公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

客观监控着主观的想象；虚构组成的真实正在真实地虚构。

客观监控着主观的想象；虚构组成的真实正在真实地虚构。

宁夏卫视人文类栏目。每天十分钟，看《说宋朝》让我们更清楚的了解一千年前宋朝的人文历史。 　　宁夏卫视新开播的一档讲述两宋历史的系列节目。这是地理版图最小的中国，也是文化发展最大的中国。这是军事力量最弱的中国,也是经济实力最强的中国.这是一千年前的中国，了解它便能知晓我们的现在。说宋朝，可以看可以听的历史。每周一-周六，每天更新1集.周日不更新。

宁夏卫视人文类栏目。每天十分钟，看《说宋朝》让我们更清楚的了解一千年前宋朝的人文历史。宁夏卫视新开播的一档讲述两宋历史的系列节目。这是地理版图最小的中国，也是文化发展最大的中国。这是军事力量最弱的中国,也是经济实力最强的中国.这是一千年前的中国，了解它便能知晓我们的现在。说宋朝，可以看可以听的历史。每周一-周六，每天更新1集.周日不更新。

宋朝时期，欧阳春经过多年的苦练，掌握了盖世的武功，他从小的玩伴平在与庞太师的女儿庞娟比武招亲中，女扮男装，化名欧阳春被招进太师府，令庞娟爱慕不已。偶然间平偷听到了庞太师与王爷想要篡权的密谋…by:m.yakubd.cc

宋朝时期，欧阳春经过多年的苦练，掌握了盖世的武功，他从小的玩伴平在与庞太师的女儿庞娟比武招亲中，女扮男装，化名欧阳春被招进太师府，令庞娟爱慕不已。偶然间平偷听到了庞太师与王爷想要篡权的密谋…by:m.yakubd.cc

Two men, a nondescript space, some trees outside, a large glass table inside. These are the only visual elements in this minimalist reflection on human cruelty. Due to this pared-down approach, the focus lies entirely on the testimonies that director Selma Doborac has the actors Christoph Bach and Cornelius Obonya recite—separately, as if in an interrogation. Detached, without emotion, they recount experiences from an existence as a cog in a machine of mass destruction. These are monologues from the darkest recesses of human nature. 　　For the script, Doborac drew on historical sources (legal documents, testimonies stored in archives), but also on more philosophical considerations. Here and there, words and sentences pass by that are associated with the great tragedies of the 20th century—mass graves, “cockroaches,” gas chambers. But the outrages are disconnected from any specific history. They have merged into one single stream of mass violence, deeply engrained in humanity. The emotionless delivery makes the film even more moving. 　　源自：https://festival.idfa.nl/en/film/610c9c8a-2453-4d00-a000-3bdbef24a498/de-facto/

This documentary is a making of feature, but it also features interviews with the cast and crew. Some interviews are recent, but some are from over 10 years ago. It starts out by interviewing Quentin Tarantino, along with Producer Lawrence Bender. They tell the story about how Tarantino started out. It even shows footage from Tarantino's first film "Reservoir Dogs." Most of the stars are interviewed, and it even covers topics in the film, such as how Tarantino made three stories come together as one, how the film was conceived by audiences, and even a quick segment about Tarantino's view on violence. 　　To top it all off, there is some behind the scenes footage, mainly of the part where Butch hits Marcellus with his car. At the end of the documentary, there is footage of the Cannes Film festival, and there is also information about the awards that Pulp Fiction won and was nominated for.