影片以拉隆-法基尔接受采访开头，通过拉隆-法基尔的回忆叙述印度巴乌尔教派最伟大的代表者、诗人、歌手拉隆-法基尔传奇的一生。法基尔年轻时是一个牧马青…

Linked to episodes 32 and 33 of the Ryusoulger TV series, the movie will reveal the meaning of Nada’s video message which he left for the Ryusoulgers at the end of episode 33.

根据冰临神下同名小说改编季播剧，原著共四个章节，本剧第一季对应原著第一章节《妖狐夜》。 　　宦官专权，妖狐作祟，玄鹰卫赵瑛离奇去世，膝下“狐生鬼养”的四十义子竟成弑父嫌疑人，一夜间兄弟反目，人心惶惶。怎见得东所、西所、内阁三方势力均各怀鬼胎，这破获妖狐案的重任，竟落在了最离经叛道的三十六郎胡桂扬的头上……

根据冰临神下同名小说改编季播剧，原著共四个章节，本剧第一季对应原著第一章节《妖狐夜》。 　　宦官专权，妖狐作祟，玄鹰卫赵瑛离奇去世，膝下“狐生鬼养”的四十义子竟成弑父嫌疑人，一夜间兄弟反目，人心惶惶。怎见得东所、西所、内阁三方势力均各怀鬼胎，这破获妖狐案的重任，竟落在了最离经叛道的三十六郎胡桂扬的头上……

隐山隐世少主孟了凡信奉单身主义，却被家族强行安排了三门婚事，孟了凡偷偷下山入俗世寻找三名未婚妻寄希望于让她们主动退婚，就当他当着三名未婚妻回孟家向爷爷退婚时，三名未婚妻却都突然改口，要与他共度余生。

保罗·托马斯·安德森音乐短片[灵魂](ANIMA，暂译)发布先导预告。这支短片由Radiohead的汤姆·约克(Thom Yorke)配乐并主演，是一支令人费解的视觉片段。该短片将于6月27日上线Netflix，并会在6月26日部分IMAX影厅中率先放映。

保罗·托马斯·安德森音乐短片[灵魂](ANIMA，暂译)发布先导预告。这支短片由Radiohead的汤姆·约克(Thom Yorke)配乐并主演，是一支令人费解的视觉片段。该短片将于6月27日上线Netflix，并会在6月26日部分IMAX影厅中率先放映。

'Tupilaq' is a very personal short film revolving around the themes of cultural alienation, abuse, and contrast between mythological nature and western culture. Tupilaq gives a heartbreaking peek into a traditional Greenlandic background, in contrast to the every life of western society. In the film, this contrast is depicted through the repetitive monotony and the human distance of modern society - with its square buildings and faceless people - opposed to the natural beauty of the Greenlandic landscape, pictured as a unattainable world of an idealized painting. As the film balances between superstition and rationality, the film uses the Tupilaq as a symbol. The Tupilaq is both a symbol of the spirit of a forefather and a curse, which you can cast upon an enemy

'Tupilaq' is a very personal short film revolving around the themes of cultural alienation, abuse, and contrast between mythological nature and western culture. Tupilaq gives a heartbreaking peek into a traditional Greenlandic background, in contrast to the every life of western society. In the film, this contrast is depicted through the repetitive monotony and the human distance of modern society - with its square buildings and faceless people - opposed to the natural beauty of the Greenlandic landscape, pictured as a unattainable world of an idealized painting. As the film balances between superstition and rationality, the film uses the Tupilaq as a symbol. The Tupilaq is both a symbol of the spirit of a forefather and a curse, which you can cast upon an enemy