《我的诗集》高二女孩原奈绪（森田凉花 饰）在放学回家的路上，从一名流浪汉（信国辉彦 饰）手中买到一本诗集。虽然男朋友悟（户谷公人 饰）提醒她要小心，但奈绪第二天还是向流浪汉夸赞这本诗集。谁知在此之后，流浪汉慢慢向奈绪的家接近。 　　《附赠品》女孩织惠（桃濑美咲 饰）从旧书店买到一本心仪的绘画集，她兴奋地向男友智几（池田绚亮 饰）通报这一消息。偶然间，她在书的封皮内发现一张DVD，那里面记录着令她毛骨悚然的恐怖影像。 　　《呀！片冈！》上班途中，片冈智惠（肘井美佳 饰）被一名陌生男人（广濑裕一郎 饰）叫住，对方自称是她的小学同学，并宣称找到了智惠当初丢失的铅笔盒。懵懂之中，智惠仿佛想起有这么一回事。 　　《再见》因便意而骑着自行车狂奔的水元夏美（菅野麻由 饰）好不容易找到一间公厕，但是正在此处避雨的女高中生（大坪あきほ 饰）却劝她不要进入。夏美不听劝告，结果…… 　　《杀人时刻》女孩美铃（大友小百合 饰）战战兢兢返回家中，这时接到一通陌生来电，一个冷冰冰的男人声音念出了刺杀预告，让她的不禁为自己的性命担忧起来。

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

安雅·泰勒-乔伊继《后翼弃兵》再和网飞合作，她将主演新剧《如何杀死你的家人》，共8集，改编自贝拉·麦凯的同名畅销小说。 　　网飞联合Sid Gentle影业(《杀死伊芙》)制作，安雅也通过自己的制作公司LadyKiller担任执行制作人，艾玛·莫兰编剧。 　　讲述女主角格蕾丝·伯纳德的生父西蒙·阿特米斯是一名亿万富翁，他冷酷无情，专注在社会往上爬，拒绝承认格蕾丝是他婚外情的产物，因此格蕾丝和母亲只能自谋生路。但当母亲去世、格蕾丝被那些本该伸出援手的人拒绝后，她决定复仇并获得巨额遗产——通过病态的创造性手段杀死这个关系疏远的大家庭，而这也使她走上了与自我意志完全相悖的道路。

安雅·泰勒-乔伊继《后翼弃兵》再和网飞合作，她将主演新剧《如何杀死你的家人》，共8集，改编自贝拉·麦凯的同名畅销小说。 　　网飞联合Sid Gentle影业(《杀死伊芙》)制作，安雅也通过自己的制作公司LadyKiller担任执行制作人，艾玛·莫兰编剧。 　　讲述女主角格蕾丝·伯纳德的生父西蒙·阿特米斯是一名亿万富翁，他冷酷无情，专注在社会往上爬，拒绝承认格蕾丝是他婚外情的产物，因此格蕾丝和母亲只能自谋生路。但当母亲去世、格蕾丝被那些本该伸出援手的人拒绝后，她决定复仇并获得巨额遗产——通过病态的创造性手段杀死这个关系疏远的大家庭，而这也使她走上了与自我意志完全相悖的道路。

1993年的夏天，文静秀气、戴着一副小孔眼镜的转校生周小栀（周冬雨 饰），第一次见到了自己的同桌——坐在最后一排的捣蛋男生林一（林更新 饰），他们一起经历了初中、高中和大学的青葱岁月。林一对周小栀说：“总有一天，我会带你去一个只有我们俩的地方。”一晃十年……

Six sketches with as many ways of murdering someone, and getting away with it.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

一位年轻男教师来到一座偏僻的村庄。当地居民彼此相处融洽且生活满足，偶尔产生的不满也都通过自由贩卖的毒品或被村里警察消灭。乡村教师结识了一名猎人，两人坠入情网。但当前者试图逃离表面的田园生活并奋起反抗时，两人的爱情面临了巨大风险。