eztv 历时两年拍摄的单板大电影《The Fourth Phase》再次聚焦单板届的标志人物Travis Rice和其它大神级滑手。本片也是继2011年的The Art of Flight和Thats it Thats all之后的又一部单板大作。

eztv 历时两年拍摄的单板大电影《The Fourth Phase》再次聚焦单板届的标志人物Travis Rice和其它大神级滑手。本片也是继2011年的The Art of Flight和Thats it Thats all之后的又一部单板大作。

号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。 　　Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas. 　　Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants. 　　索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。

奥地利Red Bull运动员Travis Rice和伙伴们用滑雪板在全世界探寻水的第四种形态，他们循迹北太平洋环流并展开征途，将滑雪运动推向难以置信的高度。

好友萨曼莎意外感染不明病毒，在病毒摧毁她意志和占据她整个世界之前，莱利需要寻找到治愈疾病和阻止悲剧的方法……

CBS根据电影《训练日》改篇的剧集版，剧集版会以电影15年后为背景。而警探及菜鸟警察的角色种族，将交换成由白人饰演警探、黑人饰演菜鸟警察。该版被形容为，一个理想主义的年轻警察，被指派到洛杉矶警察中的精英小队，他的新拍挡是个道德暧昧的警探。

A disembodied figure is carried off underground, where he encounters a vast living archive. Attached to this ever-expanding “network body” are capsules filled with fragments of thoughts. The only way our hero can escape is to fulfill the Sisyphean task that has been imposed on him. 　　A Stretch of Time is a new chapter in Ali Eslami’s ongoing project False Mirror, an artistic exploration of post-human life in digital spaces. The Iranian-born, Amsterdam-based artist won the IDFA DocLab Award for Best Immersive Non-Fiction in 2016 for his VR project DeathTolls Experience. 　　For this “flattie” film production, he used the virtual world of False Mirror as a film studio. The result is an intriguing blend of the languages of cinema, video games and virtual reality. It is as artificial as it is tangible, both real and unreal—a document from a world that exists only digitally.

罗振宇的个人视频脱口秀。罗胖读书，讲给您听。我们在知识中寻找独立的见识，您在把玩知识中寻找思维的乐趣。我们的口号是，死磕自己，愉悦大家。

马德仁的短片遭到了批评，试图向他人表达他的观点，事情却朝不同的方向发展。

马德仁的短片遭到了批评，试图向他人表达他的观点，事情却朝不同的方向发展。