Belgian civil engineer Gustave Verniory still had a lot to learn when in 1889 he was hired to construct a railroad across the unspoiled natural landscape of Araucanía, a region that had recently become part of Chile. The tumultuous past and the ever-changing landscape are a constant background presence in Notes for a Film. 　　Director Ignacio Agüero takes a provocative approach in this portrait based loosely on Verniory’s memoirs, choosing to film actor Alexis Mespreuve visiting old sites and re-enacting adventures in modern-day Chile. Shooting in black-and-white, he is able to seamlessly blend the new scenes with archive footage, making history palpable. 　　But Agüero and Mespreuve also step out of that narrative when they visit the Mapuche, an oppressed community still scarred by colonization—just like their once abundant habitat. A playful film that nonetheless forces us to face some hard facts. 　　源自：https://www.idfa.nl/en/film/5969f9c5-8c51-4fd3-ac71-4a90d20aadd2/notes-for-a-film

1847. Nous sommes en pleine révolution industrielle. Rase-Motte a 8 ans. Il vient d'être cond\*amné à 5 ans de maison de correction pour le vol d'un poulet. La comtesse Marie d'Ozeray a 30 ans. Elle est journaliste. Ils ne sont pas fait pour se rencontrer. Pourtant ils sont assis l'un en face de l'autre dans un bateau qui les mène à Grande-Ile en Bretagne. 　　 　　Ils vont découvrir la "colonie paternelle", version libérale d'un bagne d'enfants de 8 à 16 ans. La comtesse vient faire un reportage. Les enfants, pour obtenir un peu de dignité humaine, préparent une révolte... 　　 　　La rigueur et la ma?trise de la mise en scène servie par des interprètes judicieusement choisis contribuent à la réussite de ce premier film au sujet ambitieux et généreux

《YG战略资料本部》将讲述BIGBANG成员胜利突然被下放到公司最冷门的“YG战略资料部”，在为返回本社而奋战的途中碰巧将YG公司从巨大的危机中解救出来的故…

Jason Mewes执导首部长片。

杰森·缪斯(Jason Mewes)执导首部长片。为了在好莱坞为自己赢得更多的尊重，他尝试用体验派表演方法，慢慢地堕落为疯狂。

主人公寻找丢失的东西，可他没有在混乱的处境里理清楚思路，毫无头绪，他的思考能力开始滞塞，然后他思维跑偏了，最后他得到在混乱处境里随便想的一个东西。

Werner Herzog sets his sights on yet another mysterious landscape — the human brain — for clues as to why a hunk of tissue can produce profound thoughts and feelings while considering the philosophical, ethical, and social implications of fast-advancing neural technology.

The untitled series, for which he also serves as narrator, will see him take the viewer through a series of vignettes in each episode. The twisted comedic sensibility of his stand-up is the core DNA of this series, where every story will unfold in a in a hilariously disturbing way only he could imagine.