平静的夜晚，汤姆依靠在沙发上听美妙的音乐，间或惩治一下在厨房里闹翻天疯狂从冰箱里搬运食物的杰瑞。好不容易打发掉那个调皮的小家伙，他却从收音机里得到一条可怕的消息：一头凶猛的狮子从马戏团逃出，正在镇上游荡。汤姆吓得连忙管好门窗，并拿着猎枪守候在角落里。杰瑞却在地下室发现了躲藏起来的狮子。狮子受够了马戏团喧嚣的音乐和爆米花声，它希望返回非洲老家，并请求杰瑞帮它弄点吃的。

挪威动画大王拉斯姆斯·A·西韦特森曾以《哈吉布森的森林冒险》入围2017年上海国际电影节金爵奖最佳动画片单元，本片是他的最新作品，讲述了宁静的小镇上，三个愚蠢可爱的盗贼和小镇居民之间发生的搞笑故事。影片改编自挪威著名儿童文学作家托比扬·埃格纳家喻户晓的经典作品，融入了17首挪威传统民歌。制作团队运用CGI动画和传统定格动画结合，制作出了人物动作和表情更为生动流畅的定格动画效果。欧洲电影“十大闪亮明星”之一的阿卡塞尔·亨涅为盗贼杰斯伯配音。

高雄两广醒狮团在台湾颇具盛名，曾多次於戏狮甲大赛夺冠。然而早期团员多数离团后，目前转型以国高中生为主力。这些少年团员们多来自单亲、经济弱势家庭的背景，他们半工半读，一起住在团内宿舍的大通铺里。本片记录了少年团员们在舞狮团精彩表演的背后，有血也有汗的故事。从桩上跌落的伤、累积的疤不计其数，小小年纪的他们，靠不为人知的努力和坚持，渴求不只在自食其力的物质成就，还有换来的掌声、自尊以及团员彼此之间建立起来的情感依赖。

一个疯疯癫癫、怪异离奇的金·凯瑞——1999年，他在《月亮上的男人》饰演了自己的偶像、喜剧大师安迪·考夫曼，而拍摄该片的一些幕后视频(很多是考夫曼的前女友Lynne Margulies拍的)如今才由这部纪录片曝光，原来环球一度不想让视频浮出水面，金凯瑞说，是因为“我看起来像个大混蛋”——他出演该片时深深地进入了“方法派”领域，即使下了戏，他也处于考夫曼疯狂的状态中。而他心中到底怎么想，还能找到“我是谁”吗？

雪狮子张牙舞爪，抓咬小猫小狗，老爷爷冷静地看到了雪狮子的弱点，凭机智勇敢巧妙地惩治了它。

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

在线观看网址：https://vimeo.com/33518886

在线观看网址：https://vimeo.com/33518886