Discovery has commissioned “Johnny vs Amber,” a two-episode documentary that tells the story of the breakdown of Johnny Depp and Amber Heard’s relationship, and how it spiralled into a celebrity court case. 　　Being produced as a double bill by Optomen, each film is told from one of their perspectives. The documentary will feature interviews with lawyers involved on both sides, and testimony from those close to the former couple. It will also examine extensive footage and audio recordings filmed by the couple themselves. 　　The doc will be available on Discovery Plus this fall.

Discovery has commissioned “Johnny vs Amber,” a two-episode documentary that tells the story of the breakdown of Johnny Depp and Amber Heard’s relationship, and how it spiralled into a celebrity court case. 　　Being produced as a double bill by Optomen, each film is told from one of their perspectives. The documentary will feature interviews with lawyers involved on both sides, and testimony from those close to the former couple. It will also examine extensive footage and audio recordings filmed by the couple themselves. 　　The doc will be available on Discovery Plus this fall.

当 Jaq 和 Shane 的手机收到儿童被绑架的警报时，一次普通的同车旅行变成了一场高风险的猫鼠游戏...

当 Jaq 和 Shane 的手机收到儿童被绑架的警报时，一次普通的同车旅行变成了一场高风险的猫鼠游戏...

“Amber Brown” is an unfiltered look at a girl finding her own voice through art and music in the wake of her parents’ divorce. The series will star Carsyn Rose (“The Rookie,” “Cousins for Life”) as Amber Brown, an everykid who is going through what many children experience, and making sense of her new family dynamic through her sketches and video diary. Sarah Drew (“Grey’s Anatomy,” “Cruel Summer”) stars as Amber’s mother Sarah Brown. The ensemble cast cast also includes Darin Brooks (“Blue Mountain State,” “The Croods: Family Tree”) as Max, and newcomer Liliana Inouye (“The Slows”) as Brandi Colwin.

《肥志百科》是一部用可爱的表达方式向读者讲述各类自然和人文知识的动画作品，在本内容中，主角“肥志”是一个爱讲故事的小哥哥。第1-7季将为大家讲述各种动物、植物和美食的小故事，将不同学科的知识融汇其中，为读者创造了一种轻松萌趣的科普阅读体验，还有更多意想不到的趣味百科知识正在路上。

《志》系列微短剧采用“跨时空对话”的方式，营造当代青年与团一大五位执委高君宇、施存统、张太雷、蔡和森、俞秀松在团一大纪念馆相遇的场景，通过青年人与革命先辈跨时空对话的剧情形式，让青少年带着自己在生活中、成长中遇到的困惑向先辈请教，革命先辈结合自身性格，以实际经历出发给青年人解惑，以此寻找当代青少年和百年前青年先锋的共鸣，让当代青少年“学思悟践”百年前青年先锋的追求和信仰。

7日7频道栏目的基本构架是以故事化的选题为主导，辅以生活服务类资讯信息。2012年停播。

Lord of the Frames: Kurt Kren 　　by Peter Tscherkassky 　　Translation: Elisabeth Frank-Großebner 　　reprinted from exhibition catalog, Kurt Kren at Wiener Secession, 1996 　　In 1964, "Wien Film" refused to print 6/64 Mama und Papa. When Kurt Kren handed in the original, the film grader said with an undertone of sympathy that, given the many cuts, one would not be able to make out anything, anyway. His worries were groundless: when Kren came to pick up the print, some people with flushed faces left the projection room, telling him to get out and never to come back again. A few months later, a similar scene took place at "Listo", where 9/64 O Tannenbaum was not accepted. Kren ultimately found a place that took his films, based on actions by Otto Muhl and Gunter Brus: a house on Peter Kaiser Gasse in Jedlersdorf, a neighborhood in the East of Vienna, on the other side of the river Danube. There, in the 21st district, on the most remote outskirts of town, films were developed and printed in self-made contraptions reminiscent of washing-machine drums. The man who ran the business single-handedly intimated that he was used to explicit images owing to customers from the blue movie scene. The facts that the credits in a few Kren works from those days are slightly out of place and that the name "Kren" next to the copyright sign goes beyond the edge of the frame can be explained in this context. On request, credits were in-house productions, but they were made with a camera that had no view finder, for which reason slipped boards were none too unusual. There were no objections to the films' content, formal and creative issues played a secondary role. 　　Be that as it may - the "© Kren" jutting out over the frame can easily be understood as a metaphor of the avant-garde and a harbinger of cinema outside the screen - Expanded Cinema. It is precisely during the "Jedlersdorf period" in his oeuvre that Kurt Kren demonstrates some of its best knacks to modern cinematography. 　　(Source: http://www.hi-beam.net/mkr/kk/kk-bio.... 　　http://www.ubu.com/film/kren.html