陈家（大小迪一家）在这几年中的生活，发生了很大的变化。爸爸陈卫霖开的炸鸡店自从被命名为“轰炸鸡”后，生意就持续稳步上升。他们搬出了以前的旧居，在近郊买了一套新房子，小迪也有了自己的卧室，不用再跟姐姐住一个房间。爸爸还买了一辆代步的QQ车，这辆QQ车兼具客车和货车的双重功能。 　　新家离市区很远，大迪每天都要在上班高峰期挤地铁去上班。在公司上班,大迪必须像个拼命三郎一样才能不被开除。所幸，她遇见了在人偶剧团做演员的马林蜀，两人一见钟情，但大迪却忙得没有时间约会。 　　马林蜀身为一个近似于跟自由职业者无异的小演员，总是有大把空闲的时间。他每次兴高采烈地来找大迪约会，可只要是来自大迪老板、客户甚至同事的任何一个电话都会使约会泡汤。好不容易熬到了周末，马林蜀觉得终于有时间了！可周末对于大迪来说，那可是难得的补觉时间！ 　　妈妈以前最大的兴趣就是打麻将和烫头发。可自从马林蜀出现之后，妈妈又找到了生活中的新乐趣——棒打鸳鸯。妈妈给大迪说：马林蜀这个人就是人生中一半的时间在患得患失，一半的时间在怀才不遇。 　　这对小情侣的爱情之路才刚刚开始，就已经危机四伏了。 　　小迪上了初中，成绩依然不好。她还是一贯的迷迷糊糊好吃懒做，经常忘记按时做作业，却永远能把家里零食的储备数量记得清清楚楚。 　　爸爸仍然忙于“轰炸鸡”，忙于写他的诗，苦恼于无人欣赏。 　　家里每个人看上去都异常地忙碌，唯独太奶奶经常一个人守在家里，非常孤独。她心里希望他们能多花时间陪陪自己，可又心疼他们，不愿意占用他们为数不多的休息时间。 　　太奶奶为了消除寂寞，给她的姐妹芙蓉写信，她没有找到合适的信签纸，就随手写在了一张旧日历背后。日历的正面就是“神舟七号”的照片。 　　芙蓉的曾孙子浩浩此时正缠着她询问爸爸妈妈去了哪里？原来浩浩的父母离异了，把他寄养在了太奶奶家。太奶奶不愿意伤害浩浩，每天都要编造一个应付浩浩的美丽谎言。就在她绞尽脑汁的时候，门铃响了，她打开门看见邮差站在门外，有一封信要让她签收。浩浩太奶奶说：这是你爸爸来信了。浩浩满怀期待地看着太奶奶打开信封，他看到了“神舟七号”的照片，说：哇！我爸爸住在这么神气的房子里面吗？ 　　浩浩从此就将此事记在了心上，问了太奶奶许多关于外太空的事情。没多久，他就萌生了要去寻找爸爸的想法。浩浩问太奶奶信封上的地址就是爸爸住的地方吗？太奶奶说是的。浩浩瞒着太奶奶戴上自己的宠物——一只长得像猪的猫，就坐上火车去找爸爸了。 　　几天后，他敲响了陈家的门。太奶奶开门了，小迪却懵了，因为浩浩第一句话就是:这里是“神州七号”的登陆舱吗？陈家对于一个陌生的满口外太空宇宙飞船的小孩大乱阵脚。太奶奶从芙蓉那里得知了情况，就全家开会研究这件事情。太奶奶坚持要留下浩浩，遭到了家庭成员的一致反对。但是当他们知道浩浩的父母离异时，又决定留下他。就这样，浩浩开始了他在陈家的生活。 　　浩浩入住几天后，妈妈带着浩浩去找学校。可由于浩浩过于古灵精怪，总是被学校退学。短短时间，浩浩就上了这个区的入学黑名单。万般无奈之下，只能让浩浩去上了一个民办小学——百花小学。百花小学在小迪学校里面的一幢旧教学楼里，是校长廉价租用的。校长跟浩浩一见如故，觉得他大有自己小时候之风，爽快地收下了浩浩。 　　浩浩成了小迪的校友，可是小迪不屑承认他有个在破破烂烂的旧楼里上学的弟弟。小迪总是说我跟你是不一样的，我是在金光闪闪的新大楼里上学的。浩浩才不管她，照样该找姐姐的时候就找姐姐，给害怕麻烦懒惰的小迪添了很多麻烦。可一旦浩浩有了困难，小迪还是会挺身而出。 　　小迪班上来了一个转校生小小超，小迪看见小小超瘦小，误认为小小超家里很穷。她每天都带一个炸鸡腿给小小超吃，告诉他说是免费的！有一天，小小超没有来上课，小迪正在担心小小超是不是因为饥饿而生病了，却突然听见教室外面轰隆隆响，外面的同学都尖叫起来。小迪仔细一看，是小小超坐着直升飞机来上学了！ 　　而爸爸的“轰炸鸡”店铺对面来了一个叫“战斗鸡”的新对手；妈妈偷偷地把自家的车库租给了别人当货仓；大迪的男朋友马林蜀意外走红，让大迪高兴又担忧；一向只对吃和睡感兴趣的小迪最近忽然变得勤快又爱美，原来小小的心灵中萌发了对小小超最纯真的感情；而浩浩和太奶奶这一老一小的心灵也在越靠越近，亲如婆孙…… 　　陈家还有哪些哪些出人意料的故事发生呢？不管怎样，一家人都努力、勤恳、真诚地在这个城市中生活着，上演着属于他们的喜怒哀乐。

