Synopsis 　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's homes, each young man falls in love with the other's sister, and the two couples get married in a joint wedding ceremony. 　　Notes 　　"The filmization of a stage musical, and the fusion of film and mass entertainment" (Chung Jong-wha) 　　Hyperbolae of Youth lay claim to the title of Korea's first comedy movie, with a cast comprising such comic actors as Yang Hun, Yang Seok-cheon, and Kim Hee-gap. It affords us a glimpse into the cinematic sensibility and generic interest of Han Hyung-mo, who was the most commercially successful director of his day, and falls between The Hand of Destiny (Unmyeong-ui son) and Madame Freedom (Ja-yu bu-in) in his filmography. The movie tells a simple story: a brother and sister from a wealthy family fall in love their opposite-sex counterparts from a poor family, thus mature into well-rounded individuals, and make happy marriages. In this basic synopsis, even the fundamental difference of social status does not pose much of an obstacle. In fact, the extent to which the film straightforwardly endows the improverished brother and sister with positive values makes it seem rather simplistic. However, the movie's main interest does not lie in its story or theme. Instead, it concentrates on making the most of the generic elements of comedy and musical in order to maximize its own entertainment value. This agenda becomes manifestly clear from the film's characterizations. That is, the two male leads are comically rendered as a rich man's son who is sick from eating too much and a poor man's son who is sick from not eating enough. Musical elements are also introduced as a means of reinforcing the film's entertainment value. In the first half, for instance, the film's musical director Park Si-chun, in the role of the doctor, accompanies the nurses on his guitar as they sing a pop song. This scene, which has no relation to the plot, was inserted solely for the purpose of enhancing the movie's generic appeal as a musical. The same holds true for the scene in which Kim Hee-gap appears mid-film as a man carrying a wooden rack on his back to sing a medley of popular Korean songs. Such generic elements boost the film's entertainment value while infusing the whole with a cheerful and upbeat atmosphere. Hyperbolae of Youth may well be called the finest feel-good movie of the 1950s.

Synopsis 　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's homes, each young man falls in love with the other's sister, and the two couples get married in a joint wedding ceremony. 　　Notes 　　"The filmization of a stage musical, and the fusion of film and mass entertainment" (Chung Jong-wha) 　　Hyperbolae of Youth lay claim to the title of Korea's first comedy movie, with a cast comprising such comic actors as Yang Hun, Yang Seok-cheon, and Kim Hee-gap. It affords us a glimpse into the cinematic sensibility and generic interest of Han Hyung-mo, who was the most commercially successful director of his day, and falls between The Hand of Destiny (Unmyeong-ui son) and Madame Freedom (Ja-yu bu-in) in his filmography. The movie tells a simple story: a brother and sister from a wealthy family fall in love their opposite-sex counterparts from a poor family, thus mature into well-rounded individuals, and make happy marriages. In this basic synopsis, even the fundamental difference of social status does not pose much of an obstacle. In fact, the extent to which the film straightforwardly endows the improverished brother and sister with positive values makes it seem rather simplistic. However, the movie's main interest does not lie in its story or theme. Instead, it concentrates on making the most of the generic elements of comedy and musical in order to maximize its own entertainment value. This agenda becomes manifestly clear from the film's characterizations. That is, the two male leads are comically rendered as a rich man's son who is sick from eating too much and a poor man's son who is sick from not eating enough. Musical elements are also introduced as a means of reinforcing the film's entertainment value. In the first half, for instance, the film's musical director Park Si-chun, in the role of the doctor, accompanies the nurses on his guitar as they sing a pop song. This scene, which has no relation to the plot, was inserted solely for the purpose of enhancing the movie's generic appeal as a musical. The same holds true for the scene in which Kim Hee-gap appears mid-film as a man carrying a wooden rack on his back to sing a medley of popular Korean songs. Such generic elements boost the film's entertainment value while infusing the whole with a cheerful and upbeat atmosphere. Hyperbolae of Youth may well be called the finest feel-good movie of the 1950s.

