A serial killer awakens from a coma and escapes from a mental hospital to kill a survivor of his slayings years ago, all the while stalking, terrifying, and killing women on the [email protected]

古稀版神奇四侠重出江湖的故事。布莱恩因为身怀绝技，年轻时被招募到训练营成为了一名超级英雄。随着时间的推移，布莱恩到了退休的年纪。由于无法忍受一个人退休在家时的冷清以及孤独，他决定和一群好友做一些年轻时不敢做的事，完成自己年轻时的梦想。家人得知布莱恩的想法后极力劝说他，固执的布莱恩不听家人的劝阻，甚至搬到一栋别墅里和朋友一起居住。在这里，他们会定期举办派对，参与者都是像布莱恩一样退休的超级英雄。固定的娱乐项目当然是每个人的绝技展示，虽然每次派对都会有小插曲的发生，但是布莱恩和朋友很享受这样的退休生活。很快，他们的举动吸引了可莱丝的注意。可莱丝以照料他们的生活为借口，成功地成为了这栋别墅的管家。但很快，布莱恩得知了可莱丝的真正目的：可莱丝想偷偷学到他们的绝技并以此来提升自己在组织中的地位，甚至不惜伤害他人来获取利益。布莱恩将这件事偷偷告诉了几名好友，他们一起谋划如何对抗可莱丝。最终在布莱恩和朋友的努力下，他们成功地打败了可莱丝，生活再次归于平静。布莱恩和家人的关系也得到了缓和，但整个影片伴随着啼笑皆非的趣事。

Somewhere in Berlin. But not just any time, this is here and now. A postman delivers a parcel and, soon afterwards, everything changes. A terrorist attack rocks a family to the core. Maxi – who loses her mother, her brothers and her home – tries to look forward, but is still deeply insecure. Nothing seems to work. Her father Alex is as traumatised as she is. The certainties of the past have been wiped out and the grief that comes with their loss obscures everything. Meeting another young person seems to help Maxi. Karl liberates her from her paralysis and urges her to conquer her fear. He has organised a meeting of European students who are looking for solutions to the catastrophic situation on the continent. The task he assigns Maxi could be the deciding factor in the success of a grand plan. By joining forces with Karl, Maxi is dancing on a knife edge: today in Berlin, tomorrow in Prague, soon in Strasbourg and eventually all over Europe. Je suis Karl – a political takeover.

Somewhere in Berlin. But not just any time, this is here and now. A postman delivers a parcel and, soon afterwards, everything changes. A terrorist attack rocks a family to the core. Maxi – who loses her mother, her brothers and her home – tries to look forward, but is still deeply insecure. Nothing seems to work. Her father Alex is as traumatised as she is. The certainties of the past have been wiped out and the grief that comes with their loss obscures everything. Meeting another young person seems to help Maxi. Karl liberates her from her paralysis and urges her to conquer her fear. He has organised a meeting of European students who are looking for solutions to the catastrophic situation on the continent. The task he assigns Maxi could be the deciding factor in the success of a grand plan. By joining forces with Karl, Maxi is dancing on a knife edge: today in Berlin, tomorrow in Prague, soon in Strasbourg and eventually all over Europe. Je suis Karl – a political takeover.

Former cop Filip Marold (Jan Dolanský) doesn't want to be reminded of some things from his past. But others remind him... He works as a private detective, sleeps with his secretary and spies on people for money. All up to the moment when he meets seductive Raluca (Malvína Pachlová) and his life turns upside down. Is it just a coincidence? Fate? Or has someone set a trap? Even in his wildest dreams he wouldn't imagine the things that were about to happen. Things that involve sex, murder, the big reveal and a harsh reminder of that damn past...

Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

19岁的天主教徒卡尔曾经做过恐怖分子的帮凶，失业后，闷闷不乐，整天把自己关在房里。一次，他到图书馆去，被年轻美丽的管理员玛塞拉迷住，于是找许多借口去她家，并得到她婆婆的欢心。卡尔得知，玛塞拉的丈夫就是被恐怖分子杀害的莫顿警官。卡尔深感自责，他想摆脱恐怖分子的控制，却又身不由己地参与了恐怖分子策划的抢劫。卡尔与玛塞拉的感情日益加深，最后等待他的是被捕入狱的下场。

19岁的天主教徒卡尔曾经做过恐怖分子的帮凶，失业后，闷闷不乐，整天把自己关在房里。一次，他到图书馆去，被年轻美丽的管理员玛塞拉迷住，于是找许多借口去她家，并得到她婆婆的欢心。卡尔得知，玛塞拉的丈夫就是被恐怖分子杀害的莫顿警官。卡尔深感自责，他想摆脱恐怖分子的控制，却又身不由己地参与了恐怖分子策划的抢劫。卡尔与玛塞拉的感情日益加深，最后等待他的是被捕入狱的下场。

天真的孩子的内心世界的一个男孩与他的父亲在树林里的工作有一个复杂的情感关系的电影。他非常钦佩他的技能和辛勤工作，但在同一时间，他对饮酒有关。幸运的是，当地教师的积极作用的男孩和他父亲的影响。