著名摄影师克里斯蒂娜·埃姆斯意外去世，留下与她疏远的女儿梅（Mae），梅感到伤心、愤怒，但又疑问重重。当梅发现一张藏在保险箱里的照片时，她开始钻研她母亲的早年生活——这项调查导致了她与一位记者的一段意想不到的恋情。

著名摄影师克里斯蒂娜·埃姆斯意外去世，留下与她疏远的女儿梅（Mae），梅感到伤心、愤怒，但又疑问重重。当梅发现一张藏在保险箱里的照片时，她开始钻研她母亲的早年生活——这项调查导致了她与一位记者的一段意想不到的恋情。

如今已然长大成人的梅（伊莎·芮饰）始终对于母亲的爱情故事比较模糊，终于有一天她偶然间发现了老妈留给自己的珍贵照片，还有那一段饱含深情的文字。原…

历史老师要求格雷福写一篇历史论文，为了查找资料，格雷福来到了图书馆，在图书馆里，格雷福遇见了个名为德利夫的老人，这个看似其貌不扬的老人却对历史津津乐道，在德利夫的帮助之下，格雷福完成了一篇出色的论文，得到了老师的夸奖。 　　之后，格雷福常常去图书馆找德利夫聊天，德利夫用自己精彩绝伦的故事为格雷福打开了一扇扇新世界的大门。随着时间的推移，格雷福和德利夫之间建立起了深厚的友谊。终于有一天，两人的关系被格雷福的父母知道了，父母坚决反对格雷福和德利夫交往，因为德利夫其实是一个没有家庭也没有工作的流浪汉。

历史老师要求格雷福写一篇历史论文，为了查找资料，格雷福来到了图书馆，在图书馆里，格雷福遇见了个名为德利夫的老人，这个看似其貌不扬的老人却对历史津津乐道，在德利夫的帮助之下，格雷福完成了一篇出色的论文，得到了老师的夸奖。 　　之后，格雷福常常去图书馆找德利夫聊天，德利夫用自己精彩绝伦的故事为格雷福打开了一扇扇新世界的大门。随着时间的推移，格雷福和德利夫之间建立起了深厚的友谊。终于有一天，两人的关系被格雷福的父母知道了，父母坚决反对格雷福和德利夫交往，因为德利夫其实是一个没有家庭也没有工作的流浪汉。

又名: 隐秘之爱之情迷风尘该剧，单集片长: 110分钟，讲述了男主角在分手的时候遇到了刚好也在分手的女主角，但是因为女的文化水平和工资都比他高，这俩很快就在一起了，正当要结婚的时候被周围的朋友说他是小白脸，然后故事就开始了……by:www.qimiyingshi.net

又名: 隐秘之爱之情迷风尘该剧，单集片长: 110分钟，讲述了男主角在分手的时候遇到了刚好也在分手的女主角，但是因为女的文化水平和工资都比他高，这俩很快就在一起了，正当要结婚的时候被周围的朋友说他是小白脸，然后故事就开始了……by:www.qimiyingshi.net

City Deep is the eleventh film from Drawings for Projection, a series of animation films that William Kentridge has been working on since 1989. City Deep is about so-called Zama zamas, illegal mineworkers who scour abandoned mines for remnants of gold. Kentridge mixes the world of the mineworkers with, among others, the Johannesburg Art Gallery, built during the heyday of the gold industry and colonialism. 　　Drawings for Projection marked Kentridge’s international breakthrough as an engaged artist with a sense of commitment and a concern for developments in his native country. His films illuminate the charged history of South Africa. ‘I have never tried to make illustrations of apartheid’, he once stated. ‘But the drawings and films are certainly spawned by and feed off the brutalized society left in its wake.’

City Deep is the eleventh film from Drawings for Projection, a series of animation films that William Kentridge has been working on since 1989. City Deep is about so-called Zama zamas, illegal mineworkers who scour abandoned mines for remnants of gold. Kentridge mixes the world of the mineworkers with, among others, the Johannesburg Art Gallery, built during the heyday of the gold industry and colonialism. 　　Drawings for Projection marked Kentridge’s international breakthrough as an engaged artist with a sense of commitment and a concern for developments in his native country. His films illuminate the charged history of South Africa. ‘I have never tried to make illustrations of apartheid’, he once stated. ‘But the drawings and films are certainly spawned by and feed off the brutalized society left in its wake.’