唐母病逝，两个姐姐抢走豪门婚约，将唐晚晴嫁给穷小子顾延枫。葬礼上众人嘲讽，却发现顾延枫实为香料企业潮香堂BOSS。夫妻联手应对姐姐们的多次算计与打压，顾延枫凭借香料知识与真实身份一次次化解危机，并帮唐晚晴赢得村民尊重。最终在商战中击败对手，姐姐自食恶果。两人举行婚礼，迎来幸福结局。

越夷光穿越为庶公主越姬，饱受嫡姐凌辱。她以王府妾室身份为棋，用美人心计引无情帝王强夺臣妻，诱冷情王爷破戒沉沦。周旋于暴君与权臣之间，借双雄之力步步为营，最终打破封建桎梏，从玩物逆袭成执掌江山的皇后。。

在父母过世后，Lucas（奥古斯特马图洛饰）是由酒鬼哥哥Tom（迈克尔C曼宁饰）一手养大的。Lucas被同侪霸凌，于是他和树林中的怪物成了朋友，发展出了危险的关系。莉比贝拉（LibeBarer）饰演Anna，一位来自外地的女孩，她和Tom交往，并对Lucas非常关心。丹艾迪亚（Dan Hedaya）饰演警长，他曾和Tom与Lucas已过世的妈妈有过一段情，所以觉得自己有责任要照顾这对孤儿兄弟。

在父母过世后，Lucas（奥古斯特马图洛饰）是由酒鬼哥哥Tom（迈克尔C曼宁饰）一手养大的。Lucas被同侪霸凌，于是他和树林中的怪物成了朋友，发展出了危险的关系。莉比贝拉（LibeBarer）饰演Anna，一位来自外地的女孩，她和Tom交往，并对Lucas非常关心。丹艾迪亚（Dan Hedaya）饰演警长，他曾和Tom与Lucas已过世的妈妈有过一段情，所以觉得自己有责任要照顾这对孤儿兄弟。

宋紫拥有卓越的造船术和军事才能，却不慎被大逑新帝乌延羯利用，无意中助其攻破玉陵，也因此失掉了与师父生前的止战之约。发现被欺骗后，宋紫跳江自尽被裘三娘救起，隐姓埋名，以丫鬟的身份在大周重新开始生活。虽然身份低微，但宋紫展现了过人的智慧与勇气，成为了裘三娘最得力的助手，并与南德宰相元澄、玉陵质子金银结为异姓兄妹。元澄智谋过人，金银忠诚勇敢，三人在大周展开了一段不平凡的人生。宋紫与元澄的关系逐渐深化，从最初的相互利用到最终的生死相依。乌延羯觊觎天下，需要宋紫的造船术，在乌延羯的威胁下，宋紫展现出卓越的勇气与信念，联手元澄、金银奋起反抗，展现了人性的光辉以及坚守信念和追求和平的不屈精神。最终挫败了乌延羯的阴谋，还天下以太平。

民国初年主人公张清泉留洋回国，此时的中国正遭受着军阀的混战和帝国主义的侵蚀，张清泉满腔热血一心想着和同学们约定的革命事业，没想到等到他却是继承师傅的古董店和一件传世的国宝。张清泉本来对国宝根本不上心，可国宝金杯的出现令各路势力窥视抢夺，随之而来的是师傅吕松石被害、和师弟吴春九反目成仇。遭遇重重苦难的张清泉没有被打倒，反而更加坚强，同时也意识到守护国宝和投身革命具有同样的意义。张清泉和爱人福格格穷其一生，凭借着智慧和不屈的毅力，同军阀、封建势力、日本奸商斗争，守护了金杯四十年，最终将国宝留在中国。

民国初年主人公张清泉留洋回国，此时的中国正遭受着军阀的混战和帝国主义的侵蚀，张清泉满腔热血一心想着和同学们约定的革命事业，没想到等到他却是继承师傅的古董店和一件传世的国宝。张清泉本来对国宝根本不上心，可国宝金杯的出现令各路势力窥视抢夺，随之而来的是师傅吕松石被害、和师弟吴春九反目成仇。遭遇重重苦难的张清泉没有被打倒，反而更加坚强，同时也意识到守护国宝和投身革命具有同样的意义。张清泉和爱人福格格穷其一生，凭借着智慧和不屈的毅力，同军阀、封建势力、日本奸商斗争，守护了金杯四十年，最终将国宝留在中国。

宋紫拥有卓越的造船术和军事才能，却不慎被大逑新帝乌延羯利用，无意中助其攻破玉陵，也因此失掉了与师父生前的止战之约。发现被欺骗后，宋紫跳江自尽被裘三娘救起，隐姓埋名，以丫鬟的身份在大周重新开始生活。虽然身份低微，但宋紫展现了过人的智慧与勇气，成为了裘三娘最得力的助手，并与南德宰相元澄、玉陵质子金银结为异姓兄妹。元澄智谋过人，金银忠诚勇敢，三人在大周展开了一段不平凡的人生。宋紫与元澄的关系逐渐深化，从最初的相互利用到最终的生死相依。乌延羯觊觎天下，需要宋紫的造船术，在乌延羯的威胁下，宋紫展现出卓越的勇气与信念，联手元澄、金银奋起反抗，展现了人性的光辉以及坚守信念和追求和平的不屈精神。最终挫败了乌延羯的阴谋，还天下以太平。

该剧以绵阳市涪城区新农村建设为背景，通过基层干部带领农民脱贫致富的故事，展现农村发展进程，剧中人物原型取材于当地干部群众。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.