“说真话”，这是一个沉重的人生命题，五千年文明并没有完全解决这个难题。满眼都是灿烂阳光的纯真少年，面对这道困惑了人类几千年的难题时，该怎么办呢?3集校园青春片《高一新生》所要告诉人们的正是这样一个故事：一个刚刚走进花季的女孩，在一次偶然的事件中，由于某种阴暗心理而没有说真话，因此，不仅使自己精神上受到了很大折磨，还伤害了别人，同时，也使她周围的同龄人都经受了一次诚实与虚假的考验。

穿越到这个世界快二十年，他的金手指怪物收容监狱早已准备就位。但由于这二十年来一只怪物也没遇到，陆鼎的耐心早已被磨平。加入749，借着749局的渠道寻找怪物、收容怪物。从此，749多了一个手下从无活口的调查员。一只只存在于传说中的妖魔鬼怪现世，陆鼎挨个碾杀。

这是一群刚刚离开家庭的年轻人在大学第一年的故事。在中国，由于高考压力等方面的原因，真正的青年时期往往从大学时代开始。影片记录了清华大学新闻与传播学院2006级本科生们进入大学学习第一年的经历，研究了学校仪式和社会生活对青年的规训和改变，以及在这种情况下他们所发展出的自己的思想与文化，并从他们的视角记录，中国当代青年中的流行文化。 　　This is the story of a group of young people, for the first time leaving home, in their first year of college. 　　In China, due to pressures of the National College Entrance Examination, the enjoyable time of youth often begins from campus life. This film tracks a group of young Chinese people and shows their experiences during their first year in Tsinghua university. It studies how school rituals and social life changes and shapes them, and their own ideas and culture they develop in this situation. It also shows, from their point of view, the popular culture amongst young Chinese people nowadays. 　　Tsinghua University is one of the best universities in China, and for a long period her aim is to foster many political, economic and academic elites.

Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. 　　Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians? 　　When a true fascination for history meets the sounds of the rababa, the saz, the oud and tin cans, a cultural diversity emerges that subverts the distinction between "Arab" and "Jewish". There are no national borders here, only different kitchens where people make music together – with their guests, while cooking, while someone makes the coffee. Until the music becomes so infectious you can’t help but dance along. berlinale 2016

Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. 　　Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians? 　　When a true fascination for history meets the sounds of the rababa, the saz, the oud and tin cans, a cultural diversity emerges that subverts the distinction between "Arab" and "Jewish". There are no national borders here, only different kitchens where people make music together – with their guests, while cooking, while someone makes the coffee. Until the music becomes so infectious you can’t help but dance along. berlinale 2016

PRAXIS peels away the layers of narrative even as Brian (Tom Macy), the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe (Andrew Roth) and an elusive woman (Regina Aquino) as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society, his quest reflects the classical myths of Proteus and the human search for meaning in the universe.

PRAXIS peels away the layers of narrative even as Brian (Tom Macy), the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe (Andrew Roth) and an elusive woman (Regina Aquino) as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society, his quest reflects the classical myths of Proteus and the human search for meaning in the universe.

退休的李媚重生回20岁，发现世界物价贬值，她的存款成了巨额财富。此时恰逢男友黎霄的母亲约见，像前世一样用钱逼她分手，李媚想起前世黎霄剽窃她论文、逼她失业的往事，不再像过去那样执着。她坦然拒绝，还主动提出分手，随后潇洒离开，彻底告别这段不堪的过去，从此开启新的肆意快活的大女主人生！

退休的李媚重生回20岁，发现世界物价贬值，她的存款成了巨额财富。此时恰逢男友黎霄的母亲约见，像前世一样用钱逼她分手，李媚想起前世黎霄剽窃她论文、逼她失业的往事，不再像过去那样执着。她坦然拒绝，还主动提出分手，随后潇洒离开，彻底告别这段不堪的过去，从此开启新的肆意快活的大女主人生！

Wall Street is being occupied. Europe is collapsing in on itself. Around the world, people are consumed by fear and anger, and one question is on everyone's lips: Is the financial crisis over, or are we headed towards economic disaster? End of the Road is a documentary that chronicles the global financial collapse. Told in an entertaining and easy to follow style, the film tells the story of how the world came to be in such a state, from the seeds sown after WW2, to the current troubles facing us today, and to the possible future that may await us all. Some of the world's top economic minds share the hidden tale behind the mishandling of the world's finances, give insight into how bad policy and a flawed monetary system joined together to create a catastrophe, as well as sharing their own personal advice on how the average person can best prepare for their financial future. 　　- Written by Jason Spencer