ANGELITA Y MIGUEL ANGEL 　　1972 - 1986 　　Directores: Andres Caicedo & Carlos Mayolo 　　This adaptation of the novel bogged Little Angels was interrupted until the mid-eighties, when the back and finished Luis Ospina. 　　Angelita and Miguel Angel was filmed in 1972, co-directed by Carlos Mayolo and Andres Caicedo, and edited in the mid-eighties by Luis Ospina. It is therefore a work of pure-known group of Cali, which defined a chapter in the history of national cinema. Here are the extent of the plot and its wavering combo that was a foremost documentarian, with the exception of Caicedo, who felt the difference of their way of being a filmmaker and introvirtió after the failure of the tape, which could not resist the tension between the pulse of Mayolo daring and tricky detail of Caicedo. 　　It may be recalled that the documentary had a connotation that was left to see as a delaying Caicedo. Eventually, however, has not ceased to grow old pictures directed by him and has shown that enrichment which is expected to appear when the character of the neighborhood, was impossible. The same conflict of the movie, social conflicts occurred in the filming. Without the help of Caicedo had no perspective and the movie simply became visibly deformed. Ospina, the publisher, he learned to make this problem a resource that narrative again Angelita and Miguel Angel an argument and a documentary at the same time, a documentary about the very shape of the plot. 　　In the midst of interviewing the short film reconstructs Ospina Angelita and Miguel Angel co-directed with Carlos Mayolo and that was never completed due to disagreements between the filmmakers. Here we see not only the testimony about the rise and fall of our hero (that was the idea that handled the novels of the 19th century type Barry Lyndon), but is portrayed as a generation dubbed "The Cali" or "Caliwood".

莉娜來自印尼，來台灣擔任家庭看護工，在奶奶家 6 年了。幾乎沒有休假的她，每天都要煮飯、做家務，到了過年期間甚至要烹煮一家十幾人份的年夜菜。儘管工作很多，莉娜總是熱情的對待奶奶，被罵也從不抱怨。莉娜原本是來照顧爺爺的，爺爺死掉後工作約也即將到期，這些年在台灣賺的錢已足夠在印尼買一間大房子。然而奶奶希望莉娜繼續留下來陪她，莉娜猶豫了一陣子，答應了。基於好奇心，我藉著拍作業的名義一窺奶奶和莉娜的生活。

新限定剧《Angelyne》，罗森饰演性感、艳丽而神秘的“广告牌女王”Angelyne，金发狂野。 　　该剧由《黑客军团》主创山姆·艾斯梅尔打造，本月新开拍，改编自《好莱坞报道者》2017年的一篇报道，聚焦真实人物：1980年代，在洛杉矶通过亮相广告牌和客串各种电影、剧集而成为名人的Angelyne，她是自我推广的著名例子，以广告牌女郎形象和开粉色豪车为标志，但她的真实身份长期保密。THR那篇报道是几十年后第一次曝光了她的真实名字：Renee Goldberg。

新限定剧《Angelyne》，罗森饰演性感、艳丽而神秘的“广告牌女王”Angelyne，金发狂野。 　　该剧由《黑客军团》主创山姆·艾斯梅尔打造，本月新开拍，改编自《好莱坞报道者》2017年的一篇报道，聚焦真实人物：1980年代，在洛杉矶通过亮相广告牌和客串各种电影、剧集而成为名人的Angelyne，她是自我推广的著名例子，以广告牌女郎形象和开粉色豪车为标志，但她的真实身份长期保密。THR那篇报道是几十年后第一次曝光了她的真实名字：Renee Goldberg。

伊蓮娜活在貧窮無助的世界，新生命即將來臨，可會是改變的契機？但問題是，這孩子將不屬於她，她只是代孕母親。本來伊蓮娜在小鎮兼職當侍應，突遭解僱，而且禍不單行，丈夫在同日遇煤礦意外，雙腿斷了。為了生計，賺錢捷徑是「我不賣身，我賣子宮」，替不育的有錢夫婦生小孩。當肚子漸漸隆起，生命的種子萌芽，內心絕望與矛盾亦與日俱增。新晉導演高斯娃以細膩影像捕捉女性情感與心理轉變，透過代孕故事，尋找愛與寬恕的意義。

Twenty something year old Angelo is suffering heartbreak after his longtime girlfriend leaves him for another man. Angel is forced to find a new version of his life without her in a new city. When he thinks all hope is gone, a sexual encounter with an old school friend reawakens him and forces him to question everything he thought he knew about himself.