Inside the Actors Studio,Season 11, Episode 7

4 March 2006 (Season 31, Episode 13)

"My mother because, in one way or another, I talk about her constantly in my films, and often, I wonder if I have really worked so hard for her, about her, in relation to her, also my mother and her relationship with the movies, a relationship sometimes of recognition, sometimes of negation". – Chantal Akerman 　　In this 2007 interview, an off-camera Chantal Akerman interviews her mother about her films. The producers of the interview originally intended to edit out Akerman’s questions but ultimately decided to keep them in to preserve the candor of the mother-daughter rapport.

"My mother because, in one way or another, I talk about her constantly in my films, and often, I wonder if I have really worked so hard for her, about her, in relation to her, also my mother and her relationship with the movies, a relationship sometimes of recognition, sometimes of negation". – Chantal Akerman 　　In this 2007 interview, an off-camera Chantal Akerman interviews her mother about her films. The producers of the interview originally intended to edit out Akerman’s questions but ultimately decided to keep them in to preserve the candor of the mother-daughter rapport.

娜塔莉亚·冈察罗娃与亚历山大·普希金的爱情故事。普希金短暂的生命阶段，成为他们最幸福和最悲惨的时刻。娜塔莉梦想着简单的人生幸福，但命运却让她成为天才诗人的妻子和缪斯。

青海卫视推出的一档关注于青少年心理健康成长，探讨时下青少年流行话题，主题涉及亲情、友情、爱情、诚信、道义、责任，注重两代人代际沟通，搭建亲子间情感交流对话的桥梁。

Good Luck Charlie是迪士尼频道2010年开播的家庭题材情景喜剧。故事围绕六口之家Duncan一家展开。原本已经有三个孩子PJ（Jason Dolley饰）, Teddy（Bridgit Mendler饰）以及Gabe（Bradley Steven Perry饰）的Duncan夫妇又生下第四个孩子，可爱的女孩Charlotte，大家都叫她Charlie。姐姐Teddy拿起DV摄像机，记录下Charlie成长中所经历的以及这个家中所发生的一切有趣、难忘、有意义的事情，以便在Charlie长大后让她看到她的成长之路，并给予她一些生活的建议。

伯纳德（杰拉尔•·德帕迪约 Gérard Depardieu 饰）和凯瑟琳（芬妮·阿尔丹 Fanny Ardant 饰）是一对生活优渥的中产阶级夫妇，他们朋友众多，友善好客，但是夫妻感情却似乎出现了问题。在凯瑟琳生日当天，伯纳德没能及时赶回来参加派对。次日，丈夫手机中一条暧昧的留言又让凯瑟琳疑窦丛生。在此之后，他来到一家俱乐部，找到脱衣舞女马琳娜（艾曼纽·贝阿 Emmanuelle Béart 饰）。马琳娜工作之余以私人侦探的身份赚取外快，她接受了凯瑟琳的委托，化名娜塔莉去试探伯纳德。 　　随后的日子里，娜塔莉不断向凯瑟琳报告她和伯纳德的感情进展，这令凯瑟琳对丈夫的信任几近崩溃……

For the very first time, Natalie accepts to leave Mainland China to go to Hong Kong to meet her biological father, whose days are numbered. With mixed feelings, she will have her first encounter with this unknown man, whose mistress once was Natalie's mother. While facing the other members of his family, Natalie's arrival will deeply disturb their peaceful appearance.

Jos Stelling's entry into the world of film was effective. The world premiere of his debut film “Mariken van Nieumeghen” took place in 1975 in the Cannes competition programme. Nearly fifty years later, he says the latest film will be his last. It is a shame if this is true. “Natasha's Dance” is a powerful masterpiece, a tribute to the film d'auteur, which he has consistently cultivated as a director. But not just in his works. Stelling also owns several art-house cinemas in his hometown of Utrecht, where, of course, the film d'auteur plays an important role. 　　When Daantje was a withdrawn child, her mother told him that somewhere there was a girl waiting for him who danced beautifully. As an adult, Daantje is a lonely homeless person who happens to meet the former ballerina, Natasha. At first, the woman does not pay much attention to Daantje – the young man is a bit strange. Besides, Natasha has emotional hardships in her relationships. Then an event occurs that makes her want to return to her homeland immediately. Daantje goes with her.