A group of people wander over a field at the foot of a cloud-covered mountain range. Here and there, swings have been set up in the broad landscape and the people queue up obediently to sit on them for a few rounds. Sarah Francis returns to this scene again and again. In between, we follow a creation story from the beginnings of humanity to the establishment of religion, culminating in digital clouds that weave together facts and myths surrounding the moon. The moon is the quiet centre of this system; it floats over the people as their constant companion and at the same time becomes their property. From the first lunar landing via territorial partitioning to space as the “final frontier,” the same discourses of power, ownership, territory and nationality that determine life on earth also shape this celestial body. Kama fissamaa' kathalika ala al-ard is a quiet, understated essay that weaves together images, texts and sounds into a dense mesh of signs. Humans may be at the centre here, but, as part of the universe, they are also infinitesimally small.

三男三女末日丧失之城内的罗曼史短剧。

故事在以千叶爆发的流行病为背景展开。 　　结束垒球部活动而回家的水上梨梨（樱田日和），虽然和垒球部的成员们一起逃到了避难所里，但新的感染者不断出现，她费尽千辛万苦，才总算逃了出来。 　　出现在她眼前的是幕张的购物中心，年龄、职业都各不相同的年轻男女们固守在此，过着积极向上的“特别”生活。走出去就是遍地僵尸的地狱，但购物中心里却是物资过剩的安全地带。 　　在此极限的状况中萌生出“越是如此才越要恋爱！”的想法在彼此间交错混杂的人间百态。 　　究竟，谁会和谁喜结良缘，共同逃出生天呢？

因怀才不遇而叹息、讨厌僧人的青年了顕，将希望寄托在即将要为出生的孩子上。但一起不幸的事故将了顕的一切都夺走了。而莲如上人遇到了这位过着自暴自弃的日子，在黑暗中痛苦挣扎的了顕。他将亲鸾圣人「为何而生」的答案明确的向他揭示。化解了心中迷津的了顕成为了莲如上人的弟子。参拜者增加的本愿寺遭到了其他宗派的怀恨。莲如上人与了顕来到了京都寻找新的布教之地，到达了北陸的吉崎……