相変わらず失敗ばかりのいずみが所属するナースステーションが、元患者にジャックされる。これにより病院はパニック状態。通報を受けた警察は早速、優しいナース目当てで再入院を求める犯人の説得を試みるが、話は平行線を辿る。

相変わらず失敗ばかりのいずみが所属するナースステーションが、元患者にジャックされる。これにより病院はパニック状態。通報を受けた警察は早速、優しいナース目当てで再入院を求める犯人の説得を試みるが、話は平行線を辿る。

Myeong-ja (Kim Sin-jae) and Yong-gil (Lee Wuk-ha) are sister and brother. Sold to hoodlums as young children, the two are forced into a life of begging and stealing. One day, Yong-gil runs away from the hoodlums and joins a group of orphans. Philanthropist Bang Seong-bin (Kim Il-hae) sees Yong-gil being harassed by the orphans and takes him home. There are already four or five homeless children living with Bang, who is planning a charitable enterprise for orphans. With the help of his brother-in-law, Dr. Ahn In-gyu, Seong purchases land on which to build an orphanage,which he names Hyangrinwon, and begins his philanthropic work in earnest. Meanwhile, Dr. Ahn meets Myeong-ja by chance, rescues her, and employs her as a nurse. At the same time, two of the orphans, Yeong-pal and Hwa-sam, become discontented with life at the orphanage and attempt to run away. Unfortunately, Yong-gil, who tries to stop them, falls into the flooded river and is left in critical condition. Crossing the river, Yeong-pal goes to enlist the help of Dr. Ahn and Myeong-ja, and brings them back to revive Yong-gil. "An early landmark of Realism in Korean cinema" 　　Until it was obtained by the Korean Film Archive (KOFA) in 2004 and its actual contents were unveiled, Homeless Angel had been considered a landmark film in the genealogy of Realism in Korean cinema. It is still true that Homeless Angel demonstrates a level of sophistication deserving of such praise. However, the recovered film revealed information that had not been previously noted:near the end, there is a scene in which the film's characters recite in Japanese a pledge of allegiance to Imperial Japan. This scene constitutes a critical flaw in recognizing Homeless Angel as a representative film in Korean cinematic history. Nevertheless, the reason why KOFA cites Homeless Angelamong the 100 representative works of Korean cinema is because it is one of the very few surviving movies from the Japanese colonial era. Indeed, the fact that the propagandistic sequence is inserted irrespective of the plot and thus does not pose a substantial threat to the text's actual subject, as well as the fact that the film shows the highest level of sophistication among contemporaneous works, both contributed to its inclusion on the list. Among surviving late-colonial era films, Homeless Angelshows the highest level of refinement in terms of narrative and technical skill. It also showcases the directorial expertise of Choi In-kyu, who was a respected auteur of his time. 　　Afterword: 　　- Obtained in 2004 by the Korean Film Archive from the China Film Archive 　　- Based on the real-life story of the boys who lived in Hyangrinwon, Bang Soo-won's home for vagrant youth located just outside Kyeongsung in Hongje-ri 　　Yong-gil is saved, and the brother and sister enjoy a tearful reunion. Just at that moment, the hoodlums who have been after Yong-gil and Myeong-ja make their appearance. Everyone bands together to defeat the hoodlums, and they all swear allegiance to the Japanese Empire under the Japanese national flag.

Myeong-ja (Kim Sin-jae) and Yong-gil (Lee Wuk-ha) are sister and brother. Sold to hoodlums as young children, the two are forced into a life of begging and stealing. One day, Yong-gil runs away from the hoodlums and joins a group of orphans. Philanthropist Bang Seong-bin (Kim Il-hae) sees Yong-gil being harassed by the orphans and takes him home. There are already four or five homeless children living with Bang, who is planning a charitable enterprise for orphans. With the help of his brother-in-law, Dr. Ahn In-gyu, Seong purchases land on which to build an orphanage,which he names Hyangrinwon, and begins his philanthropic work in earnest. Meanwhile, Dr. Ahn meets Myeong-ja by chance, rescues her, and employs her as a nurse. At the same time, two of the orphans, Yeong-pal and Hwa-sam, become discontented with life at the orphanage and attempt to run away. Unfortunately, Yong-gil, who tries to stop them, falls into the flooded river and is left in critical condition. Crossing the river, Yeong-pal goes to enlist the help of Dr. Ahn and Myeong-ja, and brings them back to revive Yong-gil. "An early landmark of Realism in Korean cinema" 　　Until it was obtained by the Korean Film Archive (KOFA) in 2004 and its actual contents were unveiled, Homeless Angel had been considered a landmark film in the genealogy of Realism in Korean cinema. It is still true that Homeless Angel demonstrates a level of sophistication deserving of such praise. However, the recovered film revealed information that had not been previously noted:near the end, there is a scene in which the film's characters recite in Japanese a pledge of allegiance to Imperial Japan. This scene constitutes a critical flaw in recognizing Homeless Angel as a representative film in Korean cinematic history. Nevertheless, the reason why KOFA cites Homeless Angelamong the 100 representative works of Korean cinema is because it is one of the very few surviving movies from the Japanese colonial era. Indeed, the fact that the propagandistic sequence is inserted irrespective of the plot and thus does not pose a substantial threat to the text's actual subject, as well as the fact that the film shows the highest level of sophistication among contemporaneous works, both contributed to its inclusion on the list. Among surviving late-colonial era films, Homeless Angelshows the highest level of refinement in terms of narrative and technical skill. It also showcases the directorial expertise of Choi In-kyu, who was a respected auteur of his time. 　　Afterword: 　　- Obtained in 2004 by the Korean Film Archive from the China Film Archive 　　- Based on the real-life story of the boys who lived in Hyangrinwon, Bang Soo-won's home for vagrant youth located just outside Kyeongsung in Hongje-ri 　　Yong-gil is saved, and the brother and sister enjoy a tearful reunion. Just at that moment, the hoodlums who have been after Yong-gil and Myeong-ja make their appearance. Everyone bands together to defeat the hoodlums, and they all swear allegiance to the Japanese Empire under the Japanese national flag.

