Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

Set in Warsaw, the film loosely follows the character of an orphaned Vietnamese child who grows up to be absorbed into a dance group inspired by South Korean pop music. Widely popular within Polish youth subculture, K-pop is used by the artist as a vernacular material to trace a relationship between Eastern Europe and Asia with roots in Cold War allegiances. This dichotomy is further complicated by the significant Vietnamese diaspora currently living in Poland, composed of Northerners who migrated before the fall of the Iron Curtain, and Southerners who came in the aftermath of the Vietnam War. Nguyen traces how these layered inner conflicts are reckoned with inside the process of finding shared symbols and naming oneself from within another’s regime. 　　Assembling a crew of teenaged Polish dancers who perform original choreography set to music and lyrics co-written by the artist, she looks at both the exaltation and erasure of personal traumas at play in the process of representation, identity building, and the formation of a shared nation space. The melodramatic pull of the spectacle is disrupted by the voice-over, culled from various and often contradictory writings on revolution by Ulrike Meinhof, Hannah Arendt, Mao Zedong, and others.

四名青春靓丽、性格迥异的同宿舍女孩的出现让菁菁校园轻舞飞扬。联谊宿舍的男生们用层出不穷的小把戏为炎炎夏日平添几分趣味。严谨刻板的教学主任，永远活力十足、分分秒秒秒地奉上令同学们爱恨交织的课堂时光。

爱好绘画的肖红叶,在与联谊宿舍的一次集体活动中,遭遇狼群，陷入草原沼泽,关键时刻博物馆职员罗明英雄救美,两人逐渐对彼此有了异样的感觉…… 与此同时文…

一对男女陷入对彼此的仇杀中。不断死去。又在更早的过去带着被杀死的仇恨重生。痛苦周而复始。杀戮愈发无法停止。仇恨形成的闭环中。 找不到开始也无法结束。而在这不断重复杀戮循环之中。到底什么才是看似无解中的解。

这部令人毛骨悚然的调查系列纪录片探索了可怕的遭遇、离奇的失踪和灵异事件等令人不解的现象。

这部令人毛骨悚然的调查系列纪录片探索了可怕的遭遇、离奇的失踪和灵异事件等令人不解的现象。

一对男女陷入对彼此的仇杀中。不断死去。又在更早的过去带着被杀死的仇恨重生。痛苦周而复始。杀戮愈发无法停止。仇恨形成的闭环中。 找不到开始也无法结束。而在这不断重复杀戮循环之中。到底什么才是看似无解中的解。

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。

一个有英雄梦的男孩和一个受到同学们欺凌的女孩成为了朋友，直到有一天他必须做出一个选择，站在女孩一边还是同学们一边。