ANGELITA Y MIGUEL ANGEL 　　1972 - 1986 　　Directores: Andres Caicedo & Carlos Mayolo 　　This adaptation of the novel bogged Little Angels was interrupted until the mid-eighties, when the back and finished Luis Ospina. 　　Angelita and Miguel Angel was filmed in 1972, co-directed by Carlos Mayolo and Andres Caicedo, and edited in the mid-eighties by Luis Ospina. It is therefore a work of pure-known group of Cali, which defined a chapter in the history of national cinema. Here are the extent of the plot and its wavering combo that was a foremost documentarian, with the exception of Caicedo, who felt the difference of their way of being a filmmaker and introvirtió after the failure of the tape, which could not resist the tension between the pulse of Mayolo daring and tricky detail of Caicedo. 　　It may be recalled that the documentary had a connotation that was left to see as a delaying Caicedo. Eventually, however, has not ceased to grow old pictures directed by him and has shown that enrichment which is expected to appear when the character of the neighborhood, was impossible. The same conflict of the movie, social conflicts occurred in the filming. Without the help of Caicedo had no perspective and the movie simply became visibly deformed. Ospina, the publisher, he learned to make this problem a resource that narrative again Angelita and Miguel Angel an argument and a documentary at the same time, a documentary about the very shape of the plot. 　　In the midst of interviewing the short film reconstructs Ospina Angelita and Miguel Angel co-directed with Carlos Mayolo and that was never completed due to disagreements between the filmmakers. Here we see not only the testimony about the rise and fall of our hero (that was the idea that handled the novels of the 19th century type Barry Lyndon), but is portrayed as a generation dubbed "The Cali" or "Caliwood".

ANGELITA Y MIGUEL ANGEL 　　1972 - 1986 　　Directores: Andres Caicedo & Carlos Mayolo 　　This adaptation of the novel bogged Little Angels was interrupted until the mid-eighties, when the back and finished Luis Ospina. 　　Angelita and Miguel Angel was filmed in 1972, co-directed by Carlos Mayolo and Andres Caicedo, and edited in the mid-eighties by Luis Ospina. It is therefore a work of pure-known group of Cali, which defined a chapter in the history of national cinema. Here are the extent of the plot and its wavering combo that was a foremost documentarian, with the exception of Caicedo, who felt the difference of their way of being a filmmaker and introvirtió after the failure of the tape, which could not resist the tension between the pulse of Mayolo daring and tricky detail of Caicedo. 　　It may be recalled that the documentary had a connotation that was left to see as a delaying Caicedo. Eventually, however, has not ceased to grow old pictures directed by him and has shown that enrichment which is expected to appear when the character of the neighborhood, was impossible. The same conflict of the movie, social conflicts occurred in the filming. Without the help of Caicedo had no perspective and the movie simply became visibly deformed. Ospina, the publisher, he learned to make this problem a resource that narrative again Angelita and Miguel Angel an argument and a documentary at the same time, a documentary about the very shape of the plot. 　　In the midst of interviewing the short film reconstructs Ospina Angelita and Miguel Angel co-directed with Carlos Mayolo and that was never completed due to disagreements between the filmmakers. Here we see not only the testimony about the rise and fall of our hero (that was the idea that handled the novels of the 19th century type Barry Lyndon), but is portrayed as a generation dubbed "The Cali" or "Caliwood".

1.雪の紅化粧 〜少女薔薇刑〜 – 日本初のアダルトアニメ。製作と作品自体の完成は1979年だった。 　　2.何日子の死んでもいい 〜いけにえの祭壇〜 　　3.仔猫ちゃんのいる店 　　4.変奏曲（原作：中島史雄） 　　5.仔猫ちゃんPart2 サーフ・ドリーミング 　　6.総集版：シーサイド・エンジェル MIU （下記『生えいずる悩み』の本編の一部が同時収録されている）

1.雪の紅化粧 〜少女薔薇刑〜 – 日本初のアダルトアニメ。製作と作品自体の完成は1979年だった。 　　2.何日子の死んでもいい 〜いけにえの祭壇〜 　　3.仔猫ちゃんのいる店 　　4.変奏曲（原作：中島史雄） 　　5.仔猫ちゃんPart2 サーフ・ドリーミング 　　6.総集版：シーサイド・エンジェル MIU （下記『生えいずる悩み』の本編の一部が同時収録されている）

新限定剧《Angelyne》，罗森饰演性感、艳丽而神秘的“广告牌女王”Angelyne，金发狂野。 　　该剧由《黑客军团》主创山姆·艾斯梅尔打造，本月新开拍，改编自《好莱坞报道者》2017年的一篇报道，聚焦真实人物：1980年代，在洛杉矶通过亮相广告牌和客串各种电影、剧集而成为名人的Angelyne，她是自我推广的著名例子，以广告牌女郎形象和开粉色豪车为标志，但她的真实身份长期保密。THR那篇报道是几十年后第一次曝光了她的真实名字：Renee Goldberg。

新限定剧《Angelyne》，罗森饰演性感、艳丽而神秘的“广告牌女王”Angelyne，金发狂野。 　　该剧由《黑客军团》主创山姆·艾斯梅尔打造，本月新开拍，改编自《好莱坞报道者》2017年的一篇报道，聚焦真实人物：1980年代，在洛杉矶通过亮相广告牌和客串各种电影、剧集而成为名人的Angelyne，她是自我推广的著名例子，以广告牌女郎形象和开粉色豪车为标志，但她的真实身份长期保密。THR那篇报道是几十年后第一次曝光了她的真实名字：Renee Goldberg。

苏联电影史上第一部科幻片，根据阿·托尔斯泰的同名小说改编，讲述住在莫斯科的男主角收到一条神秘信息后打造宇宙飞船，前往火星营救独裁者之女艾莉塔的幻想故事。俄罗斯电影奠基人之一的电影大师雅科夫·普罗塔扎诺夫执导此片，影片上映后在苏联遭到了批评，但在欧美等地却获得了票房成功，片中建构主义式的场景设计和豪华先锋的服装造型直接启发了弗利茨·朗的《大都会》。本片先后有过多个不同的修复版本，2018年，澳大利亚国家视听档案馆将此片进行了基础性的4K数字化，数字拷贝于同年6月的墨尔本演奏中心首映。

苏联电影史上第一部科幻片，根据阿·托尔斯泰的同名小说改编，讲述住在莫斯科的男主角收到一条神秘信息后打造宇宙飞船，前往火星营救独裁者之女艾莉塔的幻想故事。俄罗斯电影奠基人之一的电影大师雅科夫·普罗塔扎诺夫执导此片，影片上映后在苏联遭到了批评，但在欧美等地却获得了票房成功，片中建构主义式的场景设计和豪华先锋的服装造型直接启发了弗利茨·朗的《大都会》。本片先后有过多个不同的修复版本，2018年，澳大利亚国家视听档案馆将此片进行了基础性的4K数字化，数字拷贝于同年6月的墨尔本演奏中心首映。