，从最基础的清洁服务做起，一点一滴打磨专业能力。旁人眼里不起眼的琐碎日常，成了她证明自我的战场。她用细致妥帖的服务打动每一位客户，用专业标准赢得行业认可，一步步从普通从业者成长为领域内的标杆人物。这段路上，她不仅挣得了安身立命的事业，更重要的是找回了底气与尊严。不依附任何人，不将就任何事，温柔却有力量，从容自带锋芒。她活成了自己的光，也活成了许多女性心之所向的模样。

陈长青创业失败遭退婚，从害虫大头蛙中发现商机，靠蒜香蛙日赚斗金。面对资本打压、天灾人祸、众叛亲离，他坚守品质，意外发现黑松露天价商机，实现生态农业逆袭，收服对手，带领全村走向共同富裕，最终公司上市，通过国际最严苛零碳认证，将中国乡村品牌推向世界。

侯府主母姜宁意外发现街头疯女酷似亡女，开棺验尸后得知亲生女儿遭人毒害流落在外。她查清丈夫与庶妹私通作恶、残害嫡女的真相，当众揭发罪行让恶人伏法。最终她陪女儿归隐田园，安稳度日。

经历泥石流死里逃生后，沈榆彻底心死。从前她满心迁就丈夫陆景川，可对方屡屡偏袒抑郁的林诗音，忽视她的委屈与付出，甚至舍弃落水的她优先救人。目睹丈夫安抚林诗音，沈榆淡然释怀。乘车途中她意外露出血迹，陆景川却因林诗音不适将她赶下车。最后她收下救命之人赠予的戒指，彻底放下错爱。

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

Set in impoverished rural Brazil, this town is not the kind of place where a young girl can look to her grandfather for kindness and protection. Heitor has his grand daughter, the pubescent Auxilidora cleaning his house by day while at night he parades her naked behind the filling station where workers from the local sugar plantation pay to watch her as they masturbate. In a land where misogyny and violence towards women is the norm. she is lucky to be able to enjoy simple flirtations with the boy digging the cesspit beside Heitor’s house. But soon her beauty has caught the eye of violent thug Everado (played by City of God’s Matheus Nachtergaele)making her situation even more dangerous.

苏瑶被原生家庭逼迫廉价出嫁，她斩断苏家牵绊来到赵家。婆家分得一片烂泥荒地，她抓住机遇养殖泥鳅。丈夫与公公倾力相助，闯过暴雨损失、市场打压重重难关，做好泥鳅生意，于泥泞之中耕耘出美好生活。