Jaya和Fatima原本深愛著對方，然而Jaya選擇順從其觀念保守的父親，嫁給被安排的對象。在Jaya快承受不住心中的困頓和無助，準備放棄並接受現實時，命運卻把她引領到另一個交叉點。

Jaya和Fatima原本深愛著對方，然而Jaya選擇順從其觀念保守的父親，嫁給被安排的對象。在Jaya快承受不住心中的困頓和無助，準備放棄並接受現實時，命運卻把她引領到另一個交叉點。

尽管经济开始繁荣，一群社会边缘的底层青年人还是没办法找到工作，他们心起了创业的念头，买了一辆自卸卡车，做起自己的老板来。但不久就失败了，这雄心壮志的梦也随之败落。这是深作欣二又一部描写颓丧年轻人的作品，聚焦战后经济繁荣时愈发扩大的社会代沟。影片显示出法国新浪潮与黑色电影的混合风格，与马丁·西科塞斯的《残酷大街》颇有相似。

An ambitious Degelin distinguished himself on several occasions; particularly at Cannes Festival in 1960 where his first feature film received public acclaim. In Si le vent te fait peur siblings Claude and Pierre have an ambiguous relationship, verging on the incestuous - against a background of the then bare, almost lunar, landscape of the Belgian North coast. 　　With a literary, stylistic approach and stiff dialogue, this psychological drama by director Emile Degelin addresses the normally taboo subject of incest in a round-about way. Claude and Pierre (Elisabeth Dulac and Guy Lesire) are brother and sister yet it is apparent early on that they are physically attracted to each other. In order to suborn their feelings they enter into relationships with others but nothing they do seems to work - they are always drawn back to their same fatal attraction.

季瓷跟闺蜜打赌让顾铭舟浪子回头，于是疯狂追求顾铭舟，谁知顾铭舟在他们订婚的第13年，还在疯狂追求女大学生，更是当着她的面肆无忌惮的玩暧昧，季瓷一气之下丟下戒指，和顾铭舟分手。结果前脚刚分手。后脚就在医院值班室遇到了执行任务受伤的顾城安一—顾铭舟的小叔叔。

舞台剧演员高濑川玄（役所广司 饰）曾在英国伦敦莎士比亚环球剧院实现日本人首次主演的荣耀，却因某些原因无法回国，时隔约两年终于回到日本。然而，对于极度需要外界认可的高濑川玄来说，最大的悲剧降临了——他彻底被全世界遗忘。