《完美假期》是真人秀节目，12位房客共同生活90天，每周一人被出局。房客《818完美聊天室》进行直播互动，为自己拉票。或唱歌，或热舞，看房客们怎么各出奇招圈票！

画家肖风向设计师白璇（袁泉 饰）提出分手，白璇因此陷入痛苦。与此同时，天空设计公司董事长张明凯（蒋恺 饰）和妻子萧为（原华 饰）之间的情感纠葛备受众人关注。尽管两人已到分手边缘，但萧为仍不相信缘分已尽。他们平日里一心扑在公司业务上，忽略了家庭生活的温暖，等意识到问题所在时，已然走到离婚这一步。 律师佟言（王学兵 饰）性格鲜明，女友赵心宁（杨雨婷 饰）的离去让他既失落又痛苦，同样处于失恋状态的白璇也在情感的煎熬中苦苦挣扎。因为参与了萧为与张明凯的离婚案，佟言和白璇相识，经过几次接触，两人对彼此产生了别样的感觉。就在这时，赵心宁突然回来了。而刚结婚的陶殊磊（张博 饰）和欢子（孙菲菲 饰）坚信爱情坚贞不渝，他们无法理解身边为何有那么多人走向婚姻的终点。

现代都市中，每天都在上演着一幕幕鲜活生动、纠缠交错的情感悲喜剧，本剧瞄准了在这芸芸都市人群中最具代表性的三对中青年男女，身份、地位、年龄虽…

A young man with a violent past enters a mysterious clinic where the patients wildly transform their bodies and minds using genetic engineering.

他曾倚仗妻子的智慧与人脉攀上事业高峰，却在名利场中逐渐忘却来路。当掌声与奉承成为新的氧气，他开始嫌弃家中那盏熟悉的灯，嫌它照不出自己如今“伟岸”的身影。于是，他松开了曾紧握的手，将那份扶持与真心定义为束缚，转身投向自以为更光鲜的自由。直到繁华散尽、光环褪去，他才在冰冷的现实里恍然惊觉——自己推开的，不仅是共患难的妻子，更是那个曾经完整而真实的灵魂。这是一个关于背叛与迷失的故事，最终刺痛的，只会是弄丢初心的自己。

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作