高一学生藤宫周在升学后开始了他的独居生活。 他所在的公寓隔壁，住着他们学校第一的美少女——椎名真昼。 他们二人平时几乎没有交集。而一次大雨中，周把伞借给了浑身湿透的真昼。自此，二人便开始了奇妙的交流。 周的懒散独居生活让真昼实在看不下去。她便开始为他做饭，打扫卫生，照顾他的起居。 互为邻居的二人渐渐地开始对彼此有所了解。 这是一个与可爱邻居之间的甜蜜又让人心急的恋爱故事——

Angela deMarco is unhappily married to high Mafia member Frank deMarco. When Frank is killed, Angela takes the opportunity to break free of the Mafia world entirely and start a new life. But Frank's boss, Tony Russo, begins to court the unresponsive Angela. The FBI begins surveillance on her, thinking her to be his new mistress. FBI agent Mike Downey goes undercover as Angela's neighbor, but soon finds himself attracted to Angela himself.

Angela deMarco is unhappily married to high Mafia member Frank deMarco. When Frank is killed, Angela takes the opportunity to break free of the Mafia world entirely and start a new life. But Frank's boss, Tony Russo, begins to court the unresponsive Angela. The FBI begins surveillance on her, thinking her to be his new mistress. FBI agent Mike Downey goes undercover as Angela's neighbor, but soon finds himself attracted to Angela himself.

故事发生在军阀混战的民国时期。江南的许家酱园历史久远，是当地有名的老字号，军阀曹震方（汤镇业 饰）对此觊觎已久，便设计陷害许家，致使许家道中落。此前许家鼎盛时，独苗许家骏（钱泳辰 饰）与沈家大小姐沈盈娣（江祖平 饰）定下婚约，许家落败后盈娣悔婚，为践行婚约，沈家养女沈盈秀（余诗曼 饰）替姐姐出嫁。许父得知真相后气绝身亡，家骏也离家出走。一心想攀高枝的盈娣如愿嫁入豪门曹家，可曹家公子曹锐（陆昱霖 饰）是个拈花惹草、风流成性之人，婚后不久便原形毕露，盈娣只能有苦难言。曹家遭萧军打击，曹震方抓来许母和盈秀做人质，花心的曹锐看上了盈秀，姐妹关系彻底破裂……

1925年，军阀割据，全国局势动荡不安。江南许家酱园遭军阀曹震方设计，家道中落。为践行婚约，沈家养女沈盈秀替姐沈盈娣下嫁许家独子许家俊。盈秀的身份暴露后许启山因气绝身亡，家俊离家出走。盈娣费尽心机，嫁进豪门曹家，谁知丈夫曹锐风流成性，盈娣有苦难言。家俊拜萧九为师，率萧军打击曹军，曹震方震怒，抓来王兰和盈秀做人质。家骏不为所动，盈秀为保护婆婆王兰，受尽屈辱，婆媳感情加深。盈娣借机曹锐心仪盈秀维护自己在曹家的地位导致两姐妹关系破裂。曹、萧两军大战，曹震方被擒。家俊是曹震方和朱素萍的亲生儿子，也是曹家真正军阀之家的大少爷，曹锐并非曹震方亲生的事实曝光。曹锐被赶出家门，沦落街头，最终落魄身亡。盈娣孑然一身，回首往事，悔不当初。抗战中，曹震方勾结日本人肇事，最终自食恶果。战争结束，家俊还乡，与盈秀一起经营许家酱园，生意蒸蒸日上 。

结衣（帕德容琶·砂楚 Pachrapa Chaichua 饰）是一位美丽善良的女孩，某日，她的外婆打电话给她，说自己生病住进了医院。外婆是结衣在这个世界上唯一的亲人了，结衣心急火燎的赶到了医院，无微不至的照顾着外婆。然而，外婆却提出了一个让结衣匪夷所思的要求，那就是去照顾一个名叫正赫（亚瑞克·阿莫苏帕西瑞 Arak Amornsupasiri 饰）的少爷。 　　外婆以性命相威胁，结衣只能来到了正赫的家中，两人的孽缘就此拉开序幕。正赫的个性十分古怪，脾气火爆的他把所有人都视为敌人。起初，结衣和正赫之间发生了无数次争吵，相处的很不愉快，然而，随着时间的推移，正赫的身世渐渐浮出水面，令结衣明白他的暴烈情有可原。