北京电影学院2014届毕业联合作业。编导：张梦楚，摄影：钱禹澎、杜金穗，美术：朱晓东，录音：乌力吉，制片主任：李天然。 　　黑车司机不小心在路上撞伤一位带着婴儿的女人，惊慌之下他将婴儿抱走，然而回到家之后才发现不知该如何处理这个婴儿。而此时广播中又传来寻找婴儿的新闻，司机惊慌之下决定把婴儿抛弃，却又三番两次把婴儿捡了回来……

入围第71届柏林电影节短片单元。 　　The film is about the transformation and inner liberation of the protagonist, who found himself in the bleak sequence of everyday life of an office worker.

婴儿从哇哇落地那一刻起，整个世界便仿佛一个有待探索的宝藏，同时也是感官的游乐场。不论是学会辨认人脸的特征或是被各种声音逗得呵呵笑，婴儿无时无刻不在学习新知。Discovery频道推出系列《婴儿的成长》，继续带领观众探索婴儿奇妙的世界，以及他们从出生到两岁大的成长过程。每集一小时的节目中都将详尽介绍婴儿成长的重要领域：情感的发展、社会化过程与了解他人。 　　在每集节目中，观众将跟随着婴儿的发展过程，看他们如何将各种技巧逐渐变得熟练。节目中将探讨传统及最新的婴儿发展理论，而北美和欧洲的科学家则将进行突破性的实验，并且将他们的婴儿行为实验室公开由Discovery频道进行拍摄。 　　【蹒跚学步】To Walk 　　【认知思考】To Think 　　【牙牙学语】To Talk 　　【感情的启发】To Feel 　　【感情的归属】To Belong 　　【感情的交流】To Relate

在印度农村的一个火车站，一对兄弟目睹了一名贫困母亲的孩子被绑架。其中一位受道德责任的指引，说服另一位去帮助这位母亲，并加入了寻找孩子的危险调查。

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon. 　　----- 　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process. 　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything. 　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

An Over-Incubated Baby (AKA: The Wonderful Baby Incubator) is a 1901 British short silent comedy film, directed by Walter R. Booth, featuring a woman who gets an unpleasant surprise after placing her baby in Professor Bakem's baby incubator for 12 months growth in one hour. The film is, "one of the most original of the trick films made by W.R. Booth and R.W. Paul in 1901," and according to Michael Brooke of BFI Screenonline, "one of the less elaborate films made by Booth and Paul that year," "though the concept itself is so imaginative that it arguably didn't need any more than basic jump-cut transformations."

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon. 　　----- 　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process. 　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything. 　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

18岁的爱德华多离开哈利斯科州的家乡村庄，来到了瓜达拉哈拉。在这个陌生的大城市，远离父母的视线，他第一次体验到了爱情和性。

醉酒走错房，容微月与陌生男人一夜荒唐。本想赔件衣服两清，却反被索赔十万，还被迫分期付款！她以为傅乘舟只是个普通人，却不知他竟是杭城首富。当职场骚扰、原生家庭吸血、绿茶同事刁难接踵而至，他总在她最狼狈时现身，强势护短。直到验孕棒显出两条杠，他欣喜若狂，她却犹豫退缩。且看毒舌霸总如何步步为营，从“债主”升级为“老公””，将一场意外，酿成一世甜蜜。先尝后爱，这一次，他尝到了便是一生。