杨大力外出打工，托邻居王美兰照顾母亲李梅。王美兰表里不一，常暗中欺负李梅。李梅偶然撞见王美兰与恶霸偷情，反遭其变本加厉针对。后李梅摔伤被困小屋，靠红薯维生。杨大力返乡寻母，救出母亲后怒斥王美兰。王家人上门殴打，冲突中杨大力失手打死王美兰兄长，因此获刑。李梅求助支教律师林晓，林晓不畏威胁，坚持提供法律援助，最终助杨大力洗脱罪名，母子团圆。

兄妹轮流赡养老母，玲玲虐待推搡母亲，造谣生事，经众人劝说与自身经历后醒悟悔改，最终全家和睦为母亲庆八十大寿，弘扬孝道

Jonathan和Patricia兄妹首次开启海外之旅，目的地是冲绳！还有意外加入的旅行伙伴金海俊！三人虽满心激动，但一路上却不断“咣当咣当”、“吵吵闹闹”，嘴里还嘀咕着要回家。

Jonathan和Patricia兄妹人生第一次海外旅行去冲绳！还有谁也没想到的旅行伙伴金海俊！？虽然很激动，但奇怪的是，三人一直“咣当咣当”“吵吵闹闹”嘀咕着回家~

内容审核员（鉴黄师）钟乐乐在黑车司机刘英俊的车上跳车身亡。警察莫衷经过调查认为钟乐乐死于厌男症，刘英俊并非真凶：钟乐乐的老板李猫、男朋友邓小闲、女同事吴娃都难逃其咎。但莫衷的观点最终被证实也是错误的：钟乐乐是自杀也是他杀，是自尽也是复仇。 　　Zhong Lele, a content supervisor, jumped out of the taxi driver Liu Yingjun's car and died. After investigation, police Mo Zhong believes that Zhong Lele died of misandry, and Liu Yingjun is not the real murderer. Zhong Lele's boss Li Mao, boyfriend Deng Xiaoxian and colleague Wu Wa are all to blame. However, Mo Zhong's view was also proved wrong in a subsequent accidental discovery: Zhong Lele's death is a suicide yet also a revenge.

内容审核员（鉴黄师）钟乐乐在黑车司机刘英俊的车上跳车身亡。警察莫衷经过调查认为钟乐乐死于厌男症，刘英俊并非真凶：钟乐乐的老板李猫、男朋友邓小闲、女同事吴娃都难逃其咎。但莫衷的观点最终被证实也是错误的：钟乐乐是自杀也是他杀，是自尽也是复仇。 　　Zhong Lele, a content supervisor, jumped out of the taxi driver Liu Yingjun's car and died. After investigation, police Mo Zhong believes that Zhong Lele died of misandry, and Liu Yingjun is not the real murderer. Zhong Lele's boss Li Mao, boyfriend Deng Xiaoxian and colleague Wu Wa are all to blame. However, Mo Zhong's view was also proved wrong in a subsequent accidental discovery: Zhong Lele's death is a suicide yet also a revenge.

Sanzgiri's father was 18 when India ousted the last remaining Portuguese colonisers from Goa in 1961. Combining 16mm with drone footage, desktop screenshots, and Skype interviews with his father, Sanzgiri utilises various modes of seeing at a distance to question identity, the construction of memory and anti-colonial solidarity across continents.

Sanzgiri's father was 18 when India ousted the last remaining Portuguese colonisers from Goa in 1961. Combining 16mm with drone footage, desktop screenshots, and Skype interviews with his father, Sanzgiri utilises various modes of seeing at a distance to question identity, the construction of memory and anti-colonial solidarity across continents.

中国女性独居生活系列纪录片《她在家》，由新晋导演戴显婧执导，关注3位不同年龄、身份、职业的女性在独自生活中的情感及亲密关系。戴显婧既是“闯入者”也是“观察者”，呈现出这3位女性与原生家庭、另一半、身体、疾病、居住空间的关系，记录下她们真实的生活片段与思考，借由个体折射更 多独居群体。在拍摄期间，她亦通过发问她们，进一步探索自己。“独自生活，相互显影”，这是一部她与被拍摄者“互为镜像”的自反式纪录片。

中国女性独居生活系列纪录片《她在家》，由新晋导演戴显婧执导，关注3位不同年龄、身份、职业的女性在独自生活中的情感及亲密关系。戴显婧既是“闯入者”也是“观察者”，呈现出这3位女性与原生家庭、另一半、身体、疾病、居住空间的关系，记录下她们真实的生活片段与思考，借由个体折射更 多独居群体。在拍摄期间，她亦通过发问她们，进一步探索自己。“独自生活，相互显影”，这是一部她与被拍摄者“互为镜像”的自反式纪录片。