改编自萨德侯爵声名狼藉的小说《卧室的哲学》，基本上由影像和朗诵两部分组成，无对白，画外音念着小说的情节

纪录片《岭南学人》历时一年拍摄制作，深入挖掘10位学者的学术追求和学术思想，生动记录岭南学人优秀代表潜心钻研、孜孜求索的问学之路，充分展现他们为党和人民述学立论的使命担当。

Der Filmemacher Christoph Rüter erinnert sich an seinen philosophischen Lehrer Hans Blumenberg (1920-1996) und begibt sich mit zwei ehemaligen Kommilitonen auf eine Reise quer durch Deutschland, um auf den biografischen Spuren des Hochschullehrers die Faszination seines Denkens nachvollziehbar zu machen. Das Road Movie bleibt allerdings nicht beim Anekdotischen stehen, sondern unternimmt seriöse Versuche, Grundbegriffe von Blumenbergs Denken zu skizzieren. Eine sehr unterhaltsame, recht informative Annäherung an einen der produktivsten und einflussreichsten Köpfe seiner Generation. - Sehenswert ab 14.

This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

狐妖白逍借用灵珠闭关修炼，只差几天便可功德圆满，却被冒失少女夏葵一跤跌在他身上。白逍不仅修炼被打断，还被当萨摩耶送到宠物医院。宝贵灵珠，亦被夏葵拿走，打算摆到她的淘宝小店上当假古董卖。白逍追到小葵家，灵珠竟以小葵做了宿主，他欲杀夏葵而夺珠，却被夏葵做的红烧肉诱惑。而此时，白逍眼前的世界越来越让他惊奇，不仅红烧肉前所未见，还有电灯，微波炉，完全在其经验之外。原来白逍竟是一只唐朝的狐狸精，一觉醒来，人间已变成现代社会。这就是唐朝妖法遇到现代科技，纵使高冷范儿十足的白逍也露惊慌相。小葵看出他的疑惧和好奇，趁机骗得几日活命时间，以向单恋的学长表白。但令这对啼笑皆非冤家怎么也想不到的是，灵珠现世，竟悄然激活了冰冷都市丛林中无数匪夷所思的奇异妖灵，纷纷前来搅扰。为保灵珠不被抢走，白逍被迫当起小葵的贴身保镖。一个冷面唐朝狐少年，一个呆萌贪财少女，被迫生活在一起，经历这大都市中最诡异的阴谋以及最暖心的情感。

狐妖白逍借用灵珠闭关修炼，只差几天便可功德圆满，却被冒失少女夏葵一跤跌在他身上。白逍不仅修炼被打断，还被当萨摩耶送到宠物医院。宝贵灵珠，亦被夏葵拿走，打算摆到她的淘宝小店上当假古董卖。白逍追到小葵家，灵珠竟以小葵做了宿主，他欲杀夏葵而夺珠，却被夏葵做的红烧肉诱惑。而此时，白逍眼前的世界越来越让他惊奇，不仅红烧肉前所未见，还有电灯，微波炉，完全在其经验之外。原来白逍竟是一只唐朝的狐狸精，一觉醒来，人间已变成现代社会。这就是唐朝妖法遇到现代科技，纵使高冷范儿十足的白逍也露惊慌相。小葵看出他的疑惧和好奇，趁机骗得几日活命时间，以向单恋的学长表白。但令这对啼笑皆非冤家怎么也想不到的是，灵珠现世，竟悄然激活了冰冷都市丛林中无数匪夷所思的奇异妖灵，纷纷前来搅扰。为保灵珠不被抢走，白逍被迫当起小葵的贴身保镖。一个冷面唐朝狐少年，一个呆萌贪财少女，被迫生活在一起，经历这大都市中最诡异的阴谋以及最暖心的情感。

陈雪从小宠溺弟弟陈超，却养成了陈超过度依赖的习惯，为了娶到自己所在红石基金高管的女儿，陈超甚至不惜羞辱和出卖陈雪

某大型IT企业CEO中原佑马（竹野内丰 饰），是一个作风强硬、令行禁止的铁腕人物，虽然事业蒸蒸日上，但在这一过程中也失去了不少弥足珍贵的人和事，比如曾与之一同创业却最终被逐出公司的老友盐谷航平。近一段时间，航平不断打来电话，但中原全部置之不理。当得知航平已撒手人寰之际，一切都太晚了。中原放下手头工作，匆匆赶回位于富山县新凑的老家四十物町。他得知航平生前一直致力于要保住本町的名物曳山祭，只是由于地方经济衰退和人口老龄化，会长西村玄太郎（西田敏行 饰）不得已将曳山转让给林町，这也成为每个当地人的耻辱和心结。 　　此时中原的公司正遭到东京地检的围剿，而他毅然留了下来，只为践行和老友不变的约定……

《Bravo My Life》讲述了电视台助理导演、准备七年还未能出道的演员，以及在电视台目中无人的绝对掌权者之间的故事。延政勋将在剧中饰演电视剧PD申东宇，郑柔美则将饰演一直未能升职的助理导演河度娜，显祐将在剧中饰演准备7年都未能出道的演员金范宇。

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.