42 workers take their lunch break in a corridor that stretches the entire length of a shipyard. What was a brief interval in their work day expands into a sustained gaze. 　　源自：https://www.cinemadureel.org/en/films/lunch-break-2/

妈妈平时很操劳，一群可爱的小朋友想在三八节来临这天帮妈妈做些事，让妈妈好好休息休息。虽然心意是好的，可是这些平时娇生惯养的小公主小皇帝们什么都不会做，结果越帮越乱。动画片想要告诉小朋友们，平时就应该帮助妈妈做一些力所能及的家事，在日常生活中培养自立能力，以及勤劳的品质。

旭日初升，新的一天又开始了。空空荡荡的大房子里，闹钟铃声大作，狸猫先生倏地从床上蹦起。它叠好被子，放在旁边的凳子上，然后冲到壁橱旁去关闹钟。谁知闹钟太高了，它根本够不到，只得又把凳子搬过来，却又摆错了位置。如是再三，手忙脚乱，做完这件忘了那件，总算把闹钟关上了。眼看时间耽误不少，狸猫先生连忙继续做接下来的事情，不过恐怕它的记性太差了，所有的事情越做越乱，精神几近崩溃。借助外力的帮助，狸猫先生总算搞定一切，开始了海边的快乐旅行。 　　上苍保佑统筹性超差的狸猫先生旅行愉快……

The second movie of Kiarostami, made in 1972. It calls in my mind some of the very first movies of Brakhage, especially The Way to Shadow Garden. In both cases, a minimalistic gem, nothing explained, a personage without history, without motivation, with the unique role of putting in value a disconcerting universe. 　　Is it the admirable end of Breaktime a negative stasis (like in the movie of Brakhage)? Well, it is somehow a way to the Gardens of Shadow, too, though I think it is, much more, something else: it is an end refusing to be the end (as the movie actually has no beginning, also). This fourteen minutes movie dares to eliminate the story from its structure! It is a shame that Breaktime passed unobserved, because it was marking a new age in the history of cinema.

The second movie of Kiarostami, made in 1972. It calls in my mind some of the very first movies of Brakhage, especially The Way to Shadow Garden. In both cases, a minimalistic gem, nothing explained, a personage without history, without motivation, with the unique role of putting in value a disconcerting universe. 　　Is it the admirable end of Breaktime a negative stasis (like in the movie of Brakhage)? Well, it is somehow a way to the Gardens of Shadow, too, though I think it is, much more, something else: it is an end refusing to be the end (as the movie actually has no beginning, also). This fourteen minutes movie dares to eliminate the story from its structure! It is a shame that Breaktime passed unobserved, because it was marking a new age in the history of cinema.

威尼斯街景，连放三遍

国庆节，初中政治老师盛利铭在宿舍里百无聊赖。他曾经的学生董劼回来拍一部关于他生活的纪录片作业。两人无意间得知董劼的初中同学李言午失踪的消息，这似乎给难熬的假期注入了一些新鲜刺激。伴随着生活和工作中种种问题的隐隐作痛，盛利铭试图找到李言午的愿望渐渐强烈，而董劼对待拍摄的态度也在发生变化......

国庆节，初中政治老师盛利铭在宿舍里百无聊赖。他曾经的学生董劼回来拍一部关于他生活的纪录片作业。两人无意间得知董劼的初中同学李言午失踪的消息，这似乎给难熬的假期注入了一些新鲜刺激。伴随着生活和工作中种种问题的隐隐作痛，盛利铭试图找到李言午的愿望渐渐强烈，而董劼对待拍摄的态度也在发生变化......

在三到六岁的幼儿园里，课间休息会是什么样的场景？大人们远观，还以为是快乐的喧闹，但是走近看孩子们玩耍的情形，却让人模糊地想起我们也曾这样：这个奴役那个，这个虐待那个。但只是为了好玩，现在都已经结束。但真的结束了吗？不尽然，孩子们的课间游戏并不那么微不足道……

中国技能实习生庆阳即将迎来日本工厂的面试，但工会从中刁难且出尔反尔，庆阳为了通过面试不得不使劲浑身解数。国内的欠款、劳动组合的侮辱、公益组织的谎言纷至沓来，令庆阳疲惫不堪。面试如期举行，但一场血案却在悄悄降临…… 导演张曜元曾凭《罗曼蒂克之城》入围2019年华语青年电影周长片新锐荣誉推选单元，本片中他精心构建出了一张复杂的劳工人际关系与利益网络，揭露了赴日劳工在语言与文化隔阂中面对的现实难题，以及需要付出的惨重代价。