替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

讲述了刘沟村村长刘贵田一家为儿子刘勇华筹办婚事，却陷入一场精心策划的骗局。未婚妻马媛媛与“母亲”王玉芬以彩礼、投资为名，骗走刘家全部积蓄后消失无踪。期间，村里疯癫的守村人刘丰屡次以怪异言行警示，却被刘家视为不祥。直到人财两空，刘贵田才在刘丰无意留下的“白包”中，发现印有马媛媛通缉令的纸张，最终协助警方破案。

潘本是聊城首富少爷，隐瞒真实身份和灵灵结婚，却被其闺蜜刁难索要临时红包，这一要直接扯开了婚衣，贪婪市侩的人性一览无余！潘最终展露自己真实身份，狠狠打脸了毒闺蜜和立场不坚定的未婚妻…

苏氏集团千金苏瑶隐瞒身份嫁普通职员陈天，假称怀孕获父母同意。婚礼上，陈天母亲刁难羞辱她，摔碎其外婆玉镯，陈天懦弱不护。苏瑶父母赶到揭露真相，苏瑶决心离婚。陈家赔巨款，陈天精神失常，苏瑶回归企业开启新生

潘本是聊城首富少爷，隐瞒真实身份和灵灵结婚，却被其闺蜜刁难索要临时红包，这一要直接扯开了婚衣，贪婪市侩的人性一览无余！潘最终展露自己真实身份，狠狠打脸了毒闺蜜和立场不坚定的未婚妻…

日本又推出了一款新综艺《亿婚》，节目组召集了五名希望嫁入豪门的美女，并为她们安排了一场相亲。对象也是五位，31岁年收9000万日元的印刷社副社长，36岁年收4500万日元经营不动产的从业者，31岁收入1亿日元左右的私人税务师，31岁年收6亿日元的it公司老板，以及26岁年收3800万日元的沙龙经营者。女方有一次告白机会，不过告白有风险，男性分为king和joker，king是真正的富豪，同时还隐藏着一名及一名以上的joker，是演员扮演，会利用演技作为身份掩护。反正第一集透露出来的，几位女性不太相信6亿日元的it社长，因为他最爱穿zara，也不会开红酒。

节目组召集了五名希望嫁入豪门的美女，并为她们安排了一场相亲。对象也是五位，31岁年收9000万日元的印刷社副社长，36岁年收4500万日元经营不动产的从业…