28年前，当红女星Kanlaya Putganya Banrapa 因为被爆出原来已经结婚生子，受不了舆论压力，结果误服过量药物，不治身亡。这么多年来，她的灵魂都一直陪伴在丈夫海军少将Buree和儿子Sawat的身边。28年后，Honnam，一个在制片公司实习的大学生来到了Buree的房子，想借场地来拍戏。在那里她不仅看到了Kanlaya的灵魂，还遇到了长大后成为了傲娇牙医的Sawat。Sawat对制片公司跑来家里，尤其还是妈妈生前所属的公司一点好感都没有，不想让他们来，Buree却觉得他们的出现会让Kanlaya的灵魂觉得欣慰而答应了导演Jed的请求。Honnam开始意识到Kanlaya不是“人”，后来因为意外吞了Kanlaya的珍珠耳环，让Kanlaya开始可以上她的身，更是帮助她演戏，得到了很多人的赞赏。可是Kanlaya不只是想再次演戏，而是想借着Honnam的身体和丈夫儿子团聚。一点也不相信神鬼之说的Sawat开始觉得Honnam是个骗子，怀疑她有精神分裂，可是太多的迹象让他不得不相信妈妈是真的回来了，而且还可能永远寄身于Honnam

28年前，当红女星Kanlaya Putganya Banrapa 因为被爆出原来已经结婚生子，受不了舆论压力，结果误服过量药物，不治身亡。这么多年来，她的灵魂都一直陪伴在丈夫海军少将Buree和儿子Sawat的身边。28年后，Honnam，一个在制片公司实习的大学生来到了Buree的房子，想借场地来拍戏。在那里她不仅看到了Kanlaya的灵魂，还遇到了长大后成为了傲娇牙医的Sawat。Sawat对制片公司跑来家里，尤其还是妈妈生前所属的公司一点好感都没有，不想让他们来，Buree却觉得他们的出现会让Kanlaya的灵魂觉得欣慰而答应了导演Jed的请求。Honnam开始意识到Kanlaya不是“人”，后来因为意外吞了Kanlaya的珍珠耳环，让Kanlaya开始可以上她的身，更是帮助她演戏，得到了很多人的赞赏。可是Kanlaya不只是想再次演戏，而是想借着Honnam的身体和丈夫儿子团聚。一点也不相信神鬼之说的Sawat开始觉得Honnam是个骗子，怀疑她有精神分裂，可是太多的迹象让他不得不相信妈妈是真的回来了，而且还可能永远寄身于Honnam

公园中的小雪人羡慕着能跑能跳的孩子们，希望自己也拥有一双自由的腿，他化作一朵云，穿上了裤子，追求着梦寐以求的自由，只是他没意识到，化作云朵的自己已经比拥有腿的人更加自由了。

Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

Wealthy Choi, owner of a small fishing fleet, dominates the economy of remote Nak-wol Island and rules over it like a tyrant. When his overfishing depletes the catches, Choi blames the water spirits which angers the local shaman. To earn more money, Choi becomes a loan shark, driving the villagers deep in debt. One resident, Jong-cheon, decides that he has had enough and starts to organize a rebellion.

Wealthy Choi, owner of a small fishing fleet, dominates the economy of remote Nak-wol Island and rules over it like a tyrant. When his overfishing depletes the catches, Choi blames the water spirits which angers the local shaman. To earn more money, Choi becomes a loan shark, driving the villagers deep in debt. One resident, Jong-cheon, decides that he has had enough and starts to organize a rebellion.

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。

讲述一段荷尔蒙失调的性转爱情故事：主人公珍的人生衰运连连，离婚争夺抚养权失败，工作上被人调侃消遣。在她人生急转直下之际，某日睡觉醒来发现自己多了个不该存在的器官…