原创搞笑2D动画，是黄大蕉和蜜小桃这对夫妻生活的爆笑趣事，用对话形式展现一个有趣的家庭日常

原创搞笑2D动画，是黄大蕉和蜜小桃这对夫妻生活的爆笑趣事，用对话形式展现一个有趣的家庭日常

遊手好閒的蕉農第三代高志鴻，與青果大盤商千金江秀蓮因誤會而相戀，秀蓮的妹妹秀玉在某次意外事件中，因志鴻幫秀玉解危讓秀玉暗戀志鴻，另外，志鴻的死黨柯忠義對秀蓮也悄生愛慕之情，命運無情的捉弄以及反派張瑞坤的撩撥，擾亂了眾人情感的一池春水，這五個花樣年華的年輕人，情感走向究竟如何？

遊手好閒的蕉農第三代高志鴻，與青果大盤商千金江秀蓮因誤會而相戀，秀蓮的妹妹秀玉在某次意外事件中，因志鴻幫秀玉解危讓秀玉暗戀志鴻，另外，志鴻的死黨柯忠義對秀蓮也悄生愛慕之情，命運無情的捉弄以及反派張瑞坤的撩撥，擾亂了眾人情感的一池春水，這五個花樣年華的年輕人，情感走向究竟如何？

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

一个是被说克死母亲的天生煞星，一个是无权无势的哑巴王爷，一道婚约圣旨，将苏瑾玥和萧子墨的命运连接到一起。二人携手并肩，一路披荆斩棘，将那些曾经嘲笑和欺辱他们的人踩在脚下。

喜欢你喜欢恋爱却又不敢碰的样子，也喜欢你为了爱情奋不顾身的样子。你是唯一不可替代的你。

喜欢你喜欢恋爱却又不敢碰的样子，也喜欢你为了爱情奋不顾身的样子。你是唯一不可替代的你。

江姝为天生药体，被父当作 “瘦马” 待献权贵。晋王沈修宴中寒毒，需药体女子合欢续命。二人因刺杀阉党意外相撞，沈修宴识出她身带血香，欲夺她续命。 江姝拒逃反陷囹圄，被迫嫁阉党。大婚日沈修宴抢婚，她以命相胁要明媒正娶、救母。洞房夜圣旨至，皇帝欲纳她为妃求长生，沈修宴为兵权将她作棋。 后二人联手宫变弑帝，寒毒却移到江姝身上。沈修宴拼半命救回她，天下与新朝，皆只为与她同归。