"皇后清晏前世遭挚爱萧彻与庶妹林婉柔背叛，亲子被调换，亲生儿子珩儿被害成痴、囚于皇寺，她含恨而终。 重生归位生产当日，清晏立誓复仇，严防死守护住亲子，设局让林婉柔误害亲儿瑾儿。 她步步为营揭穿私情与瑾儿的敌国皇子身份，挫败逼宫阴谋，揪出幕后黑手良太妃。 最终清晏助珩儿登基，垂帘听政后放权，仇人尽惩，她安享儿孙绕膝的太平晚年。"

梁氏掌门人梁泰声对公交售票员童嘉许一见钟情，对其展开猛烈的攻击，不料却遭重重险阻，但童嘉许最终还是被梁泰声的真心感动，此时，暗恋梁泰声已久的金家小姐联合童嘉许前男友联合计划了一个大阴谋

八十年代豫北石洼村，石墩父曾以石磨救秋霞，秋霞遂将女儿小菊与石墩定娃娃亲。长大后小菊与知青后代张建国相恋，建国成村里首个个体户，欲带小菊闯县城。石墩娘死守婚约以死相逼，全村指责小菊家忘恩负义。小菊夹在信义与幸福间两难，最终石墩主动撕毁婚约，成全二人，也打破了陈旧观念。

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

童嘉许遇大佬梁泰声纠缠，求未婚夫卫川早婚未果，婚礼上被卖，梁泰声救她并求婚被拒。母病重，梁泰声带钱相助，童嘉许与其结婚一年。婚后梁照顾岳母，保护童嘉许，后意外得知真相是梁泰声当年救了童嘉许，最终两人相守。

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

25年前，女主张桂英带着三个儿子以卖橙子为生。两个哥哥贪玩，把弟弟放在货车车斗里面，偷偷溜去打游戏。弟弟被货车带走，张桂英和小儿子阿初失散。 25年后，张桂英又老又瘸，两个儿子都不愿赡养母亲，亲戚们羞辱张桂英。曾经丢失的小儿子顾时初，此时已经是顾氏集团的总裁，权势滔天。他和母亲相认，打脸亲戚和反派，帮母亲扬眉吐气...

In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/

电影《贞子归来》由稻草人影业出品。剧情简介：电影贞子归来讲述抗日战争爆发前，两姐妹贞子和川子随父来到中国，并同时喜欢上一日本男生，出于嫉妒，姐姐川子将妹妹贞子闷死在木箱内，怨气化成厉鬼，多年之后，一学生无意中路过荒废的茅草屋，贞子的怨气投附到投影仪上被辗转带回城市，引发数件离奇死亡事件，一切矛头指向贞子，但其实投 影仪里还有另外一股怨气。

In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/