A collection of alternate takes and deleted material from the Paul Thomas Anderson film Punch-Drunk Love (2002) are compiled and matched with the Jon Brion song "Here We Go" in this plot-less but very interesting short film. This short piece also features more Jeremy Blake artwork that was not included in the film.

A collection of alternate takes and deleted material from the Paul Thomas Anderson film Punch-Drunk Love (2002) are compiled and matched with the Jon Brion song "Here We Go" in this plot-less but very interesting short film. This short piece also features more Jeremy Blake artwork that was not included in the film.

张禧嫔是代表朝鲜时代妖女的人物，在韩国的影视历史中，一共有过6个张禧嫔：1961年郑昌和导演的《张禧嫔》、68年林权泽导演的《妖花张禧嫔》、1983年的MBC电视剧《女人烈传张禧嫔》、1988年MBC电视剧《朝鲜王朝五百年仁显王后》和1994年SBS电视剧《张禧嫔》和最新2002年KBS电视剧由金惠秀饰演的《张禧嫔》。很多电影和电视剧都刻画了张禧嫔的形象，同时女演员也都把张禧嫔看作是“作为女演员希望演的角色”。 　　张禧嫔，本名张玉贞（亦有一说是张玉菁）1659-701年，籍贯德水，译官张炯之女，出身中人。张氏是朝鲜肃宗的废后，景宗的生母。张氏入宫后成为肃宗曾祖母大王大妃（庄烈王后）的侍女，在大王大妃的安排下成为肃宗的爱妾。肃宗的元配仁敬王后在一次生产后不幸辞世。肃宗母亲明圣王后心中的怨恨至此爆发出来，她借张氏诅咒仁敬王后的罪名，将张氏赶出宫外，并在丧期过后立即捡择大臣闵维重之女闵氏为继妃。不久明圣王后因病辞世。仁显王后闵氏无子，得知肃宗与张氏的旧事，为了王室的延续着想，下旨让张氏进宫，并册封其为从四品淑媛。 　　张氏怀孕后，肃宗晋升其为正二品昭仪。 公元1688年（肃宗十四年）十月二十八日，张氏于昌庆宫就善堂生下朝鲜景宗李昀。张氏被为正一品嫔，封号为禧嫔。后肃宗废掉仁显王妃与金贵人，并将她们赶出宫外，贬回私宅。张禧嫔成为王妃，父母亲分别册封为府院君与府夫人，禧嫔的哥哥张希载亦成为捕盗大将。张禧嫔也成为朝鲜历史上唯一以中人身份登上国母宝座的后宫。（朝鲜王妃要求必须是两班贵族出身，张禧嫔之例可称的上异数。） 　　后肃宗发现张禧嫔残害自己宠幸的内人崔氏（既后来的淑嫔崔氏，英祖大王母），将张氏降为嫔，更让肃宗决定迎接仁显王后回宫。张氏为此不满，暗中请巫师作法加害仁显王后，东窗事发，肃宗在1701年以“诅咒国王”、“巫盅后宫”之罪名将张氏废为庶人并赐毒药，同时恢复仁显王后的后位。景宗李昀基位后追封母亲张氏为玉山府大嫔宫，即“七大宫”之首。 　　张禧嫔与燕山君时期的张绿水及朝鲜中宗时期的郑兰贞合称朝鲜三大妖女（三大妖女的另一说为张绿水、朝鲜宣祖时期的金尚宫、张禧嫔）。

百年前，士兵费德里科在博比奥，被一名修女诱惑，百年后，调查员费德里科来到博比奥，发现这里住着一位只在夜间活动的老爷子。 　　影片由意大利国宝级导演马可·贝罗奇奥执导，其曾获威尼斯电影节终身成就奖，此次以《吾血之血》入围第72届威尼斯电影节主竞赛单元，角逐金狮大奖。

Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very much attached to their father, despite his temper, and his frequent absences from home. One day, the father leaves for good, and Vicente and Nino swear to cover it up. It's their secret. Clara, the primary school assistant, is fascinatingly beautiful, and secretive, and (may be) she knows it aswel. There are other secrets, though: the origin of the money that appears at Vicente's house; the relationship between Vicente's well-to-do uncle and his girlfriend; the relationship between the four people who once played the cards together, and now can't stand each other

Diego's job is counting people as they enter a large government building. After work, he and his wife Blanca lie on the couch, watch soap operas, or make love on the kitchen table. Their relationship is based on having sex, watching TV, and fighting, until one day their routine is interrupted. Karina, Diego's daughter from a previous marriage, arrives in search of her father's love, but Blanca refuses to accept her. Diego finds himself caught between an extremely jealous wife and a daughter in desperate need of guidance. An astonishing climax will lead Diego to a total loss of control.

Psychological drama based on Vardan Grigoryan's novel "The Close Room". This Surrealism film focuses on a young man who is given an opportunity, under dramatic circumstances, to live his life over again.

Psychological drama based on Vardan Grigoryan's novel "The Close Room". This Surrealism film focuses on a young man who is given an opportunity, under dramatic circumstances, to live his life over again.

기울어져가는 이씨가문에 미령은 데릴사위로 남편 송지광을 맞이하나 지광의 무인지경 행동에 화병을 얻고, 이때 미령의 친구 여옥이 등장한다. 여옥은 미령을 간호하나 지광의 행패에 여옥과 미령은 무의식중에 지광을 살해한다. 그후 미령은 지광의 환영에 병세가 악화되어 숨을 거두자 지광과 여옥은 결혼한다. 이제까지 그들은 서로 짜고서 의식적으로 미령을 죽인 것이다. 지광과 여옥의 행복한 날들이 계속되는데 미령의 환영이 괴롭히기 시작한다. 지광은 정신착란을 일으켜 미령의 환영을 쫓다가 불에 타 죽고 여옥은 신경쇠약에 걸려 정신이상이 된다. 미령은 살아서 사죄하듯 여승이 된다. 　　李先生的家门，她的妻子是她的女婿，她的女婿是丈夫宋智辉，而他的妻子是他的影子。女皇在护理美灵的过程中，吕玉和美灵在无意识中杀死了池光。此后，美英因在地光的欢迎而病情恶化后，池光和吕玉结婚。到目前为止，他们相互勾结，有意识地杀死了美玲。志娟和女玉的幸福日子持续了，美令的欢迎开始折磨人。志光引起精神错乱，追逐美灵的欢迎，被火烧死，玉玉神经衰弱，精神失常。美玲可以以求情谢罪。

一个叫做“花”的北京女教师，决定辞去在北京的工作，前往法国与那里的恋人Thierry汇合，但是到了法国之后，事情却并没有像她想象的那样发生，Thierry甚至不回她的电话。绝望的她在那个陌生的城市里游荡，从她狭小的工作室到学校，一个人背井离乡地在法国华人社区里漂泊，后来她遇到了一个叫Mathieu的年轻工人，Mathieu深深地爱上了“花”，虽然他认为对待“花”并不需要比对待一只母狗好多少。