陈卫霖（孙金华 配音）当了二十多年的国企小科长，虽然一直都在努力工作企图获得晋升，却似乎始终未能抓住机会。吴贤慧（邓玉婷 配音）是典型的家庭主妇，烫着大波浪，喜欢打麻将和看电视剧，成天乐呵呵的，似乎没什么烦恼。 这两个性格迥异的人，却在姻缘巧合之下结为夫妻，还诞下了陈大迪（祖晴 配音）和陈小迪（梁颖 饰）两个可爱的女儿。陈大迪的个性像妈妈，古灵精怪崇尚自由，常常沉迷于幻想之中，清醒以后又会稍稍感到泄气。陈小迪则像爸爸，在爱耍小聪明的表象下有着一颗善良的内心。这幸福的一家人，相互信赖，相互扶持，是他们组成了“家”，缺一不可。

陈小迪一家参加比赛，因为爸爸的失误功败垂成不说，还得了个史上最胆小爸爸的称号举世闻名。欢乐家庭变得冰冷破裂。小迪想找回家庭温暖，于是带着家人去寻找能吃掉这段痛苦记忆的怪兽。　　　刚到霍格特，他们就遭到动物们的拘捕和审判，终于冰释前嫌时又不小心得罪刺猬家族。最终爸爸为了救家人，掉下峡谷。　　当一家人从怪兽那里抢回爸爸时，爸爸真的失忆了。一家人这才发现以前的记忆多么珍贵，爸爸多么伟大。　　最后，一家人决定，就算自己的记忆全部散失，也找回爸爸的记忆，一家人永远在一起。

小猫威力之快乐的小伙伴

节目以沈月、王敬轩、吴宇恒、周彦辰为核心的原生好友圈为主，通过让嘉宾自行策划并制作自己的节目为切口，共同寻找当代年轻人“快乐生活”的秘诀，鼓励更多年轻人一起做快乐的大人。

Anand (Rajesh Khanna饰)，一个癌症末期的病人，却活得问心无愧，不像其他抑郁和绝望病人，他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰)，被人们亲热地称呼为Moshai先生，他的精神拥有着令人惊讶的力量，以自己的方式让周围的人了解生命的意义。可是，Bhaskar却对Anand的病无能为力… 　　《Anand》成功塑造了一个勇敢面对死亡的人，这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项，包括最佳男主角（Rajesh Khanna）、最佳男配角（Amitabh Bachchan）、最佳对白（Sampooran Singh Gulzar）、最佳编剧（Hrishikesh Mukherjee）、最佳影片（Hrishikesh Mukherjee，N.C. Sippy）、最佳剧情（Hrishikesh Mukherjee）。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.