Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

1991年八月，爱沙尼亚摆脱苏联赢得独立，并为其国家银行带来了价值近十亿元的金条。这些金条曾在巴黎藏了五十年，而它的回归使得苏联的犯罪团伙蠢蠢欲动。他们定下了一个大胆的“夺金”计划，准备在午夜时分中断首都的电力供应并趁机抢夺金条。为此，他们找到了电力专家Toivo，Toivo怀孕中的妻子催促他接下这笔酬劳可观的买卖——“五千英镑可以买许多的婴儿食品”。然而，就在Toivo迈向电力站的同时，他的妻子被推进了产房。临盆，断电，恒温箱无法工作，初生儿奄奄一息。与此同时，犯罪团伙内部的嫉妒心使得“夺金”计划的进行举步维艰，很快他们又发现Toivo成了他们新的麻烦。

1991年八月，爱沙尼亚摆脱苏联赢得独立，并为其国家银行带来了价值近十亿元的金条。这些金条曾在巴黎藏了五十年，而它的回归使得苏联的犯罪团伙蠢蠢欲动。他们定下了一个大胆的“夺金”计划，准备在午夜时分中断首都的电力供应并趁机抢夺金条。为此，他们找到了电力专家Toivo，Toivo怀孕中的妻子催促他接下这笔酬劳可观的买卖——“五千英镑可以买许多的婴儿食品”。然而，就在Toivo迈向电力站的同时，他的妻子被推进了产房。临盆，断电，恒温箱无法工作，初生儿奄奄一息。与此同时，犯罪团伙内部的嫉妒心使得“夺金”计划的进行举步维艰，很快他们又发现Toivo成了他们新的麻烦。

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。

讲述一段荷尔蒙失调的性转爱情故事：主人公珍的人生衰运连连，离婚争夺抚养权失败，工作上被人调侃消遣。在她人生急转直下之际，某日睡觉醒来发现自己多了个不该存在的器官…

讲述一段荷尔蒙失调的性转爱情故事：主人公珍的人生衰运连连，离婚争夺抚养权失败，工作上被人调侃消遣。在她人生急转直下之际，某日睡觉醒来发现自己多了个不该存在的器官…

gentle yet whimsical tale of a rather awkward yet ultimately eventful day in the life of a 7th grade boy. Nominated for an Oscar.

gentle yet whimsical tale of a rather awkward yet ultimately eventful day in the life of a 7th grade boy. Nominated for an Oscar.