In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

A man finds out from a would be killer that his wife has paid $10,000 to have him killed. But is this mysterious man telling the truth? When both the killer and the wife turn up dead, everyone is a suspect, and the investigation takes an unexpected turn

A man finds out from a would be killer that his wife has paid $10,000 to have him killed. But is this mysterious man telling the truth? When both the killer and the wife turn up dead, everyone is a suspect, and the investigation takes an unexpected turn

深夜，大火，奔涌肆虐的地下之火，无情地吞噬着井下的矿工……　　救护车警笛声声，溪平不眠，溪平煤矿发生了瓦斯爆炸的惨案，但这起惊天大案却不知…

深夜，大火，奔涌肆虐的地下之火，无情地吞噬着井下的矿工……救护车警笛声声，溪平不眠，溪平煤矿发生了瓦斯爆炸的惨案，但这起惊天大案却不知为什么在社会中竟无声无息、不为人知、没有一丝一毫的披露……某报著名记者迟立强、杨茗莉应邀为溪平煤矿撰写报告文学，职业的敏感使他们捕捉到溪平煤矿所谓先进达标企业的背后，存在违反安全操作规程，暗地里与矿工签定生死合同的不法内幕。而恰在此时，迟立强的前妻俞静在采访北山矿返城的途中突然意外死亡……

在 Folsom Prison，几个囚犯逃跑了... 包括杀手阿诺德. 克鲁格，他发誓要报复给他定罪的侦探和地方检察官。尽管采取了预防措施，这两个人很快就被克鲁格控制了，还有歌舞女郎卡罗尔，他怀疑她告发了克鲁格。在加利福尼亚沙漠的一间小屋里，克鲁格、两名追随者和四名人质等待着，等待着一架可能永远不会到来的逃生飞机。

本片1988年获得奥斯卡最佳动画短片提名。 　　一家普通的公司，普通职员“狼先生”正和同事勤勤恳恳地俯身工作，不敢有一丝松懈，因为哪怕是伸懒腰、喝水等被虎视眈眈一直想用机器代替他们的老板发现，就会被炒掉。可是很快“狼先生”的同事全成了“机器人”。在自己也要被炒掉的一刻，“狼先生”决定夺权。

A man proves his masculinity at the cost of a woman. An important motif in the work of Skolimowski is born. 　　Somewhere in a funfair, a man enters a small caravan wielding a knife. In the next scene, a man is practising throwing knives at a woman from a rocking horse. This short is no more than a student’s exercise or joke, but it reveals an important motif of Skolimowski’s work: a man demonstrating his maleness at the expense of a woman.

A man proves his masculinity at the cost of a woman. An important motif in the work of Skolimowski is born. 　　Somewhere in a funfair, a man enters a small caravan wielding a knife. In the next scene, a man is practising throwing knives at a woman from a rocking horse. This short is no more than a student’s exercise or joke, but it reveals an important motif of Skolimowski’s work: a man demonstrating his maleness at the expense of a woman.

一名年轻的街头流浪汉试图逃离贫民区的严酷和诱惑，以寻求更好的生活。