从表面上看，杰德（梅根·古德（Meagan Good））拥有一切，成功的营销职业，在社区中受到尊敬和尊重的丈夫，以及两个都喜欢的小女儿。 但是在关门之后，她的生活绝非田园诗般。 她的丈夫埃德（ChikéOkonkwo）是个控制型人格，在身体和心理上都在辱骂他。 当Jade决定离开Ed时，他对她说：“如果我不能拥有你，没人会。”当她发现他雇用了某人杀死她时，这种威胁变得非常真实。 杰德（Jade）知道没人会相信她，所以唯一的办法就是让艾德（Edward）相信杀手完成了工作并且已经死了，这才是他逃脱埃德（Ed）的唯一方法。 拉米娅·古德（La'Myia Good）扮演古德的姐姐利（Leigh）。

This brief film is part of an ongoing project, Kafka for Kids, a series, supposedly for television, based on The Metamorphosis. Like in The Dust Chanel (FID 2016), it will mix animation, live action, musical numbers, etc. We have known since her explosive masterpiece Les Confessions (FID 2008) – an impression confirmed many times since, to our great joy – that Roee Rosen likes to push boundaries, to blur the laws of genres and is not one to shy away from a scandal. Only this time, the device is more austere. Before an audience of hardly attentive young adults, a lecturer specialised in children’s rights does a presentation on the issue of the age of criminal responsibility, as decreed for Israelian citizens on the one hand, and for Palestinian citizens on the other hand. Wonderful Hani Furstenberg, who already made Hilarious (2010) shine with the fire of comical fierceness, delivers a monologue and a performance that move from political reflections to the history of Israelian law, and then to autobiographical revelations on the state of her female body and her erotic fantasies. Through this analysis of the law, infected little by little by carnal exasperation, it is a discourse of political criticism that develops, at the same time as its inadequacy and its dissolution. A beautiful classic piece, Explaining… is the perfect example of how Roee Rosen always manages to exert tension even on the most twisted elements.

这是一部聚焦创作行为的电影，影片中艺术家的情感状态以及其与周遭环境的关联，生动展现了整个创作过程直至最终成果。影片对艺术家的外在行为进行了细致精准的剖析：从自恋式的自我凝视，到对外界展开极富想象力的探寻，直至迎来辉煌瞬间——画面从黑白转为彩色，寓意着人类不再忍受痛苦，而是将其转化为纯粹的创作。

Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Jane ironing, Suzie sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their "leader". A really Lynch-esque series of episodes.

导演收集了过时的看图识字贴纸，将它们巧妙地组装成了一个关于道德的故事。片中的兔子被塑造成了欲望的象征。片中的小男孩和小女孩杀了兔子，为了让兔子体内的小人施展魔力，将苍蝇变成金子，贪得无厌最终使得他们自食恶果。

本片是一部通过对哲学家陈嘉映教授的重要思想交流和日常精神活动的记录，专注探讨当代精神生活纪录片。片中呈现了陈嘉映教授与当代富有独立精神的思想者、学术同仁、朋友、学生等以各种形式展开的交流故事，从当下与未来，人生与事业，世界与个体，观念与常识等命题出发，探讨在深陷现代性困境的当代社会和我们的生活中，人的“精神性努力”的价值及其可能，鼓励着我们不懈的认识自我，“人是通过意义来保护自己的生存”。

《揭示之路》是一部突破类型界限的冒险电影，它以自行车为探索、梦想和发现的工具，思考了过一种充满灵感的生活意味着什么。影片探索的地区包括苏格兰的葱郁山谷、欧洲的雪山、摩洛哥的高海拔沙漠景观、尼泊尔的乡村以及阿拉斯加崎岖的沿海海滩。跟随影片一同骑行，沉浸在……

Art historian James Fox explores how the power of images has transformed the modern world.