For Lor Sabourin, climbing is more than a sport; it’s a way of exploring identity and building resilience in the face of adversity. They/Them follows Lor, a trans climber, into the sandstone canyons of northern Arizona, on a journey to piece together one of the hardest and most inspiring routes of their life. By embracing the strength in vulnerability, Lor has found the space to thrive and build a climbing community that others like themself can call home.

SYNOPSIS 　　Urgently called, the police inspector has arrived in a hotel, and didn't find any crime, but noticed some strangenesses occurring there. He has decided to leave, but a snow avalanche is crushed in the mountains, making it impossible for him to leave. Soon, inspector has found a body of a dead lodger. Everyone who lives in the hotel is under suspicion... (Strugatsky Brothers website) 　　NOTES 　　This is a crime / mystery thriller with surreal and psychedelic science fiction overtones based on a book Inspector Glebsky's Puzzle by the Strugatsky brothers. The screenplay was also written by the brothers and it differs from the book. The less you know about the movie the better starting point you have. The film is based largely on the mystery of what's happening to the people of Dead Mountaineer's Hotel. Is everything what it seems? Who's dead or who's not?

所有人都喜欢食物。作为人类社会，我们喜欢看各类厨艺节目，美食杂志和各类烹饪网站。那么怎么可能，我们会把接近50%的食物丢弃到垃圾堆里的呢？制片人兼美食家的Grant Baldwin和Jenny Rustemeyer通过这部纪录片，向大家揭示了”食物浪费“这样一个问题，从农场到零售链，直到自家的冰箱橱柜里。在了解了北美每年会有近几十亿价值的食物被丢弃之后，两位导演不再去超市购买食物，而亲自尝试了以被丢弃食物过日子的生活方式。 　　We all love food. As a society, we devour countless cooking shows, culinary magazines and foodie blogs. So how could we possibly be throwing nearly 50% of it in the trash? Filmmakers and food lovers Jen and Grant dive into the issue of waste from farm, through retail, all the way to the back of their own fridge. After catching a glimpse of the billions of dollars of good food that is tossed each year in North America, they pledge to quit grocery shopping and survive only on discarded food. What they find is truly shocking. 　　新词汇： 　　免费素食主义又名飞根主义，（英语：Freeganism）是一种反消费主义生活方式，指通过食用已经被或将要被其他人(如超级市场)扔掉的食物的方法，来实现对生态环境造成最小影响的行为习惯。如果食物的来源不是免费的，这些环境保护主义者只食用素食。 　　Freeganism is the practice of reclaiming and eating food that has been discarded. Freegans and freeganism are often seen as part of a wider "anti-consumerist" ideology, and freegans often employ a range of alternative living strategies based on limited participation in the conventional economy and minimal consumption of resources.

这一天，米奇（沃尔特·迪士尼 Walt Disney 配音）和好朋友唐老鸭（克拉伦斯·纳什 Clarence Nash 配音）以及他的爱犬普鲁托（品托•考维格 Pinto Colvig 配音）前往阿尔卑斯攀岩。经过一番艰苦努力，他们终于成功征服这座险峰。谁知好景不长，一系列麻烦又找上他们。坏脾气的唐老鸭被一只小岩羊惹到，他追来追去，非要好好揍小羊一顿。米奇找到一个老鹰窝，破壳而出的雏鹰们丝毫不畏惧这个外来闯入者，他们和母亲一起向米奇展开袭击。普鲁托在山上发生意外，险些丢掉狗命，关键时刻幸亏胖胖的救生犬出现用高浓度的酒救了他。 　　三个好伙伴遇到前所未有的大危机……

那时，吉列·卡伦（Gilles Caron）正处在摄影记者的职业生涯顶峰，然而在1970年，他突然在柬埔寨消失，年仅30岁。在之前的六年时间，他是那个时代的主要见证者之一，为最重要的杂志供稿，其中就包括第三次中东战争，68事件，北爱尔兰的冲突和越南战争报道。 　　当导演玛丽安娜·奥特罗（Mariana Otero）发现卡伦的作品时，其中一张照片引起了她的注意，因为这恰恰呼应了卡伦自己的故事：一个珍贵的人才消失，却只留下了一段段影像等人解密。她深入研究卡伦100,000张照片，重新将卡伦带入世人眼中，并呈现她眼中独特的卡伦形象。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

1940年代末黎巴嫩即将陷入战争时，一对兄妹埃米莉和埃米尔逃往巴西。他们在亚马逊的马瑙斯市开始新生活。埃米莉爱上了商人奥马尔，而埃米尔因嫉妒而挑起事端。在一次争吵中，埃米尔受伤，被奥马尔带往亚马逊丛林寻找巫医救治。埃米尔康复后，埃米莉与奥马尔成婚。而此时，一场悲剧也同时发生。这部电影不仅是对移民过程的描绘，更是对记忆、激情和偏见的深刻探讨。