在浩瀚的宇宙中，地球宛如沧海一粟。在无尽的历史长河中，人类个体的生命犹如同稍纵即逝的火星。但即便生命如此短暂，自私、愤怒、欢乐、嫉妒、喜悦、忧虑、悲伤、恐惧等情感仍左右着人类的行为举止，他们就像生活的奴隶，每天为同样的事情所奴役驱使，而忽略了生命真正的意义。即使在经过几千几万年的进化，这一情况也不会改变…… 　　本片耗时4年，草图达上千张，未采用任何电脑和数字技术，全部由导演Don Hertzfeldt一人完成。荣获2005年德州国际短片暨录影带展观众大奖、2005年Malibu电影节观众奖最佳动画短片奖。

Ideas about the soul and the afterlife, of sin and God's purpose have shaped human thinking for thousands of years. Religious rituals remain embedded in the major events of our lives. 　　In this thought-provoking series, evolutionary biologist Richard Dawkins asks what happens if we leave religion behind. 　　He explores what reason and science might offer to inspire and guide our lives in religion's place. Can science bring understanding in the face of death, help us tell right from wrong, or reveal the meaning of life?

Ideas about the soul and the afterlife, of sin and God's purpose have shaped human thinking for thousands of years. Religious rituals remain embedded in the major events of our lives. 　　In this thought-provoking series, evolutionary biologist Richard Dawkins asks what happens if we leave religion behind. 　　He explores what reason and science might offer to inspire and guide our lives in religion's place. Can science bring understanding in the face of death, help us tell right from wrong, or reveal the meaning of life?

影片的主人公巴克斯特是个小说家，他一直想为他的小说写出一个完美的结尾，这部小说是关于性上瘾的。而他的父亲是一位畅销的宗教作品作家，他一直想阻挠他的儿子写完这本小说。巴克斯特在写作过程中游走于幻想和现实之间。

影片的主人公巴克斯特是个小说家，他一直想为他的小说写出一个完美的结尾，这部小说是关于性上瘾的。而他的父亲是一位畅销的宗教作品作家，他一直想阻挠他的儿子写完这本小说。巴克斯特在写作过程中游走于幻想和现实之间。

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

这是导演索尔·贝鲁佐·皮孔-里维埃的处女作，以克莱奥为第一视角讲述了一段夏日故事。她和女孩们跌入一场白日梦，里面有着神秘信号和秘密仪式。在好似印象派的图像中，克莱奥妹妹的死变得不再沉闷，而是被诗意的想象力环绕。记忆与现实的边界也不再清晰，你便也走进这场女孩们的叙事里。

学成归来的林思瑶，准备报答供养自己的残疾母亲宋招娣，回来后却发现母亲因病过世。在灵堂上，母亲宋招娣的父母以及弟弟前来打砸，丈夫林建国也就是林思瑶的父亲，也前来闹事。灵堂上，林思瑶细数多年来母亲收到的来自众人的欺压，甚至就连母亲的残疾都是因为替代舅舅上班爆炸残疾，然后被逼嫁给了林建国，最终悲惨一生。

学成归来的林思瑶，准备报答供养自己的残疾母亲宋招娣，回来后却发现母亲因病过世。在灵堂上，母亲宋招娣的父母以及弟弟前来打砸，丈夫林建国也就是林思瑶的父亲，也前来闹事。灵堂上，林思瑶细数多年来母亲收到的来自众人的欺压，甚至就连母亲的残疾都是因为替代舅舅上班爆炸残疾，然后被逼嫁给了林建国，最终悲惨一生。