In 1936, Ophüls left France for the Netherlands, where he was ironically (or perhaps fittingly) granted an extravagant budget for this parable about the vagaries of capitalism in which a bank courier bounces between economic calamity and monetary bonanza. Not a penny was wasted, though, on the virtuoso camera movement and subjective compositions of renowned cinematographer Eugen Schüfftan.

故事发生在一个晴朗的早晨。伴随着公鸡的鸣叫，我们的布鲁托从美梦中醒来。他懒洋洋地活动着僵硬的身体，大口大口呼吸着新鲜的空气。可是清晨的好心情很快就被破坏掉了，一群小鸟抢光了他的口粮，一点都没剩下。颇有些落寞的布鲁托突然听到隔壁传来的呼噜声，他从篱笆上的洞张望过去，发现对面那只凶猛的牛头犬正呼呼大睡，而他的盘子中则放着一根硕大的骨头棒子。一时间布鲁托脑中闪过了坏念头，他挖洞悄悄潜入隔壁，蹑手蹑脚蹭到牛头犬的窝边，想方设法把骨头偷走。 　　当他正在逃跑的时候，牛头犬突然醒了过来。围绕着根骨头，一场激烈的争夺战在所难免……

印度电影《结婚》（Saathiya ）是一部极具宝莱坞风格的歌舞片，讲述了一对欢喜冤家的爱情故事。

A groom-to-be wakes up in the morning of his wedding to strange visions triggered by his impatience... Though the nuptial feast is in full flow, the groom is still daydreaming. On the wedding night, the bride ups and melts away before his eyes exhaling air as a deflated balloon...

多么美好的一天，一向享受生活的汤姆在院子中央的两棵树中间挂上吊床，转身拿来了饮料、报纸和靠枕，准备在吊床上睡上一觉。谁知，不识时务的杰瑞捷足先登，自顾自躺在床上呼呼大睡，还特不见外地扯过靠枕躺在上面。汤姆甚为气恼，于是偷偷解下吊床的绳子。杰瑞顺势滑了下去，最终滑进水里。喝了一肚子水的杰瑞不甘示弱，转而报复汤姆，令对方重重摔到地上。愤怒的汤姆站起身，发现杰瑞又躺在了床上，于是狠命将其震向了空中。杰瑞处之泰然，一番周折后又稳稳落在了床上，酣睡依旧。 　　汤姆怎会容忍小老鼠一而再再而三的捣乱，他想出无数个办法对付这个小坏蛋……

1905年，那不勒斯。玛丽亚娜的伤寒刚刚痊愈，和她的妹妹一起住在一个地窖里。一天，一个年轻的导演来到她们居住的小村子，要在这里拍摄一部电影。玛丽亚娜不知不觉中成为了电影的主角，当影片在广场上放映时，所有的人都认出了她，这件事成为了一件丑闻。而她的生活发生了翻天覆地的变化。

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

自学成才的瑞士导演弗雷德·拜利夫新作。影片改编自导演当社工时期的工作经历和真实事件，讲述在瑞士一家为青少年提供安全居所的机构里发生的故事。影片打破传统叙事结构，采取以人物为索引的碎片叙事，同时深入这些经历过暴力等创伤的女孩们如何战胜心魔的历程，让每个人物的形象都丰富饱满。影片荣获2021年柏林电影节新生代青年单元最佳影片奖。

12岁的佩德罗生活在委内瑞拉首都加拉加斯，他由父亲安德烈一个人抚养，家庭条件十分艰苦。安德烈忙于为生计奔波，很少回家去看儿子。母亲早逝仿佛断掉了佩德罗和安德烈之间的交流纽带一样，父子俩其实并不能亲近彼此。一天，佩德罗和伙伴们玩游戏，因为小事争执起来。耳濡目染街区的暴力文化，佩德罗跟人大打出手，他失手误伤了别人。安德烈害怕被人报复寻仇，决定带着佩德罗离开这个街区。在逃亡的路上，压力与不安侵蚀着孤独的大人和茫然无措的孩子。父子必须学会彼此信任并如同家人一样相处。佩德罗想管教自己的儿子，却发现这只会让儿子更加不信任自己。在不断的冲突中，父子二人也本能地保护彼此。最终血浓于水，两个受伤无助的人重新学会了家的意义。

Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally explores his relationships with younger brother Guilio, with wife Beatrice, and with her sister Adriana, whom Carlo loved as a young man.