女主角是一位文学家的妻子，美丽忠诚、无瑕疵，牺牲了自己的梦想、才华、野心，花费了40年的时间来辅助丈夫，忽略他的不忠，永远表现得体。而随着时间的推移，他们的婚姻也来到破碎的临界点。在诺贝尔文学奖颁奖的前夜，她将面临生命中最大的牺牲，同时也发现了丈夫职业生涯的秘密…

曾经出版过多部超人气小说的女性作家远野丽莎（中谷美纪 饰）早已登上事业的顶峰，而顶点制霸的同时也昭示着下坡路的开始。 近一段时间丽莎在创作上越来越感到力不从心，和家人糟糕的关系也让她倍感疲惫。上天似乎并未抛弃她，而是适时将川原由树（水川麻美 饰）推到这位名作家的面前。怀有写作梦想的由树名不见经传，她以助手身份受雇于丽莎，凭借出色的文笔和巧妙的构思得到大作家的青睐。在丽莎及其情人——骏峰社文艺志主编神崎雄司（田中哲司 饰）的暗示和诱导下，由树开始为丽莎的新作撰写大纲，并最终成为对方的枪手。 　　渴望继续维持人气和水准的名作家和拥有绝高天赋但不被世人所知的小人物，她们携手走上了一条共犯之路……

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

War, fate, and a broken Walkman transcend time and space in this sci-fi love story.

Appunti su un fatto di cronaca (Notes on a news story) is a short documentary by director Luchino Visconti, released in 1953. Visconti had already found success with his two first neorealist feature films - Ossessione in 1943 and La Terra Trema in 1947. The film opens with text overlaid against the backdrop of a city. The text tells us about the murder of a 12-year-old girl, Annarella Bracci, in the Borgata Primavalle neighborhood of Rome in March 1950. We see a young girl standing against a building, as well as artistic angles of other buildings in the neighborhood. 　　The narration begins as well with a wider landscape shot of the neighborhood. We see boys playing cards. A wide shot of a beach. The camera hovers for some time on a wide shot of the beach and then turns to a close-up of two young men playing a tennis-like game. We return once again to the girl, and it seems the narrator is indicating that this girl is the girl featured in the news story at the beginning of the film. We then cut to the site of the girl's murder, where we see a memorial and flowers set up. 　　Some have called Appunti su un fatto di cronaca a pure attempt at neorealism, in that there is virtually no mediation between the camera's lens and the neighborhood people as Visconti captures them. There is some poetic sense of course with the style of the visuals, the camera angles, as well as the music that creeps in toward the beginning and the end of the film. Likewise, the narrator takes some license with flourishes that are quite poetic - "We resign ourselves to a handful of wildflowers and a painful catch in the voice".

该作品讲述了天命不凡，与生俱来拥有无穷力量的少女世珍,她受到人们的伤害从而开始拒绝命运，之后她与狩猎少年们变成搭档，大家一起解决神、鬼、妖怪等相关的各种奇异事件的故事。

The documentary was commissioned by Israel’s Public Broadcaster, KAN 11, to mark the commemoration of the 80th anniversary of the end of World War II. Told through tens of thousands declassified British intelligence documents, “Recording Evil” reveals the candid conversations of Nazi officers and soldiers held as prisoners of war during WWII. Unaware of hidden listening devices in British internment facilities, the prisoners spoke freely about their involvement in the Holocaust providing unfiltered accounts that provide details that have never before been made public.

陳界仁的〈凌遲考〉以冷靜而壯烈的方式，控訴台灣長期以來遭受西方各種「殖民」形式的歷程。〈凌遲考〉的影像彷彿集體記憶中的夢的影像，潛藏於觀者的「集體潛意識」，挑戰觀者的回應與記憶。〈凌遲考〉用緩慢而詩意的速度以三個銀幕放映，將歷史和台灣當代社會連結起來。〈凌遲考〉的影像是介於瘋狂、極度痛苦與彷如聖靈充滿的狂喜的曖昧混合。雖然影像來自一幅當初很少人知曉的歷史文件，在「凌遲刑罰」早已被禁止，在人間消失的二十一世紀初，對這樣的凌遲刑罰過程的觀看經驗也彷彿觀看地獄圖像的經驗。而刻意放緩進行的影像由於背負龐雜交叉的歷史與意涵（殖民的、歷史的、影像史的、影像本質的、刑罰的、觀看、暴力美學等等），使觀者不得不進行凝視──凝視歷史，也凝視自己。藝術家希望以獨特的方式，例如緩慢進行的手法與調子，引起觀者的深刻凝視；針對「凌遲」的刑罰形式，重新加以凝視與再現，並將其擴大演繹為一道隱喻，影射全球化意圖下的第一世界霸權之於弱勢者的權力關係。