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费德里科二十多岁，一个人住在布宜诺斯艾利斯。他祖母去世的那天，他决定和他的女朋友玛格达分手。他害怕伤害她。但当时间到了，她就打败了他。她懒散、精力充沛，甚至连受伤的感觉都没有。然而，尤其是当他得知她已经有了新朋友时。但后来他在最近去世的祖母给他的冰箱里找到了土豆刀，一切都变了。雷杰曼的舞台是阿根廷社会的缩影，他用一个稀少的故事和一种无视复古现实主义的指导性方法，以精心创作的图像来破译。雷杰曼属于阿根廷电影的新浪潮，在20世纪90年代中期首次在欧洲获得认可。据弗吉尼亚大学的罗克•奥•戈登博士说，他作品的主要方面是导演和作者不以粗制滥造的方式讲述线性故事，而是指冷漠的美学。在这种冷漠中，喜剧获得了最大的范围——到目前为止在阿根廷的独特地位。 　　Federico, is in his mid-twenties and lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend Magda. He fears hurting her. But when the time comes, she beats him to it. She is laid-back, feisty and not even close to feeling hurt. He is however, especially when he learns that she already has someone new. But then he finds the potato knishes in the freezer that his recently departed grandmother gave him and everything changes. Rejtman’s stage is the microcosm of the Argentine society, which he deciphers in carefully composed images with a sparsely told story and a directing approach in defiance of retro realism. Rejtman belongs to the new wave of Argentine film that first gained recognition in Europe in the mid-1990s. According to Dr. Rocío Gordon of the University of Virginia, the key aspect of his work is that the director and author does not tell linear stories in a run-of-the-mill way, but rather refers to an aesthetic of apathy. Within this apathy, comedy gains the greatest of scopes – a unique position in Argentina until now.

大大的世界，小小的我，成长的路上小漫步。时常幻想，偶尔迷糊，未来的路还不清楚……

大大的世界，小小的我，成长的路上小漫步。时常幻想，偶尔迷糊，未来的路还不清楚……

迪斯尼频道去年六月份宣布，著名青春偶像剧《男孩成长记》（Boy Meets World，1993-2000）的正宗续篇《女孩成长记》（Girl Meets World）获得正式剧集预订。根据该剧的描述，《男孩成长记》主人公Cory和Topanga「有情人终成眷属」之后，他们的女儿Riley Matthews又到了他们当年相恋的年纪。

讲述一个柏林强盗妄图改变自己命运的故事

这是一个令人惊叹的成长故事：一对花豹幼崽降生在地球上最具故事性的这片土地上。

讲述南非克鲁格国家公园里的两只雌性白狮从出生到成年的故事。

讲述南非克鲁格国家公园里的两只雌性白狮从出生到成年的故事。

十集美剧《戴维成长记》讲述了一个14岁黑人男孩戴维的故事。一边，他努力在磁石学校里为了逃离贫穷而学习；另一边，他不得不在贫民窟和毒贩一起生活。这部由奥普拉公司制作、《月光男孩》编剧合作推出的剧集聚焦美国黑人社群，探讨诸多层面的社会症结。