1942年的《罗密欧与朱丽叶》。她是犹太人。他是天主教徒。安妮特和吉恩想结婚，但吉恩的父母反对。安妮特·泽尔曼被未婚夫的父亲报告给盖世太保，并被送往奥斯威辛集中营。改编自洛朗·乔利 （Laurent Joly） 所著的《占领期间向犹太人提供信息》一书中讲述的真实故事。

Romeo and Juliet in 1942. She was Jewish. He was Catholic. Annette and Jean wanted to get married, but Jean’s parents were opposed. Annette Zelman was reported to the Gestapo by her fiancé’s father and was sent to Auschwitz. Based on a true story told in the book ‘Dénoncer les Juifs sous l’Occupation’ (Informing on Jews during the Occupation) by Laurent Joly.

影片讲述一对好莱坞夫妇和他们的女儿安妮特的故事：丈夫Henry是一位单口喜剧演员(Adam Driver饰演)，妻子Ann则是一名歌剧明星(Marion Cotillard饰演)，而…

在动荡的六十年岁月中，三位不知情的客人在一栋被诅咒的房屋中偶然发现了一个隐藏在地板下的邪恶秘密：一个对活人的灵魂有着无尽渴求的可怕女巫。

Ömer, a young man returning from military service, is set up by his friends and fiancé and ends up in prison for ten years. He fakes his own death and manages to escape. He re-creates himself as ‘Ezel’, a high-end gambler who is outwardly a successful man, but inwardly driven by one thing - his determination to understand why the people he loved betrayed him, and take his revenge.

在风云变幻的六十年间，三位浑然不知的客人踏入一栋被诅咒的房屋，意外揭开了地板下隐藏的邪恶秘密——一个对活人灵魂有着无尽贪婪的可怕女巫。

詹妮弗·劳伦斯将合作朗·霍华德，出演泽尔达·菲茨杰拉德传记片。泽尔达是作家弗朗西斯·斯科特·菲茨杰拉德(《了不起的盖茨比》)妻子，同时也是一位小说家、诗人、舞蹈家。本应一对璧人的他们婚姻并不美满，泽达尔被丈夫戏称“美国第一轻佻女子”，最终被诊断精神分裂症送进精神病院。

本剧是一部根据泽尔达·萨尔·菲茨杰拉德的生平改变的传记剧集，讲述了她如何从一个天资聪颖、秀外慧中的传统南方淑女变成了一个二十世纪爵士年代狂野艳丽的摩登女郎。她的丈夫可能更为大家所熟悉，就是著有《了不起的盖茨比》等书的作家弗兰西斯·斯科特·菲茨杰拉德。

This two-part docudrama shows the love affair between King Henry VIII of England and his second wife, Anne Boleyn; presented by historian Dr. Suzannah Lipscomb.

You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. 　　Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people. 　　源自：https://iffr.com/en/iffr/2023/films/faces-of-anne