The story runs in the 1940s Mexico City. A schoolboy (Carlos) falls in love with his best friend's mother (Mariana). Carlos is impressed because this family is not like the ordinary mexican families of the time, because they have many expensive American things, although they are not rich. The drama begins when Carlos gets out of school to go to declare his love to Mariana, and is discovered by his teachers.

玛丽安娜，片中的主角，出身贵族，父母在旅行中被杀害，就此玛丽安娜成为孤儿，一边躲避对她觊觎已久居心不良的监护人一边寄身在修道院度日。修道院的修女询问玛丽安娜为何要逃避监护人，玛丽安娜说，你见过监护人抓着你的手对你说他无法抑制地爱着你么。 　　某日在街上被一辆急驶的马车撞倒，从马车上下来男主角——一位年轻英俊的贵族青年。青年将玛丽安娜带回家，在华丽的房间中，青年轻轻褪去玛丽安娜的鞋子，捧起她的脚查看伤情，就此两人情愫顿生。可是青年的母亲厌恶出身低微的玛丽安娜，顽固地阻挠两人的结合。经过努力后，玛丽安娜终于得到了任何，与青年开始幸福地筹备婚礼。此时故事却在此处急转直下。

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

故事的开始，Anna被派到上海工作。她在新加坡本有个小情人Billy，小她两岁，但跟做财经的Anna南辕北辙。Billy是玩地下音乐的，日间做小食店厨子。Billy喜欢Anna，但却知她对自己并不认真。对Anna而言，Billy的存在只能令她更深切体会到根本无人可以替代欧阳。至于思雨，她同样没有一个幸福的家庭。欧阳年少时曾为国宝，乃钢琴高手，无奈压力加上家族遗传，最终患上抑郁症。曾是天之骄子的他，如今只能成为二手琴行的调音师。一对小夫妻，茫茫相对，命运的悲剧已令他们的爱情消磨殆尽。Anna暗羡慕思雨的同时，却忘记了她的苦，而思雨暗羡慕Anna的同时，也忘记了Anna背後的苦。 　　两人初次在上海街头重遇，还以为是两人长得相似而已。她们以为欧阳不是娶了个像他前女友Anna的思雨，就是结识了个像他太太思雨的Anna。所以一开始两个女人还比较长短，殊不知她们本属同一个人。故事发展下去，她们才发觉彼此同名同姓同年同月同日生之外，也有着同样的童年及经历。她们回忆起早在8岁遇溺的那年，她们亦分过一次身，只是那次维持了次数秒，而这次，却维持了10年。这次的分身不是因为遇溺，而是10年前欧阳第一次发病，两人大吵起来，在极度刺激之下，她分了身而不自知了。 　　当她们得知她们是同属一人时，她们惊愕之余，便想到她们可互换身份3天。Anna挂念欧阳，而思雨却是厌倦了欧阳，想有个短暂假期了。两人各得其所，但原本3天的交换，却几乎变成永远的交换。因为Anna开始认为，她是可以跟欧阳重新开始的，便偷偷将思雨的身份文件收起，想以后取代了她的位置。而思雨也有同样想法，她偷偷把Anna的工作辞掉，又变卖了她在新加坡的物业，因为她一直怪Anna当年离开欧阳，使自己留了下来，虽然这是十分不合逻辑的道理，思雨觉得她要拾回Anna令她失去的10年。 　　当她们都以为可以改变自己当年命运，再重新选择一次时，她们才发现重新选择的结果都是一样的。Anna方面，欧阳旧病复发，如蜜月般的3天假期结束後，她发觉犹如噩梦重演，于是如10年前一样，她选择了放弃欧阳，虽然她有多爱他。而至于思雨，虽然她秘密回新加坡，偷走Anna的财物甚至那个男友Billy，到了最后她依然是选择了回到上海留在欧阳身边。

因为工作的关系，Anna（林嘉欣 饰）到了上海工作。她与蛋糕师Billy一直保持暧昧的关系，Billy很喜欢她，可是Anna心里一直记挂着前男友欧阳（陆毅 饰）。 　　因为一副画的原因，Anna与自己相貌完全一样的思雨（林嘉欣 饰）。思雨买了一副自己丈夫欧阳的画，店员却送到了Anna的住处，两个人就此相识了。她们爱着的是同一个男人，欧阳本来是个钢琴家，却患上了忧郁症，思雨本来是名画家，为了丈夫她放弃了自己的爱好。 　　Anna在网上查找到，她们是彼此的分身。8岁时她们曾在溺水时看到了一个相同的自己。十年前的堕胎经历，她们再次分成了两个相同的人，相同的名字，相同的生日，相同的遭遇，维持了十年直到她们遇见。 　　这时候，她们决定互换身份三天。因为Anna想再一次与欧阳生活，思雨也厌倦了欧阳。可是她们各有思想，Anna想代替思雨，思雨则想取代Anna的身份，离开欧阳。欧阳发病，也让Anna想起了十年前与欧阳分手的情景，她也发现了思雨的阴谋……

20世纪80年代末，苏联情报机构克格勃迎来了新一任掌门人瓦西列夫。随着他的上任，克格勃和美国中央情报局CIA的谍战平衡被打破，诸多潜伏苏联的CIA探员被捕，局势分外紧张。在此大环境下，军人后代安娜却过着颓废堕落的生活。当处于人生最低点时，她被招募进了克格勃。凭借出众的外貌以及卓越的领悟力，安娜很快成为一名出色干练的特工。此后的岁月里，她如同一台无情的杀人机器，按照组织的命令处决了一个又一个目标。但是在安娜的内心最深处，她时刻渴望重新获得自由。遗憾的是瓦西列夫决不允许有任何一名克格勃活着退出组织，在绝望之际，安娜的命运走到了十字路口……