Pat和Parn交往了五年。 他们结婚后，和Pat妈妈住在同一屋檐下。 Pat的妈妈很爱儿子，不想和Parn分享他。 她和Parn争吵企图把她赶走。 Pat必须找到一种办法让他的母亲和妻子和睦相处。

Pat和Parn交往了五年。 他们结婚后，和Pat妈妈住在同一屋檐下。 Pat的妈妈很爱儿子，不想和Parn分享他。 她和Parn争吵企图把她赶走。 Pat必须找到一种办法让他的母亲和妻子和睦相处。

南方城里的小媳妇和北方的农村婆婆怎么能住到一块？但是江小雪的公公死了，为了挣小儿子的大学生活费从工地的高楼上摔下来死了。这些生活费原本是由江小雪的老公出的，因为江小雪坚决反对，才导致了悲剧的发生。在老家孤苦无依的婆婆只能来投靠他们，带着满腔的怨恨和伤心。婆婆的怨恨，老公的为难，生活的压力，一系列的问题导致婆媳矛盾重重，两人争吵了许久，才发现彼此，都是在为这个家奋斗，最后冰释前嫌，婆媳一家亲。

南方城里的小媳妇和北方的农村婆婆怎么能住到一块？但是江小雪的公公死了，为了挣小儿子的大学生活费从工地的高楼上摔下来死了。这些生活费原本是由江小雪的老公出的，因为江小雪坚决反对，才导致了悲剧的发生。在老家孤苦无依的婆婆只能来投靠他们，带着满腔的怨恨和伤心。婆婆的怨恨，老公的为难，生活的压力，一系列的问题导致婆媳矛盾重重，两人争吵了许久，才发现彼此，都是在为这个家奋斗，最后冰释前嫌，婆媳一家亲。

侯麦任技术顾问

侯麦任技术顾问

三流国标舞者任小弦和丈夫黄乐宗新婚去度蜜月，冲浪时黄乐宗神秘失踪。这一变故给婆婆梅超英带来沉重打击，她怀疑小弦为夺取家族武术企业“正宗”而害了儿子，于是把小弦当作最大威胁，想方设法要赶走她。小弦虽多次受挫，但坚信与乐宗的感情，决定住进梅家，和婆婆一起面对困境。面对婆婆的重重阻挠，小弦在武术比赛中取得胜利，还在家族企业危机时站出来，安慰情绪低落的梅超英。 之后，家族企业“正宗”遭遇重大危机，梅超英被前夫黄丹青暗算陷入困境。关键时刻，小弦放下过往嫌隙，全力支持婆婆，还被迫接管企业。其实这是梅超英为挽留她设计的计谋。婆媳二人携手挫败黄丹青等人的阴谋，让家族企业重振雄风。此时，历经磨难的黄乐宗也回到家中，一家人终于迎来了属于他们的幸福。

三流国标舞者任小弦和丈夫黄乐宗新婚度蜜月，黄乐宗却在跳伞时失踪。婆婆梅超英深受打击，竟怀疑小弦为谋夺家族武术企业“正宗”害死儿子。超英把小弦当成人生最大的威胁，决定不动声色的赶走她。在一次次失败后，小弦不仅坚信乐宗的感情，还搬进梅家和婆婆一起居住。超英百般无奈之下，诱骗不懂功夫的小弦应对前来踢馆的武术冠军，却不想小弦大获全胜。家族企业“正宗”危机重重，超英勉力支撑，却不敌前夫黄书郎暗算，危机之中小弦尽弃前嫌，照顾倍受打击的婆婆。失忆的超英不仅打出了久已失传的拳术，还逼迫小弦接管“正宗”，深陷情感与权势泥潭的小弦被迫同意，却不知道是婆婆挽留她想出的办法。最终一家人终于等到了属于他们的幸福 。