《娘心》讲述的是清末民初，蔡王两家的豪门恩怨：蔡家小姐蔡招弟爱上了王家少爷王世鸿，王世鸿却已有爱妻李玉卿，蔡招弟与王家老爷王添财联手设计陷害了李玉卿后如愿嫁到王家。长工阿荣和养女小玉照顾李玉卿的儿子天成，并化名阿忠和彩霞进入王家，调查李玉卿死亡的真相。

《娘心》讲述的是清末民初，蔡王两家的豪门恩怨：蔡家小姐蔡招弟爱上了王家少爷王世鸿，王世鸿却已有爱妻李玉卿，蔡招弟与王家老爷王添财联手设计陷害了李玉卿后如愿嫁到王家。长工阿荣和养女小玉照顾李玉卿的儿子天成，并化名阿忠和彩霞进入王家，调查李玉卿死亡的真相。

被偷听心声后，他被拿捏了：才华横溢的设计师云汀，在一次日食奇观中意外被带入一个奇异世界，恰逢商界风云变幻。梁潜凭借与尚嘉集团的合作迅速崛起，对陆氏集团构成了严重威胁。关键时刻，云汀挺身而出，凭借其卓越的设计才华惊艳尚嘉高层，成功助力陆鹤夺回与尚嘉的合作机会，从而平衡了商界格局。在一次宴会上，陆鹤向云汀深情表白，许下了永恒的承诺，两人的关系因此更加坚固。他们携手共进，共同面对商界的种种挑战，彼此间的感情愈发坚定。云汀与陆鹤的爱情故事成为了人们口中的传奇篇章，他们用自己的努力和智慧，书写着属于两人的辉煌传奇，成为了众人羡慕的对象

清末民初，江南濮院镇的贺家是江浙绞丝业首富，而家族事业的发展离不开掌管全家事务的老太太金普荷。尽管金老太太在家中说一不二，却遭到了族人的憎恨，唯独儿媳宝琴对她绝对信任和服从。宝琴受礼教束缚，将丈夫和儿子的不忠与不孝归咎于自己的宿命，深受煎熬。 　　宝琴的丈夫贺文达风流成性，与青楼女楚楚生有一子名为润生。然而，润生却被贺家管家领养，聪明过人。叔叔贺贵全一直垂涎于贺家财产，与马贼勾结绑架了侄子贺文达。然而，劫匪头铁军竟与贺文达长得如同一人，他乔装成贺文达来到贺家暗查身世之谜。他为人耿直，他的到来揭开了隐藏多年的秘密，也为贺家女人点亮了希望之灯。最终，为保护金家的女人，铁军承担了绑架罪名，使贺贵全夺权阴谋落空。尽管铁军最终牺牲，但他的牺牲让宝琴明白女人也同样有追求幸福的权利。最终，宝琴成全了家中的下女雨浓与润生的幸福人生，为故事画上了圆满的句号。

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world. 　　In Mama Micra the mother is a figure made of felt who recalls, in her own voice, her powerful urge to find freedom: “I was a real vagabond,” she explains. She traveled to Syria and Beirut, and envied the nomads in the desert. During the last 10 years of her life she lived in a Nissan Micra, washing in the morning in hotel bathrooms and sneaking into breakfast rooms to eat. 　　Her freedom came at a cost. She lost contact with her daughter, who counterpoints her mother’s account with her own recollections. But no harm is irreparable in this affectionate film.

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world. 　　In Mama Micra the mother is a figure made of felt who recalls, in her own voice, her powerful urge to find freedom: “I was a real vagabond,” she explains. She traveled to Syria and Beirut, and envied the nomads in the desert. During the last 10 years of her life she lived in a Nissan Micra, washing in the morning in hotel bathrooms and sneaking into breakfast rooms to eat. 　　Her freedom came at a cost. She lost contact with her daughter, who counterpoints her mother’s account with her own recollections. But no harm is irreparable in this affectionate film.

大学生沈青霜熬夜看虐文，穿成南梁被俘皇后。系统逼她走虐恋剧情，暴君君胤却能听见她心声，从忌惮到心动，对她极致宠溺。她一边装傲骨走剧情，一边被撩动心，在虐身任务与甜蜜沦陷间演反转爱恋。

女主穿书后成为罪臣之女，隐姓埋名逃到外祖家，却替表妹嫁给传言中克妻的将军男主。女主想利用读心术保命，却意外发现男主冷酷无情的外表下，是一个玻璃心的恋爱脑。

沈暮云是名男医生，意外穿越到大梁国成为了皇后。沈暮云用现代医学知识治好了五皇子，并对他进行了现代化辅导，五皇子顾轻霄一改往日草包形象，在比试中一鸣惊人，沈暮云也借此巩固了自己在后宫中的地位。