克莱尔·丹尼斯的镜头通过白天和夜晚两个部分，勾勒出雅克·里维特的人生轨迹与创作生涯，中间穿插着在巴黎的咖啡馆与影评人塞尔日·达内的讨论。赛尔日·达内在提问、分析、评价，雅克·里维特在自问、回避，短暂地微笑。他的话语中穿插着《巴黎属于我们》、《北方的桥》、《决斗》、《百里挑一》、《疯狂的爱》中的电影片段，还有布鲁·欧吉尔讲述他与里维特这位神秘导演的关系

克莱尔·丹尼斯的镜头通过白天和夜晚两个部分，勾勒出雅克·里维特的人生轨迹与创作生涯，中间穿插着在巴黎的咖啡馆与影评人塞尔日·达内的讨论。赛尔日·达内在提问、分析、评价，雅克·里维特在自问、回避，短暂地微笑。他的话语中穿插着《巴黎属于我们》、《北方的桥》、《决斗》、《百里挑一》、《疯狂的爱》中的电影片段，还有布鲁·欧吉尔讲述他与里维特这位神秘导演的关系

At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

2015 saw the the digital restoration of Jacques Rivette’s magnum opus OUT 1 (1971) and its revival both in theaters and on Blu-ray and DVD. To coincide with this event, filmmakers Robert Fischer and Wilfried Reichart interviewed cast and crew members and revisited some of the film’s most significant locations. THE MYSTERIES OF PARIS: JACQUES RIVETTE’S »OUT 1« REVISITED features first-hand accounts from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews. Original title: LES MYSTÈRES DE PARIS: OUT 1 DE JACQUES RIVETTE REVISITÉ. Language: French with English subtitles.

2015 saw the the digital restoration of Jacques Rivette’s magnum opus OUT 1 (1971) and its revival both in theaters and on Blu-ray and DVD. To coincide with this event, filmmakers Robert Fischer and Wilfried Reichart interviewed cast and crew members and revisited some of the film’s most significant locations. THE MYSTERIES OF PARIS: JACQUES RIVETTE’S »OUT 1« REVISITED features first-hand accounts from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews. Original title: LES MYSTÈRES DE PARIS: OUT 1 DE JACQUES RIVETTE REVISITÉ. Language: French with English subtitles.

弗朗克（奥利维埃·古尔梅 Olivier Gourmet 饰），现年五十二岁，曾经是一名专业技术工人和工会代表，对工作充满热情和战斗精神。然而，现在他却沦为市郊商业中心的夜间巡逻保安，生活充满了无趣和逆来顺受的感觉。他对这种生活感到厌倦，渴望再次掌控自己的命运。 　　在一个深夜，他发现一辆吉普车在商业中心的停车场里来回转悠，引起了他的好奇心。他觉得这辆车可能与某个重要事件有关。由于对现实生活的灰心丧气，弗朗克决定挑战自己，以一己之力去面对这个神秘事件。对他来说，这是重新掌握命运的机会，重新感受生活中的挑战和激情。这个故事通过弗朗克的角色展示了一个普通人在面对生活的突如其来的改变和挑战时，如何重新找回自己内心的勇气和决心。

弗朗克（奥利维埃·古尔梅 Olivier Gourmet 饰），现年五十二岁，曾经是一名专业技术工人和工会代表，对工作充满热情和战斗精神。然而，现在他却沦为市郊商业中心的夜间巡逻保安，生活充满了无趣和逆来顺受的感觉。他对这种生活感到厌倦，渴望再次掌控自己的命运。 　　在一个深夜，他发现一辆吉普车在商业中心的停车场里来回转悠，引起了他的好奇心。他觉得这辆车可能与某个重要事件有关。由于对现实生活的灰心丧气，弗朗克决定挑战自己，以一己之力去面对这个神秘事件。对他来说，这是重新掌握命运的机会，重新感受生活中的挑战和激情。这个故事通过弗朗克的角色展示了一个普通人在面对生活的突如其来的改变和挑战时，如何重新找回自己内心的勇气和决心。

Sarah Waters的名作《守夜》这次由Paula Milne进行大胆改编，细致地刻画了四个年轻伦敦人在二战不同阶段经历的解放和迷失故事。本剧由Anna Maxwell Martin，Claire Foy, Harry Treadaway and Jodie Whittaker主演，故事开始于英国努力进行战后重建的1947年。饱受创痛的Kay正在街头漫无目的地游荡，同时，Helen和Viv经营一家婚姻介绍所，帮助人们寻找爱情开始新的生活。但他们各自复杂的爱情生活却没那么容易解决。Helen痴迷于她与Julia吵闹无常的爱情，而Viv无法和一位有妇之夫一刀两断。Viv脆弱的弟弟Duncan藏着一个可怕的秘密，当记忆里的一张面孔重新出现，他的生活即将支离破碎。

Sarah Waters的名作《守夜》这次由Paula Milne进行大胆改编，细致地刻画了四个年轻伦敦人在二战不同阶段经历的解放和迷失故事。本剧由Anna Maxwell Martin，Claire Foy, Harry Treadaway and Jodie Whittaker主演，故事开始于英国努力进行战后重建的1947年。饱受创痛的Kay正在街头漫无目的地游荡，同时，Helen和Viv经营一家婚姻介绍所，帮助人们寻找爱情开始新的生活。但他们各自复杂的爱情生活却没那么容易解决。Helen痴迷于她与Julia吵闹无常的爱情，而Viv无法和一位有妇之夫一刀两断。Viv脆弱的弟弟Duncan藏着一个可怕的秘密，当记忆里的一张面孔重新出现，他的生活即将支离破碎。