她，池原夏，是女扮男装20年只为继承家业的假校草；他，夏唯希，是人人喊打的“小三之子”，高冷腹黑的美少男。池原夏女扮男装混入学校，机缘巧合与腹黑美少男夏唯希同住一间公寓，她欲哭无泪，为了继承家业，自己顶着“校草”身份，室友却三番五次针对她，而她女扮男装的秘密和真相，还要隐藏多久……

该剧改编自阅文集团旗下QQ阅读作者颜言作品《校草是女生：捡个男神宠回家》 　　她，池原夏（吴文婕 饰），是女扮男装20年只为继承家业的假校草；他，夏唯希（王晟云 饰），是人人喊打的“小三之子”，高冷腹黑的美少男。池原夏女扮男装混入学校，机缘巧合与腹黑美少男夏唯希同住一间公寓，她欲哭无泪，为了继承家业，自己顶着“校草”身份，室友却三番五次针对她，而她女扮男装的秘密和真相，还要隐藏多久……

王者荣耀拍网剧了！ 　　根据王者荣耀文学大赛获奖小说《国服男神是女生》改编的网剧《#国服王者是女生#》筹备，预计5月底6月初开机

王者荣耀拍网剧了！ 　　根据王者荣耀文学大赛获奖小说《国服男神是女生》改编的网剧《#国服王者是女生#》筹备，预计5月底6月初开机

Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。

讲述一段荷尔蒙失调的性转爱情故事：主人公珍的人生衰运连连，离婚争夺抚养权失败，工作上被人调侃消遣。在她人生急转直下之际，某日睡觉醒来发现自己多了个不该存在的器官…

讲述一段荷尔蒙失调的性转爱情故事：主人公珍的人生衰运连连，离婚争夺抚养权失败，工作上被人调侃消遣。在她人生急转直下之际，某日睡觉醒来发现自己多了个不该存在的器官…